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Jean-Efflam Bavouzet

Jean-Efflam Bavouzet – France

Award-winning pianist Jean-Efflam Bavouzet enjoys a prolific recording and international concert career. He regularly works with orchestras such as The Cleveland, San Francisco Symphony, BBC Symphony, and Tokyo Metropolitan Symphony orchestras, and collaborates with conductors including Vladimir Jurowski, Gianandrea Noseda, François-Xavier Roth, Yan Pascal Tortelier, Vasily Petrenko, Ludovic Morlot, Edward Gardner, and Sir Andrew Davis, among others.

This season, he began his Debussy-focused residency at Wigmore Hall with solo recitals and chamber concerts with the Danel Quartet and Dmitri Shishkin. Other recent highlights include concertos across Europe, performances at Lincoln Center and Carnegie Hall with the London Philharmonic Orchestra, appearance at the BBC Proms, a tour of the United Kingdom with the Iceland Symphony, and play/direct with the Camerata RCO.

Mr. Bavouzet records exclusively for Chandos; his latest album, The Beethoven Connection, received numerous accolades from Gramophone, BBC Music, and Choc-Classica magazines, and The New York Times. Ongoing cycles include the complete Haydn piano sonatas and the complete Mozart piano concertos with the Manchester Camerata and Gábor Takács-Nagy. In September 2020, the complete Beethoven concertos were released with the Swedish Chamber Orchestra, play/directed by Mr. Bavouzet. Other recordings have garnered Gramophone, BBC, Diapason d’Or, and Choc de l’année awards.

Mr. Bavouzet has worked closely with Pierre Boulez, Karlheinz Stockhausen, György Kurtág, Maurice Ohana, Bruno Mantovani, and Jörg Widmann and is also a champion of lesser-known French music, notably that of Gabriel Pierné and Albéric Magnard. He is the International Chair in Piano at the Royal Northern College of Music and an advisory board member of the Pianofest in the Hamptons.

bavouzet.com

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Kyle Orth

Internationally acclaimed pianist Kyle Orth has appeared as soloist with many orchestras, including the Dallas, Fort Worth, Israel, Oaxaca, Minnesota, and Missouri Symphony Orchestras, performing under the batons of Jaap van Zweden, Miguel Harth-Bedoya, and other renowned conductors. His performances have been hailed as “spine-tingling” (Fort Worth Star-Telegram) and “breathtaking” (Boston Musical Intelligencer). Most recently, Mr. Orth presented Tchaikovsky’s Second Piano Concerto with Osmo Vänskä and the Minnesota Orchestra on their subscription series, a performance which the Star Tribune described as being “thrillingly visceral.”

Mr. Orth has won prizes in several competitions, among them the Minnesota Orchestra Young Artist, Dallas International Piano, Corpus Christi International Piano, and Wideman International Piano Competitions, among others. Festival participation includes the Perlman Music Program, Ravinia Steans Music Institute, Bowdoin International Music Festival, and Prades Festival-Academie in France. Additionally, Mr. Orth was a founding member of the Caspian Quartet, a competitively selected honors ensemble at the New England Conservatory.

Born in Fountain Valley, California and raised in Richardson, Texas, Mr. Orth studied through high school with Marcy and Alex McDonald. He completed his undergraduate degree at TCU, and received his graduate degree from the New England Conservatory, where he continues his performance studies in the highly selective DMA program. At NEC, he was awarded the Presser Foundation Graduate Music Award in 2018 and a Presidential Scholarship from 2016–2018; he also won the piano department concerto competition and performed Prokofiev’s Third Piano Concerto in Jordan Hall.

 

ALESSANDRO DELJAVAN

ALESSANDRO DELJAVAN – ITALY

Italian pianist Alessandro Deljavan has been astonishing audiences for more than two decades. Acknowledgements began at the age of nine when he won the prestigious Concours musical de France (1st Prize, Paris, 1996). He is embraced for his remarkable prowess and emotional intensity by audiences and colleagues alike. “Deljavan played Chopin’s B minor Etude with jaw dropping virtuosity and heart-stopping eloquence.” (Dallas Morning News)

A prolific recording artist, Alessandro Deljavan has more than 60 albums from the solo and chamber music repertoire. Of his recording of the Chopin complete Études Pizzicato wrote, “Technically brilliant and with an exceptional imagination, Alessandro Deljavan brings finesse and spontaneity to Chopin’s Etudes.”

Alessandro Deljavan has won top prizes in competitions including Concours musical de France (1st Prize, Paris, 1996), Hummel Competition (2nd Prize, Bratislava, 2005), Gina Bachauer Young Artist Competition (5th Prize, 2005), Cliburn Competition (John Giordano Discretionary Award, 2009; Raymond E. Buck Discretionary Award, 2013), and Isangyun Competition (2nd Prize, Tongyeong, South Korea, 2010).

Alessandro has performed with the Mariinsky Theatre, Fort Worth Symphony, Israel Camerata, Wu Han Philharmonic, and the Lithuanian Chamber Orchestras, as well as Orchestra Sinfonica di Milano Giuseppe Verdi, Orchestra Sinfonica Leopolis, and Orchestra Haydn di Bolzano e Trento, among others.

He has appeared at festivals such as the Festival International Piano Classique de Biarritz, Festival Chopin à Paris, Piano Intime Series, Glafsfjordens musikfestival, Bologna Festival, Il Festival Piano Master, Orta Festival, Gradus International Piano Festival, Franz Liszt Festival, Festival Città di Morbegno, Festival Internazionale di Lapedona, Autunno Musicale, the Bogotà International Piano Festival and Tippet Rise.

Alessandro Deljavan has a discography of over 60 albums. In 2021 Alessandro launched his own label, AERAS. A new Bach Goldberg recording, a Liszt album, to be followed by Schubert sonatas, Beethoven sonatas with violin, Mozart sonatas, and more.

On Youtube, his recording of the complete Chopin Waltzes has received more than one million streams to date.

He is currently professor of piano at the U. Giordano Conservatory of Music, Rodi Garganico, Italy.

 

 

 

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Carol Leone

CAROL LEONE – UNITED STATES

American pianist Carol Leone is active as a soloist and chamber musician, appearing throughout the United States, Europe, and Asia. A successful recording artist, she can be heard on MSR Classics, Gasparo, Crystal, and Augusta Read Thomas labels. Her recording, Change of Keys on MSR Classics garnered two 2016 Silver Global Awards. Carol has been a top prize-winner in piano competitions, including the National Beethoven Sonata Piano competition. She has performed regularly with the Grammy®-nominated contemporary music ensemble Voices of Change.

Considered one of the world’s leading advocates and presenters for alternatively-sized piano keyboards, Dr. Leone has energized a worldwide movement to transform pianists’ artistry and wellness.

Carol’s professional training included study with legendary Polish pianist Mieczysław Horszowski at the Curtis Institute of Music, where she received a performance certificate. She was a private student of Guido Agosti in Rome following a summer at the Accademia Chigiana in Siena, where she earned the coveted Honors Diploma. She received her doctorate from the UNT College of Music.

Carol Leone is Chair of Piano Studies and Professor of Piano at SMU’s Meadows School of the Arts in Dallas, Texas. At SMU, she performs regularly as concerto soloist with the Meadows Symphony Orchestra and as part of a faculty piano trio with violinist Aaron Boyd and cellist Andres Diaz. She is also on the piano faculty of the Siena International Music Programs at the Accademia Chigiana in Siena, Italy and is co-director and co-founder of the International Stretto Piano Festival.


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Alex McDonald

Alex McDonald – UNITED STATES

Since his orchestral debut at age 11, pianist Alex McDonald has soloed with the Orquesta Sinfónica del Estado de Mexico, Louisiana Philharmonic, Fort Worth Symphony Orchestra, and Utah Symphony Orchestra, among others. He has performed across the United States, as well as in Israel, Mexico, Canada, Japan, and South Korea; additionally, he has been a featured performer on PBS, WRR (Dallas/Fort Worth), NPR, and WQXR (New York City). Awards include second prizes at the 2007 New Orleans International Piano Competition and 2001 Gina Bachauer International Young Artist Piano Competition, and the 2008 Harvey Fellowship by the Mustard Seed Foundation. In 2013, he was a competitor in the Fourteenth Van Cliburn International Piano Competition.

Mr. McDonald is currently the festival director for Basically Beethoven, a thriving summer concert series now approaching its 40th season in downtown Dallas’ Arts District. His program “Music for Animals” was hailed by Theater Jones as one of its “Concerts of the Year” in 2016. Equally passionate as a teacher, his private piano students have been admitted to Juilliard and Eastman, and have performed at Carnegie’s Weill Hall and on WRR. He has taught at Texas Woman’s University, Richland College, and The Juilliard School, where he also was a teaching fellow for both the Literature and Materials and Piano Minor departments. The Texas Music Teacher’s Association awarded him the 2017 Outstanding Achievement Award in teaching at the age of 34.

Mr. McDonald received his pre-college training under Lois Nielson, his bachelor’s degree from the New England Conservatory with Academic Honors and Distinction in Performance under Russell Sherman, and his master’s and doctoral degrees from Juilliard under Yoheved Kaplinsky and Julian Martin. His doctoral document, a source study on manuscripts and editions for Liszt’s Sonata in B Minor, has been cited in the most recent edition of the sonata by Alfred Publishers, edited by Nancy Bricard.

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Pamela Mia Paul

PAMELA MIA PAUL – UNITED STATES
Jury Chair

Pamela Mia Paul is both a brilliant performer and a deeply dedicated teacher. On stage, she has performed with the world’s great orchestras. She has given concerts throughout the United States, and in Europe, the People’s Republic of China, South Korea, and Turkey both as soloist and as chamber musician. In the studio, or in the setting of a masterclass, she is an internationally sought-after pedagogue whose students hold teaching positions throughout the United States and Asia, and who have participated in and won competitions including the Nina Widemann and Naumburg International Piano Competitions.

Ms. Paul has commissioned and premiered works for the piano; Robert Beaser’s Piano Concerto, which was written for her, had its premiere in the United States with the St. Louis Symphony conducted by Leonard Slatkin, and in Europe with the Monte Carlo Philharmonic under the baton of American conductor Richard Dufallo. The Beaser Concerto had its New York premiere in 1992 at Carnegie Hall, with Dennis Russell Davies conducting the American Composers Orchestra. In 2012, Ms. Paul commissioned a concerto for piano and symphonic winds from Steven Bryant. The concerto was premiered with the UNT Wind Symphony conducted by Eugene Migliaro Corporon and recorded for release on the Klavier label in December 2012.

Ms. Paul has received critical acclaim for her appearances with orchestras in the United States and Europe, where her interpretations of both standard repertoire and 20th-century piano concertos have garnered consistent critical praise. Her European orchestral appearances include the Vienna ORF Orchestra, Vienna Symphony, the Orchestre de la Suisse Romande, Berlin Stadskapelle, and the Dutch Radio Symphony. U.S. appearances include the New York Philharmonic; Minnesota, American Composers, and Caramoor Festival Orchestras; the Detroit, St. Louis, Pittsburgh, and Houston Symphonies; and the Boston and New York Pops.

In both orchestral performances and recitals, Ms. Paul has appeared in the world’s major concert halls, including New York’s Alice Tully Hall and Carnegie Hall, Wigmore Hall in London, the Musikverein and Konzerthaus in Vienna, and the Concertgebouw of Amsterdam. As a chamber musician, she has been an invited guest artist at the Salzburg and Bregenz Festivals in Austria, Aspen Music Festival in Colorado, and at Music Mountain in Connecticut. She has performed with the Cassatt, Penderecki, Borromeo, Chester, Orlando, Leontovich, Miro, DaPonte, and St. Petersburg Quartets.

Summer programs at which Ms. Paul has taught include the Prague International Master Classes, The Institute for Strings, and the Vienna International Piano Academy. She has presented masterclasses in Europe, the People’s Republic of China, Turkey, South Korea, and throughout the United States. In 2017, she served as a member of the screening jury of the Fifteenth Van Cliburn International Piano Competition.

Ms. Paul received the Doctor of Musical Arts, Master of Music, and Bachelor of Music degrees from The Juilliard School. She is currently Regents Professor of Piano at the University of North Texas and is a Steinway artist.

 

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Valery Kuleshov

VALERY KULESHOV – UNITED STATES/RUSSIA
1993 CLIBURN SILVER MEDALIST

Valery Kuleshov was born in 1962 in Chelyabinsk, Russia. At the age of 7, he entered the Central Musical School of the Moscow Conservatory, and two years later made his concert debut with a symphony orchestra in the Great Hall of the Moscow Conservatory. He earned his master’s degree at Gnessin Academy of Music and his doctoral degree from the State Jewish Academy, both in Moscow. He has studied with some of the best Russian pianists, including Dmitry Bashkirov, Nikolai Petrov, and Vladimir Tropp, and also attended the International Piano Foundation in Italy with the world’s most acclaimed piano teachers, including Karl Ulrich Schnabel and Leon Fleischer.

Mr. Kuleshov’s first major international success was at the Ferruccio Busoni International Piano Competition in Italy in 1987, where he was awarded second place. He also received the gold medal along with the first place winner. That year, he began intensive concert activity in Russia and abroad.

In his North American debut at the Ninth Van Cliburn International Piano Competition in 1993, he was awarded the silver medal as well as the Prize for Best Performance of the Commissioned Work, Ghost Waltzes, by American composer Morton Gould. His performance in the Final Round prompted the Le Monde reviewer to exclaim, “What sound! What allure! What a musician!”

Mr. Kuleshov has accomplished the unique and incredibly difficult work of writing out, from listening only to the LP recordings, Vladimir Horowitz’s unpublished piano transcriptions. After listening to the recordings of his transcriptions played by Mr. Kuleshov, he wrote to the young musician: “I was not only delighted by your fantastic performances, but I congratulate you on your keen ear and great patience that were required to write out, note by note, the scores of these unpublished transcriptions, by listening to my recordings.” (Oct. 1987).

Mr. Kuleshov’s performing art is based on the best Russian piano traditions. One can find in his playing emotional sincerity, rich colors, brilliant virtuosity, profound understanding of composers’ styles, and freshness of interpretation. His playing has been compared to the style of Mr. Horowitz with vast dynamic contrasts, consisting of tremendous double-fortissimos followed by sudden delicate pianissimos. Mostly he is attracted to the Romantic music of Schumann, Liszt, Chopin, Brahms, and Rachmaninov. The greatest place in his concert programs belongs to Scriabin’s works, as well as classical and contemporary music.

In 1997, by decree of the President of Russia Boris Yeltsin, Valery Kuleshov was awarded the rare distinction “Honoured Artist of the Russian Federation.”

In addition to maintaining an international performing schedule, Valery Kuleshov is artist-in-residence at the University of Central Oklahoma in Edmond, Oklahoma. In 2019, he served on the jury of the Second Cliburn International Junior Piano Competition. He also performs duo piano repertoire with his talented daughter, Tatiana Kuleshova.


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Isaac Foreman

Pianist Isaac Foreman has appeared as a soloist and chamber musician throughout the United States, Europe, and Israel. In 2017, he performed Grieg’s Piano Concerto in A minor with the Brunesis Virtuosi Orchestra, and was a recitalist on the Fort Worth Symphony Orchestra’s classical concert series. Additionally, he has performed numerous times with the Baroque ensemble, Collegium Musicum at TCU. An enthusiastic advocate of the music of J.S. Bach, he presented the complete Sinfonias in a recital in Fort Worth, Texas in 2014.  Recent awards include first prize in the Texas and Southwest Divisional MTNA Young Artist Piano Competitions in 2018; second prize in the MTNA Steinway and Sons National Young Artist Piano Competition in 2019; first prize in the Baylor/Waco Piano Concerto Competition in 2016; and was a semifinalist in the 2017 Wideman International Piano Competition. He has also appeared in several music festivals including MusicFest Perugia, PianoTexas International Festival and Academy, Tel-Hai International Piano Masterclasses, TCU’s Festival of American Song, and Semper Music International Festival in Völs am Schlern, Italy where he performed Alexander Knaifel’s Piano Quintet, In Air Clean and Unseen, with the composer in attendance. As a seasoned composer himself, he has won top prizes in the TMTA Original Ensemble Composition Competition, BMI Student Composer Awards, and the ASCAP Foundation Morton Gould Young Composer Awards. Mr. Foreman also has a love for vocal accompanying, recently receiving TCU’s Judith Solomon Award in Collaborative Piano, and frequently performs duo and two-piano repertoire. He is currently pursuing a Bachelor of Music in piano performance under the guidance of Dr. Tamás Ungár at Texas Christian University as a recipient of the prestigious Nordan Scholarship and Lili Krauss Piano Scholarship.

Amy Stewart

Singer, organist, pianist, and conductor Amy Pummill Stewart currently teaches at the TCU School of Music, where she conducts the TCU Vocal Jazz Ensemble, Purple, White and Blues, and teaches classes in the theory and musicology departments. She has a Bachelor of Music in vocal performance and a Master of Music in organ performance from TCU, and Doctor of Worship Studies degree from the Robert E. Webber Institute for Worship Studies. After graduating from TCU in 2000, she made her home in New York City. While there, Dr. Stewart appeared in many solo venues and was the featured soloist in four concerts with the New York Pops Orchestra and Skitch Henderson at Carnegie Hall. Dr. Stewart started her career in music as a young child performing on hundreds of recordings for educational and choral publications and commercials. She has been featured as soloist with the Windsong Chamber Choir, TCU Concert Chorale, Santa Fe Desert Chorale, and Arlington Master Chorale, as well as the Fort Worth Symphony, Santa Fe Symphony, and Corpus Christi Symphony Orchestras. Dr. Stewart has performed in productions with the Fort Worth Opera, Parterre Box Opera Troup in New York City, and Theaterhof Zwei Groschen Oper in Humbach, Germany. She occasionally tours around the country with her family’s four piano-four voice show, ClaviVoce. Dr. Stewart and her husband Jack reside in Fort Worth with their puppies, Bear and Callie.

Fort Worth Symphony Orchestra & Miguel Harth-Bedoya, Conductor

Once again, the six finalists of the Cliburn Amateur Competition will perform one movement of a concerto with the Fort Worth Symphony Orchestra at Bass Performance Hall.

FORT WORTH SYMPHONY ORCHESTRA

The Fort Worth Symphony Orchestra is deeply committed to uniting its community through performance, education, and outreach, reaching an audience of more than 200,000 annually. Since its beginnings in 1912, the FWSO has been an essential thread in the city’s cultural fabric and the very foundation of Fort Worth’s performing arts. As the principal resident company of the acoustically superb Nancy Lee and Perry R. Bass Performance Hall, the Orchestra performs a full season of concerts featuring internationally acclaimed guest artists and works by living composers. The Orchestra performs and partners with the Texas Ballet Theater, Fort Worth Opera, the Cliburn, and Performing Arts Fort Worth. Each summer at the Fort Worth Botanic Garden, the FWSO presents Concerts in the Garden—a series of family-friendly concerts that has become a city-wide tradition. The FWSO keeps exceptional musical experiences at the heart of its community.

For more information, visit FWSymphony.org.


MIGUEL HARTH-BEDOYA
FWSO MUSIC DIRECTOR LAUREATE

Celebrating more than 30 years of professional conducting, Miguel Harth-Bedoya has recently concluded tenures as Chief Conductor of the Norwegian Radio Orchestra (7 seasons) and as Music Director of the Fort Worth Symphony Orchestra (20 seasons), where he now holds the title of Music Director Laureate. With a deep commitment to passing his experience on to the next generation of musicians, he is currently the Director of Orchestral Studies at the University of Nebraska, Omaha, and starting the Fall of 2022 he will become the Mary Franks Thompson Director of Orchestral Studies at Baylor University, He has also established The Conducting Institute to teach the fundamentals of conducting to students ages high school and up, of all levels, through an intensive summer program, workshops, courses, and seminars.

Harth-Bedoya conducts orchestras worldwide such as the Chicago Symphony, Boston Symphony, Atlanta Symphony, Los Angeles Philharmonic, Philadelphia Orchestra, Minnesota Orchestra, Helsinki Philharmonic, Munich Philharmonic, London Philharmonic, BBC Orchestra, Birmingham Orchestra, National Orchestra of Spain, New Zealand Symphony, Sydney Symphony, NHK Symphony, and Tokyo Metropolitan Symphony Orchestra, among others. Equally at home in opera, Harth-Bedoya has led traditional productions with The English National Opera, Canadian Opera, Minnesota Opera, and Bremen Opera, among others.

He has also conducted the world premiere performances of Jennifer Higdon’s Cold Mountain, and Osvaldo Golijov’s Ainadamar at the Santa Fe Opera, and additional productions with the Cincinnati Opera and at the New Zealand Festival.

Harth-Bedoya has an impressive discography of more than 25 recordings, including critically-acclaimed albums on Harmonia Mundi, Deutsche Grammophon, Decca, LAWO, Naxos, and MSR Classics.

He is the Artistic and Managing Director of Caminos del Inka, a non-profit organization dedicated to preserving the rich musical legacy of the Americas.

Born and raised in Peru, Harth-Bedoya received his Bachelor of Music degree from the Curtis Institute of Music and his Master of Music degree from The Juilliard School, both under the guidance of Otto-Werner Mueller.

For more information: www.miguelharth-bedoya.com

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MARIN ALSOP, jury chair

MARIN ALSOP – UNITED STATES
JURY CHAIR

In addition to her role as jury chair, she will conduct the Fort Worth Symphony Orchestra with the six finalists during the Competition’s Final Round. As chair, she will oversee the jury selection process, consult on jury rules and procedures, and set the tone and mandate of the jury; but she will abstain from voting throughout the Competition, except in the case of a tie after the Final Round.

One of the foremost conductors of our time, Marin Alsop represents a powerful and inspiring voice. The first woman to serve as the head of a major orchestra in the United States, South America, Austria, and Britain, she is internationally recognized for her innovative approach to programming and audience development, her deep commitment to education, and her advocacy for music’s importance in the world.

Ms. Alsop currently serves as chief conductor of the ORF Vienna Radio Symphony Orchestra, the first music director of the University of Maryland’s National Orchestral Institute + Festival, and the first chief conductor and curator of Chicago’s Ravinia Festival, summer home of the Chicago Symphony Orchestra. She is also Conductor of Honour of Brazil’s São Paulo Symphony Orchestra and holds the title of Music Director Laureate and OrchKids Founder at the Baltimore Symphony Orchestra, after recently concluding an outstanding 14-year tenure as its music director.

As well as enjoying longstanding relationships with the London Philharmonic and London Symphony Orchestras, she regularly guest conducts such major international ensembles as the Orchestra of the Age of Enlightenment, the Orchestre de Paris, and The Cleveland, La Scala, Leipzig Gewandhaus, Philadelphia, and Royal Concertgebouw Orchestras. An ardent champion of new composition, she was music director of California’s Cabrillo Festival of Contemporary Music for 25 years. Last season, in collaboration with YouTube, Google Arts & Culture, and a host of the world’s leading arts organizations, she spearheaded the #GlobalOdeToJoy, a crowd-sourced video project to celebrate Beethoven’s 250th anniversary and amplify his Ninth Symphony’s call for tolerance, unity, and joy.

The first and only conductor to receive a MacArthur Fellowship, Ms. Alsop has also been honored with the World Economic Forum’s Crystal Award and numerous honorary doctorates. Recognized with Grammy®, Classical BRIT, and Gramophone awards, her extensive discography includes recordings for Decca, harmonia mundi, Naxos, and Sony Classical. To promote and nurture the careers of her fellow female conductors, in 2002 she founded the Taki Concordia Conducting Fellowship, now renamed in her honor as the Taki Alsop Conducting Fellowship. The Conductor, an award-winning documentary about her life, debuted at New York’s 2021 Tribeca Film Festival.

marinalsop.com

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2017 Cliburn Competition

FIFTEENTH VAN CLIBURN INTERNATIONAL PIANO COMPETITION
MAY 25–JUNE 10, 2017
NANCY LEE AND PERRY R. BASS PERFORMANCE HALL
FORT WORTH, TEXAS, USA
Leonard Slatkin, jury chairman

AWARDS AND PRIZES

Beverley Taylor Smith Award for the Best Performance of a New Work: Daniel Hsu ($5,000)
Steven De Groote Memorial Award for the Best Performance of Chamber Music: Daniel Hsu ($6,000)
John Giordano Jury Chairman Discretionary Award: Dasol Kim ($4,000)
Raymond E. Buck Jury Discretionary Award: Leonardo Pierdemenico ($4,000)
Jury Discretionary Award: Tony Yike Yang ($4,000)
Audience Award: Rachel Cheung ($2,500)

WINNERS’ UPDATES

YEKWON SUNWOO Since his Cliburn gold medal win, the Korean pianist has graced the cover of Forbes Korea as one of 40 power leaders, was declared “one to watch” by International Piano magazine, and was featured in the Korean reality show “Stranger.” He released an introspective two-disc Mozart album in 2020 and maintains an active concert schedule in the United States, Europe, and Asia. He splits his time between Berlin and Seoul, where he started a young artist mentorship program.

KENNY BROBERG Kenny followed his Cliburn silver medal with a bronze at the 2019 International Tchaikovsky Competition before winning the 2021 American Pianist Award. In the last five years, he has traversed Europe, Asia, Australia, and North America on tour and has begun to include his own short compositions in recitals. His first studio album of Medtner and Scriabin is slated for release in late 2022. He is currently artist-in-residence at the University of Indianapolis and was recently appointed deputy professor at the Reina Sofía School of Music in Madrid.

DANIEL HSU The bronze medalist was profiled as “one to watch” by International Piano magazine and enjoys a burgeoning concert career in North America, Europe, and Asia. Recent and upcoming highlights include collaborations with Gemma New, Ruth Reinhardt, and Francesco Lecce-Chong, as well as performances with the Vancouver Recital Society and at South by Southwest. He graduated from Curtis in 2019, and recently moved to the Bay Area. Co-developer of the award-winning Workflow app (now known as Siri Shortcuts), he still enjoys flexing his tech brain.

RACHEL CHEUNG The Audience Award winner continues to build her profile, both in her hometown of Hong Kong and abroad. A curious and enthusiastic collaborator, she has performed with the Asian Youth Orchestra on its friendship tour, partnered with the Hong Kong Ballet in her first experience with dance, play/directed for the first time in 2019 (followed by several more opportunities) and begun experimenting with film and projections. She was named Artist of the Year (Music) by the Hong Kong Arts Development Council in 2019, and was featured in the Hong Kong Philharmoinic’s first live broadcast concert in 2020.

YURY FAVORIN Recent highlights of the Russian finalist’s career include collaborations with the Seattle and Montreal Symphony Orchestras and recordings featuring solo music by Alkan (MUSO) and Prokofiev violin sonata (MUSO). Trained in composition, he is a founding member of the ensemble ERROR 404 devoted to free improvisatory music and continues to champion new work. He is currently assistant professor at the Moscow Tchaikovsky Conservatory.

GEORGY TCHAIDZE Now based in Berlin, Georgy will be in residence with Nikita Boriso-Glebsky and Narek Hakhnazaryan as piano trio in residence at the Wiener Konzerthaus next season. Recent highlights include appearances at the Cartagena Music Festival, a tour of South Africa, and several concerts throughout Europe and Asia.


JURY

Leonard Slatkin, chairman (United States)
Arnaldo Cohen (Brazil)
Christopher Elton (United Kingdom)
Marc-André Hamelin (Canada)
Joseph Kalichstein (Israel/United States)
Mari Kodama (Japan)
Anne-Marie McDermott (United States)
Erik T. Tawaststjerna (Finland)
Alexander Toradze (Georgia/United States)

ADDITIONAL INFORMATION

Conductors: Nicholas McGegan (Semifinal Round), Leonard Slatkin (Final Round)
Chamber Music: Brentano String Quartet
Orchestra: Fort Worth Symphony Orchestra
Commissioned Work: Marc-André Hamelin, Toccata on “L’homme armé”

COMPETITION PROGRAM BOOK

RYAN ZHU

RYAN ZHU

Canada I Age 15

In January 2014, Ryan Zhu made both his recital and concerto debuts in his hometown of Vancouver—just one week apart from each other. In addition to performances in Canada since, he was recently featured in the Mariinsky International Piano Festival in St. Petersburg and at the Oberlin School of Music as a prize-winner in the Thomas and Evon Cooper International Piano Competition. A winner of several other competitions, Ryan attends Magee Secondary School and studies piano with Mira Yevtich and Michelle Mares. He enjoys reading and writing—especially poetry and history—as well as swimming and badminton.

“Music provides a means for humans to reach deep into the profundities of the soul. However, to do so requires the utmost precision, attention, and perseverance. Only by developing one’s intellectual ability and mental maturity can the highest level of artistry be attained.”

Competitor Profile

Repertoire

Preliminary Round
BACH Prelude and Fugue in D Minor, BWV 875
LISZT La leggierezza from Three Concert Etudes
MENDELSSOHN Variations sérieuses, op. 54

Quarterfinal Round

HAYDN Sonata in D Major, Hob. XVI:42

BRAHMS Intermezzo in A Minor, op. 116, no. 2

DEBUSSY “Reflets dans l’eau” from Images, Book I

LISZT Mazeppa from Transcendental Etudes

 

Semifinal Round

SCHUMANN Faschingsschwank aus Wien (Carnaval de Vienne), op. 26

SHCHEDRIN Basso Ostinato from Two Polyphonic Pieces

PROKOFIEV Sonata No. 3 in A Minor, op. 28

 

Final Round

LISZT Concerto No. 1 in E-flat Major, S. 124

HARMONY ZHU

HARMONY ZHU

Canada I Age 13

A Steinway Young Artist, Harmony Zhu has performed with such renowned conductors as Leonard Slatkin, Yannick Nézet-Séguin, Arie Vardi, and John Giordano. Last year, Harmony toured with the Israel Philharmonic, appeared with the Detroit Symphony for three concerts, and made her debuts at the Ravinia Festival and Aspen Music Festival as a soloist. The year prior, she opened The Philadelphia Orchestra’s season under Yannick Nézet-Séguin. November 2019 marks her debut at Carnegie Hall’s Stern Auditorium. A pupil of Yoheved Kaplinsky at Juilliard since 2014, Harmony won the Concerto Competition in her first year there. She has distinguished herself by garnering first prizes from an early age while competing within older age categories, winning competitions like Canadian Music Competition at only 6 for three years in a row and the Grand Prix at Chopin International Competition in Connecticut. Her most recent wins include being the youngest winner of the Bachauer Scholarship Competition and the Aspen Music Festival concerto competition. Harmony is also an accomplished composer and improviser, and plays violin. Harmony holds the World Champion title in her age group after winning the World Youth Chess Championships.

“I can never imagine my life without music—I eat, sleep, and breathe classical music! It is a way to communicate with people who are from different parts of the world and don’t speak the same language. It is something that everyone can understand and relate to.”

COMPETITOR PROFILE

Repertoire

Preliminary Round
RACHMANINOV Élégie in E-flat Minor, op. 3, no. 1
CHOPIN Etude in C-sharp Minor, op. 10, no. 4
BACH Prelude and Fugue in D Major, BWV 874
CARTER Caténaires

 

Quarterfinal Round

CHOPIN Nocturne in D-flat Major, op. 27, no. 2

BEETHOVEN Sonata No. 7 in D Major, op. 10, no. 3 (I)

CHOPIN Andante spianato et Grande Polonaise brillante, op. 22

BARBER Sonata for Piano, op. 26 (IV)

 

Semifinal Round

CHOPIN Preludes, op. 28, nos. 14-24

RAVEL “Ondine” from Gaspard de la nuit

LIEBERMANN Gargoyles, op. 29

 

Final Round

CHOPIN Concerto No. 1 in E Minor, op. 11

Xingyu Zhou

Xingyu Zhou

China I Age 14

Xingyu Zhou made his recital debut at the age of 8 in his native Beijing, and his concerto debut two years later in Canada with the St. Andrews Festival Orchestra. That was his second successful appearance in St. Andrews, where he won all top prizes in his age category at its international piano academy and festival in 2013. Among his accolades, he counts several top finishes in Chinese competitions, as well as concert appearances in Beijing, Shanghai, New York, Philadelphia, and Boston. He moved with his family three years ago to Philadelphia, where he studies with the Curtis Institute’s Meng-Chieh Liu. He also attends the Albert M. Greenfield School, where he excels academically, especially enjoying literature, math, and science, and is on the track team. He is also an adept athlete, having seriously studied badminton and speed skating, amongst others.

“When people converse, both sides talk. I think the case with music is similar. The performer does not simply give out everything he has—the music should also speak back to him. I often find my view on something has changed because of music.”

Repertoire

Preliminary Round
BACH Prelude and Fugue in G Major, BWV 860
CHOPIN Etude in G-sharp Minor, op. 25, no. 6
LISZT Mephisto Waltz No. 1, S. 514

Quarterfinal Round

BEETHOVEN Sonata No. 7 in D Major, op. 10, no. 3 (I)

CHOPIN Nocturne in E Major, op. 62, no. 2

RACHMANINOV Preludes, op. 23, nos. 4-8

 

Semifinal Round

SCHUMANN Sonata No. 2 in G Minor, op. 22

LISZT Two Concert Etudes

LIEBERMANN Gargoyles, op. 29

 

Final Round

GRIEG Concerto in A Minor, op. 16

Johann Zhao

Johann Zhao

Austria I Age 15

Salzburg-born Johann Zhao has five competition wins to his name in Austria, Czech Republic, and Germany, as well as a gold medal at the AADGT (American Association for Development of the Gifted and Talented) in 2017, which led to his Carnegie Hall debut. A student of Cordelia Höfer-Teutsch at the University Mozarteum Salzburg since 2013, he made his recital and concerto debuts in 2015 at Salzburg’s Summer Schlosskonzerte Mirabell. He has performed with the Bad Reichenhall Philharmonic and will perform with the Berliner Sinfonieorchester in Philharmonie in April. He is also a passionate chamber musician, a self-proclaimed YouTuber, runs marathons, sings in choir, and writes pop music.

“Through playing music, I came to understand the invisible world better, instead of relying on perception only. I am interested also in religion and history, and it seems to me that every religious movement or political change has always been accompanied by making music to awake emotion.”

Competitor Profile

Repertoire

Preliminary Round
BACH Prelude and Fugue in G Major, BWV 860
LISZT La campanella from Paganini Etudes
SHOSTAKOVICH Prelude and Fugue in D-flat Major, op. 87, no. 15
PROKOFIEV Toccata, op. 11

Quarterfinal Round

MOZART Sonata No. 18 in D Major, K. 576 (I)

CHOPIN Barcarolle in F-sharp Major, op. 60

BEETHOVEN Sonata No. 29 in B-flat Major, op. 106 (“Hammerklavier”) (I)

SCRIABIN Etude in D-sharp Minor, op. 8, no. 12

 

Semifinal Round

YIRUMA Kiss the Rain

BEETHOVEN Sonata No. 23 in F Minor, op. 57 (“Appassionata”)

SCHUMANN Toccata in C Major, op. 7

STRAVINSKY Etude in F-sharp Major, op. 7, no. 4

WEBER Perpetuum Mobile

 

Final Round

LISZT Concerto No. 1 in E-flat Major, S. 124

Boao Zhang

Boao Zhang

China I Age 15

Boao Zhang is a multiple competition prize winner in his native China, and also took home second at the Frederic Chopin Competition for Young Pianists in Poland. He made his recital debut a year ago at the Russian Cultural Center in Beijing and followed that appearance with a concert at the Inner Mongolia University of Science and Technology last fall. Having studied with Manchun Chen at the middle school of the Central Conservatory of Music, Beijing, for three years, Boao counts classical music as his “most important hobby,” noting that he “listens to music every day, without exception.” He was fascinated by ancient cultures at an early age, visits exhibitions of Western art as often as he can, and likes to read, swim, and play table tennis.

“When I was a young child, I thought music was interesting—as if I was listening to a person tell a story about his experience. So I enjoy classical music each night before bed, just as every child likes to listen to bedtime stories.”

 

Repertoire

Preliminary Round
BACH Prelude and Fugue in C Major, BWV 870
CHOPIN Etude in A Minor, op. 10, no. 2
CHOPIN Polonaise-Fantaisie in A-flat Major, op. 61

Quarterfinal Round

BACH Toccata in E Minor, BWV 914

HAYDN Sonata in E-flat Major, Hob. XVI:52 (I)

CHOPIN Nocturne in C-sharp Minor, op, 27, no. 1

PROKOFIEV Sonata No. 3 in A Minor, op. 28

 

Semifinal Round

SHCHEDRIN Basso Ostinato from Two Polyphonic Pieces

DEBUSSY Danseuses de Delphes from Preludes, Book I

DEBUSSY Les collines d’Anacapri from Preludes, Book I

CHOPIN Sonata No. 3 in B Minor, op. 58

 

Final Round

CHOPIN Concerto No. 2 in F Minor, op. 21

JiWon Yang

JiWon Yang
The Horchow Family Third Prize Winner

South Korea I Age 17

JiWon Yang made her recital debut in Seoul at age 9 and her concerto debut in Kazakhstan at 13. Among her competition accolades are several in her home country, as well as wins at the Zhuhai Mozart Competition in China, Astana Piano Passion Kazakhstan, and Cleveland International Piano Competition for Young Pianists. She has participated in Russia’s International Music Festival “Stars on the Baikal,” as well as the St. Paul University Piano Festival. Notable performances include with the Salzburg Chamber Soloists and at the Cultural Center of the Philippines, and Philippines Chopin Society. A current student of HyoungJoon Chang, JiWon counts traveling and flute performance among her interests outside of piano.

“Music gives me the feeling of joy, anger, sorrow, pleasure, and many different emotions. Also, music helps people to communicate with each other with our hearts.”

Competitor Profile

Repertoire

Preliminary Round
BACH Prelude and Fugue in C-sharp Major, BWV 848
CHOPIN Etude in C Minor, op. 10, no. 12 (“Revolutionary”)
SAINT-SAËNS Étude en forme de valse, op. 52, no. 6
CHOPIN Polonaise in A-flat Major, op. 53 (“Heroic”)

Quarterfinal Round
BEETHOVEN Sonata No. 11 in B-flat Major, op. 22 (I)
CHOPIN Nocturne in G Major, op. 37, no. 2
LISZT Réminiscences de Norma, S. 394

Semifinal Round
LIEBERMANN Gargoyles, op. 29
MUSSORGSKY Pictures at an Exhibition

 

Final Round
TCHAIKOVSKY Concerto No. 1 in B-flat Minor, op. 23

NAOMI YAMAGUCHI

NAOMI YAMAGUCHI

United States / Japan I Age 15

Michigan-born Naomi Yamaguchi made her orchestral debut at 8 and her recital debut when she was 10. Appearances since include the Detroit Institute for the Arts, Jordan Hall, Detroit Symphony Hall, Consulate of Japan, the National Assembly of State Arts Agencies, and in Michigan, Minnesota, New York, Massachusetts, Switzerland, and Italy. She has several first-prize finishes to her name and has been featured on From the Top and WQXR’s Young Artist Showcase. A second-year student of Hitomi Koyama at the New England Conservatory Preparatory School. She is a scholarship recipient of the Chopin Foundation of the United States, the Tatum Foundation for the Arts, and selected as the Young Artist of the Year 2017 of the Ruth Laredo Foundation. Naomi has a passion for performing at senior centers and a particular interest in the relation between music and memory in Alzheimer’s and dementia patients. She also plays clarinet in her school’s marching band.

“I believe music is a medicine. Researchers are exploring how music therapy can improve the health of their patients, including premature infants and those with Parkinson’s disease. I feel honored to have the ability to play for them, and it is my passion to help others with my music.”

Competitor Profile

Repertoire

Preliminary Round
BACH Prelude and Fugue in C-sharp Major, BWV 872
CHOPIN Etude in G-flat Major, op. 10, no. 5 (“Black Key”)
DEBUSSY Feux d’artifice from Preludes, Book II
SCHUMANN Variations on the Name ‘Abegg,’ op. 1

Quarterfinal Round
HAYDN Sonata in C Major, Hob. XVI:50 (I)
BOWEN Toccata in A Minor, op. 155
CHOPIN Nocturne in F-sharp Major, op. 15, no. 2
CHOPIN Andante spianato et Grande Polonaise brillante, op. 22

Semifinal Round

MENOTTI Ricercare and Toccata on a theme from “The Old Maid and the Thief”

BARTÓK Hungarian Peasant Songs Nos. 1-6, Sz. 71

BEETHOVEN Sonata No. 7 in D Major, op. 10, no. 3

TANAKA Techno Etude No. 3

 

Final Round

GRIEG Concerto in A Minor, op. 16

RAY USHIKUBO

RAY USHIKUBO

United States / Japan I Age 17

Ray Ushikubo made his recital debut at a Lang Lang and Friends concert at Segerstrom Concert Hall when he was 8 years old, and his Carnegie Hall debut the following year, playing piano and violin. Highlights of his already active performance career since include concertos with the Los Angeles Philharmonic, San Diego Symphony, Buffalo Philharmonic, and Los Angeles Chamber Orchestra (the latter in a double piano concerto with Jeffrey Kahane). In 2012, he played with Lang Lang on “The Tonight Show with Jay Leno,” and has also performed for From the Top, NPR’s Performance Today, TEDx, and Radio France (with Jean-Yves Thibaudet). Ray has won several piano competitions and is a 2014 Davidson Fellow laureate. He studied piano (with Ory Shihor) and violin at the Colburn Academy, and now attends the Curtis Institute also in both instruments under the piano tutelage of Gary Graffman and Robert McDonald. He listens to heavy metal, watches classic action movies, and loves driving cars.

“Through my music, I hope to make the people all over the world believe in themselves and become the best of what they can be. Music brings the best of my life.”

Competitor Profile

 

Repertoire

Preliminary Round
BACH Prelude and Fugue in D-sharp Minor, BWV 877
CHOPIN Polonaise in A-flat Major, op. 53 (“Heroic”)
LISZT Transcendental Etude No. 10 in F Minor

Quarterfinal Round

BEETHOVEN Sonata No. 8 in C Minor, op. 13 (“Pathétique”) (I)

CHOPIN Nocturne in B Major, op. 62, no. 1

LISZT Rhapsody espagnole

 

Semifinal Round

CORIGLIANO Etude Fantasy

CHOPIN Sonata No. 3 in B Minor, op. 58

 

Final Round

RACHMANINOV Concerto No. 2 in C Minor, op. 18

CHUN LAM U

CHUN LAM U

Hong Kong I Age 16

Chun Lam U’s competition credits include first-prize finishes in the Chopin International Piano Competition Asia, Japan Hamamatsu PIARA International Piano Competition, and Steinway & Sons International Youth Piano Competition, as well as second-place prizes at the Hanoi International Piano Competition, Shenzhen Piano Open Competition, and Zhuhai International Mozart Competition for Young Artists. He has performed in his native Hong Kong, with the Hong Kong Youth Symphony Orchestra and the Virtus String Quartet; in Vietnam with the VNAM Symphony Orchestra; and in China, with the Salzburg Chamber Soloists, with which he made his concerto debut in 2017. A student of Rizzo Chung at the GMC Music Academy, Chun Lam also enjoys playing basketball and solving math problems.

“One of the reasons I truly love music is because I feel a sense of belonging when I play the piano, and this allows me to freely showcase my personality without fear.”

Competitor Profile

Repertoire

Preliminary Round

BACH Prelude and Fugue in A Major, BWV 888
CHOPIN Etude in A Minor, op. 10, no. 2
MENDELSSOHN Variations sérieuses, op. 54

Quarterfinal Round
HAYDN Sonata in B Minor, Hob. XVI:32
CHOPIN Nocturne in B Major, op. 9, no. 3
BARTÓK Sonata for Piano, Sz. 80

Semifinal Round
BEETHOVEN Sonata No. 18 in E-flat Major, op. 31, no. 3
CHOPIN Barcarolle in F-sharp Major, op. 60
FRANK Nocturno Nazqueño

Final Round

CHOPIN Concerto No. 1 in E Minor, op. 11

SARAH TUAN

SARAH TUAN

United States I Age 16

Sarah Tuan was born and raised in San Jose, California, and finds the music of Chopin and Rachmaninov particularly pertinent to her life as an Asian-American girl: “Their music expresses a sense of longing and a desire to belong, which reminds me of my two cultural identities and how I belong to both worlds.” A current student of Ning An, she made her concerto debut at 10 and recital debut at 12. Sarah has won several competitions in California, as well as the Philadelphia International Piano Competition, and has been featured on NPR’s From the Top and Philadelphia’s WRTI FM 90.1. The Valley Christian High School junior loves cooking (she specializes in handmade knife-cut noodles), origami, bubble milk tea, cats, and researching U.S. politics.

“In a world with social standards and expectations of ‘containing yourself,’ it is hard to express real, raw emotion and tell a story that people can truly accept and feel. That is why music is important to everyone—it doesn’t judge, it doesn’t criticize, and it will never abandon the people it befriends.”

Competitor Profile

Repertoire

Preliminary Round
BACH Prelude and Fugue in D Major, BWV 850
CHOPIN Etude in G-sharp Minor, op. 25, no. 6
CHOPIN Fantaisie in F Minor, op. 49

Quarterfinal Round

HAYDN Sonata in A-flat Major, Hob. XVI:46 (I)

CHOPIN Nocturne in B Major, op. 62, no. 1

MENDELSSOHN Variations sérieuses, op. 54

RACHMANINOV Etude-tableau in A Minor, op. 39, no. 6

 

Semifinal Round

HANDEL Suite No. 2 in F Major, HWV 427

SCHUMANN Faschingsschwank aus Wien (Carnaval de Vienne), op. 26

WIESENBERG Metamorphosis II

 

Final Round

CHOPIN Concerto No. 1 in E Minor, op. 11

Chung Yue Tien

Chung Yue Tien

Hong Kong I Age 13

Born in Hong Kong, Chung Yue Tien started playing piano at the age of 3 and gave his recital debut at Hong Kong’s Citibank Plaza when he was 8. The current Edmond, Oklahoma resident made his concerto debut two years later at the Eisemann Center in Dallas with the Plano Symphony Orchestra as a result of a grand-prize win at their Young Artist contest. He studies piano with Pamela Mia Paul and has twice participated in the International Keyboard Odyssiad, which yielded a 2016 gold medal in Solo Level A (13 and under) and a 2017 bronze medal in Concerto Division (all ages). Chung Yue currently attends Heritage Hall Middle School in Oklahoma City where he is active in the debate club and sings in the choir; he also enjoys hiking, fishing, cycling, jogging, swimming, reading, and table tennis.

“I think of music as my best friend. Not only have I been working hard to nurture it in my mind, but I feel it is also growing stronger in my heart by the day.”

Competitor Profile

Repertoire

Preliminary Round
BACH Prelude and Fugue in G Minor, BWV 861
CHOPIN Etude in G-flat Major, op. 10, no. 5 (“Black Key”)
CHOPIN Etude in G-sharp Minor, op. 25, no. 6
LISZT Chasse-Neige from Transcendental Etudes
LISZT La campanella from Paganini Etudes

Quarterfinal Round
HAYDN Sonata in A-flat Major, Hob. XVI:43
CHOPIN Etude in C-sharp Minor, op. 25, no. 7
MENDELSSOHN Fantasy in F-sharp Minor, op. 28

Semifinal Round

CZERNY Variations on a Theme by Rode “La Ricordanza”, op. 33

CHOPIN Etude in A Minor, op. 25, no. 11 (“Winter Wind”)

CHOPIN Etude in A-flat Major, op. 25, no. 1

CHOPIN Etude in C Major, op. 10, no. 1

AUERBACH Chorale, Fugue, and Postlude (I)

BACH-BUSONI Toccata, Adagio, and Fugue in C Major, BWV 564

 

Final Round

LISZT Concerto No. 1 in E-flat Major, S. 124

Miyu Shindo

Miyu Shindo

Japan I Age 17

In addition to recitals in her home country of Japan, Miyu Shindo has performed in the Great Hall at the Moscow Conservatory and at Carnegie Hall, and in Austria and Italy. She has collaborated with the Nagoya Philharmonic, Central Aichi Symphony, and Obu Philharmonic Orchestras, and placed in several international competitions. Miyu recently moved to Russia to study with Valery Piassetski at the Central Music School in Moscow, where she notes that there are many different people from many different places. They speak Russian to each other, but “sometimes we can’t understand what the other person wants to say. When we talk about music, though, we can talk forever!” Outside of piano, she likes to listen to music and read books.

“If every human in this world will love music and tell each other ‘thank you for giving me wonderful happiness,’ we would not hate anyone. I believe that music has a big power to change the world.”

Competitor Profile

Repertoire

Preliminary Round
BACH Prelude and Fugue in C Major, BWV 870
LISZT La campanella from Paganini Etudes
TCHAIKOVSKY Theme and Variations in F Major, op. 19, no. 16

Quarterfinal Round
SCHUBERT Impromptuin G-flat Major, op. 90, D. 899, no. 3
LISZT Rhapsody espagnole
MOZART Sonata No. 11 in A Major, K. 331 (I)

Semifinal Round

SCARLATTI Sonata in E Major, K. 380

SCARLATTI Sonata in A Minor, K. 149

RAVEL Jeux d’eau

LISZT Réminiscences de Don Juan, S. 418

ROSENBLATT Paganini Variations

 

Final Round

RACHMANINOV Concerto No. 2 in C Minor, op. 18

Kasey Shao

Kasey Shao

United States I Age 15

A Louisville native who now lives in Cincinnati, Kasey Shao made her concerto debut with The Philadelphia Orchestra at the Kimmel Center when she was 12 years old. She has 13 first-place finishes to her name at junior competitions across the Eastern United States and made her Carnegie Hall (Weill Hall) debut in 2013. A student of Ran Dank, she attends Walnut Hills High School, where she is a member of the Model UN Club, Science Olympiad team, French Club, and Student Congress. She has accompanied school choir, band, orchestra, and chamber groups since she was in third grade, and is interested in conducting and collaborations with other pianists.

“Music has the power to bring people together, no matter race, gender, sex, or religion, and it creates emotions unable to be felt in everyday life. It is important to me because it gives my life a new flavor, a new color, and a new spectrum.”

Competitor Profile

Repertoire

Preliminary Round
BACH Prelude and Fugue in G Major, BWV 884
CHOPIN Etude in F Major, op. 10, no. 8
RACHMANINOV Prelude in D Major, op. 23, no. 4
ALBÉNIZ “Triana” from Iberia, Book II
SHOSTAKOVICH Prelude and Fugue in D-flat Major, op. 87, no. 15

Quarterfinal Round

BEETHOVEN Sonata No. 7 in D Major, op. 10, no. 3 (I)

CHOPIN Nocturne in E-flat Major, op. 55, no. 2

WEBERN Variations for Piano, op. 27

SCRIABIN Sonata No. 2 in G-sharp Minor, op. 19 (Sonata-Fantasy)

 

Semifinal Round

BOLCOM Nine Bagatelles

SCHUBERT Piano Sonata in A Minor, D. 784

CHOPIN Ballade No. 4 in F Minor, op. 52

 

Final Round

CHOPIN Concerto No. 2 in F Minor, op. 21

Benjamin T. Rossen

Benjamin T. Rossen

United States I Age 16

New Yorker Benjamin T. Rossen has won prizes in a number of U.S. competitions, including first-place finishes in contests held by Steinway & Sons, the Chamber Music Society of Lincoln Center, the Music Teachers National Association, and the National YoungArts Foundation. A student of Jeffrey Cohen at the Manhattan School of Music Precollege Division for five years, he made his recital debut at the school at age 9, and his concerto debut the following year with the New York Concerti Sinfonietta at Carnegie Hall. A junior at William A. Shine Great Neck South High School, Benjamin is founder and president of the Music Creators Society, which connects composers with artists to produce interdisciplinary works; plays piano in the school jazz band and French horn in operas and musicals; and is music editor for the school’s literary magazine.

“In society, music can bring awareness to many different facets of culture, from literature and art to political ideas and mathematical concepts. This medium allows for different communities to discover and acknowledge society’s achievements and challenges.”

Competitor Profile

Repertoire

Preliminary Round
STRAVINSKY Serenade in A
BACH Prelude and Fugue in E Major, BWV 878
LISZT Eroica from Transcendental Etudes

Quarterfinal Round
BEETHOVEN Sonata No. 7 in D Major, op. 10, no. 3 (I)
SCHUBERT Impromptu in B-flat Major, op. posth. 142, D. 935, no. 3
SCRIABIN Deux Poèmes, op. 32
CHOPIN Polonaise in F-sharp Minor, op. 44

Semifinal Round

DEBUSSY Pour les octaves from Etudes, Book I

DEBUSSY Bruyères from Preludes, Book II

MARTIN Praeludium and Fuga I in C Major

BRAHMS Sonata No. 1 in C Major, op. 1

 

Final Round

BARTÓK Concerto No. 1, Sz. 83

Hao Rao

Hao Rao

China I Age 15

Hao Rao grew up in the mountainside town of Jishou, China. Every week, his mother would take him on a 16-hour train ride to his piano lesson; he never tired of the trip and instead saw it as “departing for a great music journey with unknown surprises.” He now attends the Middle School of Xinghai Conservatory of Music in the sprawling city of Guangzhou, but still studies with his teacher of almost seven years, Vivian Li (Suirong). He has won three major national competitions in China, received prizes at the 2018 Ettlingen Competition and the 2019 Aarhus Competition, and—at the age of 13—presented the complete Chopin etudes in recital. He listens to opera and enjoys reading fiction, playing sports, and sampling desserts.

“I’ve been to several competitions or festivals abroad, and every time it was a life-changing inspiration with unforgettable memories, but the Cliburn Fort Worth… that’s almost like the Vatican for pianists. For me, it almost seems like a fairy tale, and I will treasure every moment of this journey.”

Competitor Profile

Repertoire

Preliminary Round
MENDELSSOHN Songs without Words, op. 67, nos. 1 & 5
BACH Prelude and Fugue in C Major, BWV 870
CHOPIN Etude in G-sharp Minor, op. 25, no. 6
LISZT Valse de l’opéra Faust (after Gounod)

Quarterfinal Round
CHOPIN Nocturne in D-flat Major, op. 27, no. 2
BEETHOVEN Sonata No. 4 in E-flat Major, op. 7 (I)
DEBUSSY Revêrie
DEBUSSY Les collines d’Anacapri from Preludes, Book I
BRAHMS Variations on a Theme by Paganini, Book II, op. 35

Semifinal Round

LIEBERMANN Nocturne No. 4, op. 38

SCHUBERT Four Impromptus, op. 90, D. 899

BIZET-HOROWITZ “Carmen” Fantasy

 

Final Round

CHOPIN Concerto No. 1 in E Minor, op. 11

Shunta Morimoto

Shunta Morimoto

Japan I Age 14

Shunta Morimoto has won first in his category three times in the Piano Teachers’ National Association of Japan Piano Competition, as well as other competitions in his home country, which has led to multiple performances in Tokyo, Yokohama, and his home town of Kyoto. He also placed first in the 2018 Aloha International Piano Competition and subsequently gave concerts in Hawaii, including with the Hawaii Youth Symphony. He says that experience helped him believe in the “magical power of music,” because he could use it to communicate easily where a language barrier may have prohibited him. A student at Momoyama Junior High School, Shunta currently studies with Shohei Sekimoto.

“It is often said that music is beyond all boundaries. But at the same time, the individuality and musical personality of good musicians often reflect their national cultural background. I believe the cultural and musical exchanges that I will have during the competition will help me gain a better understanding and a broader perspective on art and music.”

Competitor Profile

Repertoire

Preliminary Round
BACH Prelude and Fugue in E Major, BWV 854
CHOPIN Etude in C-sharp Minor, op. 10, no. 4
SCRIABIN Etude in A-flat Major, op. 42, no. 3
SCRIABIN Waltz in A-flat Major, op. 38
SCHUBERT-LISZT Der Erlkönig, S. 558, no. 4

 

Quarterfinal Round
HAYDN Sonata in B-flat Major, Hob. XVI:41
DEBUSSY L’isle joyeuse
CHOPIN Nocturne in C-sharp Minor, op. 27, no. 1
LISZT Mephisto Waltz No. 1, S. 514

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Semifinal Round

TOKUYAMA Musica Nara for Piano, op. 25

BEETHOVEN Rondo a capriccio in G Major, op. 129 (“Rage over a lost penny”)

CHOPIN Trois nouvelles études, B. 130

RACHMANINOV Sonata No. 2 in B-flat Minor, op. 36 (1931)

 

Final Round

LISZT Concerto No. 1 in E-Flat Major, S. 124

Ishan Loomba

Ishan Loomba

United States I Age 17

Born and raised in Albuquerque, New Mexico, Ishan Loomba made his solo recital debut at the age of 8 and orchestral debut at age 10. A student of Carol Leone since age 11, he is a pre-college student in SMU’s Gifted Students Institute and attends high school at Early College Academy. Ishan has given public performances in his home state and in Texas, Florida, California, New York, and Colorado, with appearances at the Aspen Music Festival, Texas State International Piano Festival, and Colburn Music Academy Piano Festival, among others. A three-time Chopin Foundation Scholarship recipient, he has been “enraptured” by the piano since his first encounter—so much so that his parents would threaten him with “no more piano until you finish dessert!” Ishan also enjoys singing, learning languages, and running.

“I feel that music is the most important part of my life for reasons that are innate and unquantifiable, but also because music has given me a purpose beyond my own passions. This purpose is grounded in the need to communicate with others and to move them.”

Competitor Profile

Repertoire

Preliminary Round

BACH Prelude and Fugue in C-sharp Minor, BWV 873
SCHUBERT Sonata in A Major, D. 664 (III)
CHOPIN Mazurka in C-sharp Minor, op. 63, no. 3
CHOPIN Etude in G-flat Major, op. 10, no. 5 (“Black Key”)

Quarterfinal Round

BACH Toccata in E Minor, BWV 914

HAYDN Sonata in E-flat Major, Hob. XVI:52 (I)

CHOPIN Prelude in F-sharp Major, op. 28, no. 13

RAVEL Sonatine

 

Semifinal Round

BEETHOVEN Sonata No. 7 in D Major, op. 10, no. 3

CHOPIN Polonaise-Fantaisie in A-flat Major, op. 61

GUBAIDULINA Toccata Troncata

GUBAIDULINA Invention for piano

 

Final Round

MOZART Concerto No. 17 in G Major, K. 453

Hao-Wei Lin

Hao-Wei Lin

Taiwan I Age 14

Hao-Wei Lin enjoys studying geography in his free time, which fits with one of his favorite results of playing the piano: “Music takes me all over the world to meet new friends.” He gave his first recital at the age of 10, and has performed in Taiwan, Canada, China, the United States, Denmark, Germany, and Switzerland. His international young artist competition achievements include first-place finishes at Bradshaw & Buono in New York and Grotrian-Steinweg in Germany, as well as prizes at Cleveland, Aarhus, Ettlingen, and Fryderyk Chopin (Poland). He currently attends Taipei Municipal Zhongzheng Junior High School and studies piano with Chun-Chieh Yen.

“Music is like air to me. It can calm my mind and allows me to mature. I love the French composer Ravel, whose music reflects the real world we live in—his work has vibrant emotions and vivid colors, full of imagination.”

Competitor Profile

Repertoire

Preliminary Round
COUPERIN Le Tic-Toc-Choc ou Les Maillotins
BACH Prelude and Fugue in G-sharp Minor, BWV 863
SCRIABIN Etude in B Major, op. 8, no. 4
RACHMANINOV Prelude in G Major, op. 32, no. 5
DEBUSSY Pour les huit doigts from Etudes, Book I
LISZT La leggierezza from Three Concert Etudes

Quarterfinal Round
CHOPIN Nocturne in D-flat Major, op. 27, no. 2
HAYDN Sonata in B Minor, Hob. XVI:32
SCHUMANN Kinderszenen, op. 15

Semifinal Round

LIEBERMANN Nocturne No. 4, op. 38

RAVEL Miroirs

 

Final Round

RAVEL Concerto in G Major

Xiaoxuan Li

Xiaoxuan Li

China I Age 17

Since appearing as the youngest competitor in the first edition of the Cliburn Junior Competition in 2015, Xiaoxuan Li—the only returning competitor—moved from Shanghai to Philadelphia, where he studies with Gary Graffman and Robert McDonald at the Curtis Institute of Music. He is a laureate of several international young artist competitions, including Cleveland (senior division, first prize, 2018); Zhuhai Mozart (first prize, 2015); Hilton Head (second prize, 2015); and Ettlingen (2012). He began piano at the age of 4 and has performed extensively throughout China, with other notable concerts including Salzburg Chamber Soloists and the orchestras of Canton, Hilton Head, Ashdod, and Macao.

“I would gladly spend the rest of my life studying the beauty and nuances of every composer, every piece, every iteration. Piano is the media of my emotion. It drives me, shapes me, and propels me to a higher place.”

Competitor Profile

Repertoire

Preliminary Round
BACH Prelude and Fugue in G Minor, BWV 861
LISZT Transcendental Etude No. 10 in F Minor
CHOPIN Barcarolle in F-sharp Major, op. 60

Quarterfinal Round
BEETHOVEN Sonata No. 7 in D Major, op. 10, no. 3
CHOPIN Nocturne in C Minor, op. 48, no. 1

Semifinal Round

LIEBERMANN Gargoyles, op. 29

SCHUBERT Impromptu in A-flat Major, op. 90, D. 899, no. 4

PROKOFIEV Sonata No. 7 in B-flat Major, op. 83

 

Final Round

PROKOFIEV Concerto No. 3 in C Major, op. 26

Shuan Hern Lee

SHUAN HERN LEE
BERNICE GRESSMAN MEYERSON FIRST PRIZE WINNER

Australia I Age 16

Australian pianist Shuan Hern Lee has performed across his country and Europe, and in the United States, China, Russia, and Indonesia, including appearances with the Minnesota, Moscow State, Ukraine, Armenia, Western Australia, and Jakarta Symphony Orchestras. He has been with his teacher, Yoon Sen Lee, for 14 years—since he was 2½ years old. He currently studies at the University of Western Australia, and also with Ingrid Fliter at the International Piano Academy Incontri Col Maestro in Imola, Italy. Among his many accolades are 11 first-place finishes at international piano competitions around the world. In his time away from the piano, he likes playing table tennis and with nerf guns, writing poetry, and studying philosophy.

“I believe that classical music and art will be one of the most important subjects in life for centuries to come. Technology is advancing at a terrifying and amazing speed, but no matter how advanced AI or robotics will turn out to be, music can never be substituted.”

Competitor Profile

Repertoire

Preliminary Round
BACH Prelude and Fugue in E-flat Minor, BWV 853
CHOPIN Etude in G-sharp Minor, op. 25, no. 6
BARTÓK Three Etudes, op. 18

Quarterfinal Round
BACH Chromatic Fantasy and Fugue in D Minor, BWV 903
HADYN Sonata in E-flat Major, Hob. XVI:52 (I)
CHOPIN Etude in A Minor, op. 10, no. 2
CHOPIN Barcarolle in F-sharp Major, op. 16

Semifinal Round
HAMELIN Toccata on “L’hommè armé”
CHOPIN Nocturne in C Minor, op. 48, no. 1
PROKOFIEV Sonata No. 7 in B-flat Major, op. 83
BALAKIREV Islamey (Oriental Fantasy)

Final Round
RACHMANINOV Concerto No. 3 in D Minor, op. 30

Eva Gevorgyan

Eva Gevorgyan
SHIRLEY COX MCINTYRE SECOND PRIZE WINNER

Russia / Armenia I Age 15

Eva Gevorgyan has received prizes in more than 40 international competitions for piano and composition—in the United States, Germany, Italy, Spain, Portugal, Estonia, Malta, Kazakhstan, Poland, Czech Republic, Georgia, Russia, and Serbia. Born and raised in Moscow, she has studied with Natalia Trull at the Central Music School of the Moscow P.I. Tchaikovsky State Conservatory, and has performed across Russia, Europe (including a Royal Albert Hall debut in April), and in the United States. She also receives a scholarship from the International Academy of Music in Liechtenstein and participates regularly in its intensive music weeks and activities. In 2017, Eva performed in front of Italian President Sergio Mattarella, and she has taken part in a national television show for young talent, advancing to the final as the only pianist. Last year, she appeared on live television with Russian President Vladimir Putin and asked him about education reform. She likes composing, growing exotic plants, jogging, and playing table tennis.

“When I play, I hope people can hear words which I would never say in my real life. Being on stage at the Cliburn Junior Competition will charge me with energy and love for a long time forward.”

Competitor Profile

Repertoire

Preliminary Round
BACH Prelude and Fugue in F Major, BWV 880
LISZT Chasse-Neige from Transcendental Etudes
LISZT Hungarian Rhapsody No. 12, S. 244/12

Quarterfinal Round
BEETHOVEN Sonata No. 10 in G Major, op. 14, no. 2 (III)
RODRIGO “Seguidillas del diablo” from 4 Estampas andaluzas
CHOPIN Nocturne in C-sharp Minor, op, 27, no. 1
CHOPIN Polonaise in F-sharp Minor, op. 44
SAINT-SAËNS Étude en forme de valse, op. 52, no. 6

 

Semifinal Round
SCHUMANN Sonata No. 2 in G Minor, op. 22
BOLCOM Butterflies, hummingbirds from Twelve New Etudes, Book II
HINDEMITH Suite ‘1922’, op. 26

Final Round
RACHMANINOV Rhapsody on a Theme of Paganini, op. 43

Avery Gagliano

AVERY GAGLIANO

United States I Age 17

Avery Gagliano cannot remember a time that music wasn’t a part of her life; it has always been her “most natural form of expression.” At age 9, she made her Carnegie Hall debut and her orchestral debut at the Strathmore Concert Hall. The following year she appeared on the NPR’s “From the Top” and made her solo recital debut. Currently in her third year at the Curtis Institute of Music studying with Jonathan Biss and Gary Graffman, she has taken first prize at the Aspen Music Concerto, MostArts Festival Piano, and Chopin International Piano (Hartford) Competitions, was young scholar of the Lang Lang International Music Foundation, and is a 2019 National YoungArts winner in music. As a soloist and an avid chamber musician, the Washington, D.C.-native has performed in major concert venues in her hometown, as well as across the United States, and in Paris, Oxford, Munich, and Perugia in Europe. During her free time, Avery writes pop songs, and loves to sing, read, and play ultimate frisbee.

“This competition will provide me a chance to internalize music in a way that elevates it to a higher level of artistry and make it possible for me to successfully convey my ideas to audiences.”

Competitor Profile

 

Repertoire

Preliminary Round
BACH Prelude and Fugue in G-sharp Minor, BWV 887
LISZT La leggierezza from Three Concert Etudes
SCHUMANN Variations on the Name ‘Abegg,’ op. 1

Quarterfinal Round
HAYDN Sonata in E-flat Major, Hob. XVI:52
CHOPIN Andante spianato et Grande Polonaise brillante, op. 22

Semifinal Round
ADÉS Mazurkas for Piano, op. 27, nos. 1 & 2
MUSSORGSKY Pictures at an Exhibition

Final Round

RACHMANINOV Concerto No. 2 in C Minor, op. 18

J J Jun Li Bui

J J Jun Li Bui

Canada I Age 14

Toronto-native J J Jun Li Bui won his first piano competition on the day he turned 7, which cemented his commitment to music: he went on to prizes in several Canadian contests, as well as the Hanoi (Vietnam), Aarhus (Denmark), and Midwest (United States) International Piano Competitions. Currently in his third year of full scholarship at The Phil and Eli Taylor Performance Academy for Young Artists at The Royal Conservatory Toronto under Michael Berkovsky, he also studies privately with Dang Thai Son. He has performed in recital across Canada, and with orchestras, including the China Guiyang Symphony, Greater Toronto Philharmonic, and Oakville Chamber. In his time away from the piano, J J enjoys cycling, reading, and table tennis.

“I feel that learning music is like a journey that never ends. A journey that is so wonderful and rewarding.”

Competitor Profile

Repertoire

Preliminary Round

BACH Prelude and Fugue in D Major, BWV 874
CHOPIN Etude in C-sharp Minor, op. 10, no. 4
CHOPIN Barcarolle in F-sharp Major, op. 60

Quarterfinal Round

CHOPIN Nocturne in E-flat Major, op. 55, no. 2
BEETHOVEN Sonata No. 7 in D Major, op. 10, no. 3 (I)
LISZT Gnomenreigen from Two Concert Etudes
CHOPIN Andante spianato et Grande Polonaise brillante, op. 22

Semifinal Round

HAMELIN Toccata on “L’homme armé”
CHOPIN Etude in G-sharp Minor, op. 25, no. 6
CHOPIN Ballade No. 4 in F Minor, op. 52
TCHAIKOVSKY-PLETNEV Concert Suite from The Nutcracker

Final Round

RACHMANINOV Concerto No. 1 in F-sharp Minor, op. 1

Uta Weyand

Uta Weyand – Germany

German-born pianist Uta Weyand comes from a musical family. The daughter of a choir conductor and an organist, she grew up with choral music and the organ repertoire. During childhood she expressed her extraordinary musical talent not only at the piano, but also excelled at the violin, voice, and music composition.

The Post and Courier (South Carolina) predicted her success, stating, “Weyand is a pianist of genius, who should have a long career.” And the Nuremberg News confirmed, “…especially admirable is her amazing ability to make the great Steinway sing and wrest many captivating colors from it.”

After her studies in Freiburg (Germany), Baltimore, and Madrid, with Elza Kolodin, Vitaly Margulis, Leon Fleisher, and Joaquín Soriano, Ms. Weyand has had great international success, giving numerous piano recitals and appearing with orchestras in most European countries, Russia, Brazil, Cuba, and the United States. She has performed with the Madrid Symphony, Barcelona Symphony, Valencia Orchestra, Nuremberg Symphony, Bamberg Symphony, Stuttgart Philharmonic, and National Orchestra of Brazil, and with such conductors as Jesús López Cobos, José Ramón Encinar, Enrique García Asensio, Manuel Galduf, Jac van Steen, Marc Tardue, and Gabriel Chmura.

After several scholarships granted by the German government, Ms. Weyand won first prize in the Steinway Piano Competition in Berlin and first prize in the José Iturbi International Piano Competition in Valencia in 1996, with two special prizes: one for the best interpretation of Spanish music and the other for Spanish contemporary music.

Since then she has greatly widened her repertoire, covering all musical eras from Baroque to contemporary music. Having lived in Spain for more than 10 years, Ms. Weyand is a passionate interpreter of the Spanish piano literature. She dedicates herself to unknown or neglected piano works, performing music by Montsalvatge, Guridi, Ohana, and Dupont, among many others. She worked closely together with such composers as Michael Braunfels and Xavier Montsalvatge.

Uta Weyand received worldwide acclaim for her recordings for Hänssler Classics with music by Schumann, Mozart, Debussy, Montsalvatge, and Granados, and the Complete Original Works for Piano by Manuel de Falla.

She combines her dynamic concert life with pedagogical activities, giving master classes and conferences in Germany, Spain, Brazil, Cuba, and China. In 2000, she became a professor at the Conservatorio Superior de Musica in Castellon, Spain. Since 2002, she has been teaching at the Royal Conservatory of Music in Madrid. She is regularly a member of international piano competition juries such as Gina Bachauer in Salt Lake City, Franz Liszt in Weimar, José Iturbi in Valencia, and Hamamatsu International Piano Competition in Japan, among others.

Nathan Ryland

Nathan Ryland

Pianist Nathan Ryland, a native of Richardson, TX, has been a winner in competitions coast to coast, from the Los Angeles International Liszt Competition to the Brevard Music Center Piano Competition in North Carolina. Most recently, he was selected as the winner of the Texas State International Piano Competition and will be performing with the Central Texas Philharmonic later this season. He has performed with the Mid-Texas Symphony and UNT Symphony Orchestra. He was also chosen as a winner of the Jan and Beattie Wood Concerto Competition, playing with the Brevard Music Center Orchestra in 2014. He completed his bachelor’s degree, master’s degree, and a graduate artist certificate at the University of North Texas. This is Mr. Ryland’s fourth year as a Cliburn in the Classroom artist.

Dallas Symphony Orchestra & Ruth Reinhardt, conductor

In a stunning conclusion on June 8, the three finalists of the 2019 Cliburn Junior Competition  performed full concertos with the Dallas Symphony Orchestra under the baton of Ruth Reinhardt at the Morton H. Meyerson Symphony Center.

DALLAS SYMPHONY ORCHESTRA

The Dallas Symphony Orchestra presents the finest in orchestral music at the Morton H. Meyerson Symphony Center, regarded as one of the world’s premier concert halls. As the largest performing arts organization in the Southwest, the DSO is committed to inspiring the broadest possible audience with distinctive classical programs, inventive pops concerts, and innovative multi-media presentations. In fulfilling its commitment to the community, the orchestra reaches more than 230,000 adults and children through performances, educational programs, and community outreach initiatives. The DSO’s involvement with the City of Dallas and the surrounding region includes an award-winning multi-faceted educational program, community projects, popular parks concerts, and youth programming. The DSO has a tradition dating back to 1900, and it is a cornerstone of the unique, 68 acre Arts District in downtown Dallas that is home to multiple performing arts venues, museums, and parks; the largest district of its kind in the nation. The DSO is supported, in part, by funds from the Office of Cultural Affairs, City of Dallas.

RUTH REINHARDT

Ruth Reinhardt is assistant conductor of the Dallas Symphony Orchestra (DSO), where she gave her critically-acclaimed subscription debut in 2016, stepping in to replace Stanislaw Skrowaczewski on short notice in a concert selected by the Dallas Morning News as one of the year’s highlights. With the DSO, Ms. Reinhardt conducts a wide variety of the orchestra’s extensive concerts and programs, including its contemporary alternative ReMix series and regular subscription concerts for “DSO on the Go” programs performed in neighboring cities and communities, as well as performances during DSO’s innovative Soluna Festival.

Ms. Reinhardt is a Dudamel Fellow of the Los Angeles Philharmonic for the 2017–2018 season. She has recently guest conducted the Cleveland Orchestra, Indianapolis Symphony, San Diego Symphony, Seattle Symphony, Malmö Symphony, and the Orchester Musikkollegium Winterthur in a concert televised throughout Switzerland. Upcoming engagements include the North Carolina Symphony, Los Angeles Chamber Orchestra in the Primrose Viola Competition, and Dallas Symphony, as well as performances with the symphony orchestras of Fort Worth, Omaha, Orlando, Santa Fe, Sarasota, and Seattle. This summer, she makes her debut with the Stockholm Philharmonic and will serve as assistant conductor of the Lucerne Festival Academy Orchestra. In addition, she will work with Carnegie Hall’s National Youth Orchestra (NYO-USA), assisting Michael Tilson Thomas. Ms. Reinhardt was recently selected as one of three active participants in the annual master class of the Royal Concertgebouw Orchestra, this year given by Daniele Gatti.

Born in Saarbrücken, Germany, Ruth Reinhardt began studying violin at an early age and sang in the children’s chorus of Saarländisches Staatstheater, Saarbrücken’s opera company. She attended Zurich’s University of the Arts (Zürcher Hochschule der Künste) to study violin with Rudolf Koelman, and began conducting studies with Constantin Trinks, with additional training under Johannes Schlaefli and Ulrich Windfuhr. In Zurich she had the opportunity to participate in conducting master classes with, among others, Bernard Haitink, Michael Tilson Thomas, David Zinman, Paavo Järvi, Neeme Järvi, Marin Alsop, and James Ross. Post-university, she studied with Alan Gilbert at The Juilliard School, where she received her master’s degree in conducting.

Prior to her appointment in Dallas,Ms. Reinhardt was a conducting fellow at the Seattle Symphony (2015–2016), Boston Symphony Orchestra’s Tanglewood Music Center (2015), and an associate conducting fellow of Marin Alsop’s Taki Concordia program (2015). During her time at Juilliard, she led the Juilliard Orchestra as well as concerts with New York City’s ÆON Ensemble, with whom she has led a collaboration with the Kronos Quartet.

A precocious talent, by age 17 she had already composed and conducted an opera—for and performed by the children and youth of her hometown. While studying in Zurich, she also conducted the premieres of two chamber operas for children: Die Kleine Meerjungfrau (The Little Mermaid) by Swiss composer Michal Muggli, and Wassilissa by German composer Dennis Bäsecke. Other opera productions she has conducted include Dvorák’s Rusalka and Weber’s Der Freischütz for the North Czech Opera Company, and Strauss’ Die Fledermaus at the Leipzig University of the Arts.

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Mrs. Laura Bush, honorary chairman  I  The Jury  I  Rounds & Repertoire   I  Competitors

Former First Lady Laura Bush

FORMER FIRST LADY LAURA BUSH
HONORARY CHAIRMAN – 2019 Cliburn International Junior Piano Competition & Festival

Laura Bush’s lifetime commitment to education on the highest level continues in this association with the Cliburn Junior Competition, which is designed to encourage the artistic development of the greatest pianistic talent of tomorrow from around the globe. As the Cliburn hosts a major program in Dallas for the first time ever—the majority of which will be held on the campus of SMU—we are thrilled to have Mrs. Bush, a resident of the city and proud alumna of the University, lend her name. She also held a longtime friendship with our inspiration and namesake, Van Cliburn, making this connection particularly special.

—Jacques Marquis, president and CEO

 

Laura Bush, former First Lady of the United States, is an advocate for literacy, education, and women’s rights. After leaving the White House, President and Mrs. Bush founded the George W. Bush Presidential Center in Dallas, Texas. The Center is home to the Bush Presidential Museum and Library and the George W. Bush Institute, a public policy center established to solve today’s most pressing challenges by developing leaders, advancing policy, and taking action.  As Chair of the Bush Institute’s Women’s Initiative, Mrs. Bush promotes access to education, healthcare, and economic opportunity for women and girls around the world.

As First Lady, Mrs. Bush advocated the importance of literacy and education to advance opportunity for America’s young people and to foster healthy families and communities. She highlighted the importance of preparing children to become lifelong learners, convening a White House Summit on Early Childhood Cognitive Development in 2001 and a White House Conference on School Libraries in 2002. Laura Bush has visited schools around the world and met with students in nations from Afghanistan to Zambia, with a particular focus on the education of girls and women. Mrs. Bush worked with the Library of Congress to create the National Book Festival in Washington, D.C. in 2001.  The National Book Festival continues to this day and annually attracts more than 120,000 Americans. The Texas Book Festival in Austin was co-founded in 1996 by Mrs. Bush while she was First Lady of Texas. At the Bush Institute in Dallas, President and Mrs. Bush’s Education Reform initiative works to improve student achievement through effective school leadership, middle school transformation, and the use of accountability.

Mrs. Bush is the author of the bestselling memoir, Spoken From the Heart, and bestselling children’s book, Our Great Big Backyard. She serves on many boards, including the National Advisory Board for the Salvation Army, the Council for the Smithsonian National Museum of African American History and Culture, the Board of Trustees for the National Trust for Historic Preservation, and the SMU Board of Trustees.

Laura Bush was born in Midland, Texas, to Harold and Jenna Welch. She holds a Bachelor of Science degree in education from Southern Methodist University and a master’s degree in library science from the University of Texas. She taught in public schools in Dallas, Houston, and Austin and worked as a public school librarian. She served as First Lady of Texas from 1995 to 2000.

President and Mrs. Bush are the proud parents of twin daughters Barbara and Jenna, son-in-law Henry Hager, and happy grandparents to Margaret Laura “Mila” & Poppy Louise Hager.  The Bush family also includes two cats, Bob and Bernadette, and rescue puppy, Freddy.

laurabushfoundation.com

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AVIRAM REICHERT

AVIRAM REICHERT – Israel
1997 Cliburn bronze medalist

Aviram Reichert—acclaimed for his deeply intelligent interpretations, phenomenal technique, and ravishing tonewon the bronze medal at the Tenth Van Cliburn International Piano Competition in 1997, after having won several major competitions in Asia, France, and Germany.

Mr. Reichert performed as soloist with the leading orchestras in his native country, Israel, including the Israel Philharmonic, Haifa Symphony, Israel Chamber Orchestra, and  Jerusalem Symphony. His prize-winning participation in competitions in Japan and Korea brought him numerous concert engagements in Asia where he has been earning immense applause for 20 years, performing with the Tokyo Symphony, Tokyo Philharmonic, NHK Symphony, KBS, Korean Symphony Orchestra, and Daegu and Suwan Symphony Orchestras, to name a few. He has also performed with the National Symphony of the Dominican Republic, all the major orchestras in South Africa, and numerous orchestras in the United States. Conductors he has worked with include Sergiu Commissiona, James Conlon, Peter Bay, James De Priest, Leslie Dunner, Miguel Harth-Bedoya, David Lockington, Ken-ichiro Kobayashi, Emmanuel Krivine, Meir Minsky, Mendi Rodan, Leon Botstein, Kevin Rhodes, Barry Wordsworth, Guillermo Figueroa, Michele Carulli, and Kim Daejin.

Described as “a big player with all the tension of a coiled spring suddenly unsprung….he has heft and he has poetry…,” in recital, Mr. Reichert has performed throughout the United States, Israel, South Africa, Asia, and Europe, where an appearance at the Herkules-Saal in Munich elicited an enthusiastic ovation and high critical praise. Festival performances include the Ruhr and Epinal Music, Tokyo Summer, Bear Valley Music, Steamboat Springs, Ravinia, Fontana, and Gilmore Keyboard Festivals. A fine chamber musician, he has collaborated with artists such as Anne Akiko Meyers, Maya Beiser, Guy Braunstein, Yuri Gandelsman, Vadim Gluzman, Dylana Jenson, Bill Purcell, Philippe Quint, Ron Selka, Chen Halevi, Song young Hoon, Mathieu Dufour, and Sejong Solosits.

In addition to his busy performing career, Mr. Reichert is a sought-after teacher who is frequently invited to conduct master classes in Japan, Korea, South Africa, Israel, and the United States. From 2001–2008 he held the positions of associate professor of piano and artist-in-residence at Grand Valley State University in Grand Rapids, MI. He is currently serving as professor of piano at Seoul National University, College of Music, where more than 20 of his students have won major national and international awards.

Aviram Reichert, a Steinway artist, studied at the Rubin Academy of Music, Tel Aviv with Professor Arie Vardi.

Lowell Liebermann

Lowell Liebermann – United States
2001 winner, Cliburn American Composers Invitational

Lowell Liebermann is one of America’s most frequently performed and recorded living composers. He has written over 130 works in all genres, several of which have gone on to become standard repertoire for their instruments, such as his Sonata for Flute and Piano and Gargoyles for piano, each of which have been recorded over 20 times on CD.

Mr. Liebermann has been commissioned by a wide array of ensembles and instrumentalists, including the Philadelphia Orchestra, Emerson Quartet, and flutist Sir James Galway. His full-length ballet Frankenstein was co-commissioned by London’s Royal Ballet and the San Francisco Ballet and has been released on Blu-Ray and DVD. Mr. Liebermann has written two full-length operas, both enthusiastically received at their premieres: The Picture of Dorian Gray, the first American opera commissioned and premiered by l’Opéra de Monte-Carlo, and Miss Lonelyhearts, after the novel by Nathanael West, commissioned by The Juilliard School to celebrate its 100th anniversary.

Mr. Liebermann served as composer-in-residence for the Dallas Symphony Orchestra for four years, a role he also held with the Pacific Music Festival in Sapporo, Japan, the Saratoga Performing Arts Center, and many other organizations. He joined the composition faculty of Mannes School of Music of the New School in 2012, where he founded the Mannes American Composers Ensemble, devoted to performing works of living American composers. He was appointed head of Mannes’s Composition Department the following year. He is also artistic director of the Thessaly Chamber Music Festival in Greece, which has its inaugural season this summer.

Among his many awards are a Charles Ives Fellowship from the American Academy of Arts and Letters, awards from ASCAP and BMI, and a Grammy® nomination. He was the first winner of the Cliburn’s American Composers Invitational, and in 2014 became the inaugural recipient of the Virgil Thomson Award for vocal composition.

Valery Kuleshov

Valery Kuleshov – Russia
1993 Cliburn Silver Medalist

Valery Kuleshov was born in 1962 in Chelyabinsk, Russia. At the age of 7, he entered the Central Musical School of the Moscow Conservatory. At the age of 9, he made his concert debut with a symphony orchestra in the Great Hall of the Moscow Conservatory. He earned his master’s degree at Gnessin Academy of Music and his doctoral degree from the State Jewish Academy, both in Moscow. He studied with some of the best Russian pianists, including Dmitry Bashkirov, Nikolai Petrov, and Vladimir Tropp. In addition, Mr. Kuleshov studied at the International Piano Foundation in Italy with the world’s most acclaimed piano teachers, including Karl Ulrich Schnabel and Leon Fleischer.

Mr. Kuleshov’s first major international success was at the Ferruccio Busoni International Piano Competition in Italy in 1987, where he was awarded second place. He also received the gold medal along with the first place winner. That year, he began intensive concert activity in Russia and abroad.

In his North American debut at the Ninth Van Cliburn International Piano Competition in 1993, he was awarded the silver medal as well as the Prize for Best Performance of the Commissioned Work, Ghost Waltzes, by American composer, Morton Gould. His performance in the Final Round prompted the Le Monde reviewer to exclaim, “What sound! What allure! What a musician!”

Mr. Kuleshov has accomplished the unique and incredibly difficult work of writing out, from listening only to the LP recordings, Vladimir Horowitz’s unpublished piano transcriptions. After listening to the recordings of his transcriptions played by Mr. Kuleshov, Vladimir Horowitz wrote to the young musician: “I was not only delighted by your fantastic performances, but I congratulate you on your keen ear and great patience that were required to write out, note by note, the scores of these unpublished transcriptions, by listening to my recordings.” (Oct. 1987).

Mr. Kuleshov’s performing art is based on the best Russian piano traditions. One can find in his playing emotional sincerity, rich colors, brilliant virtuosity, profound understanding of composers’ styles, and freshness of interpretation. His playing has been compared to the style of Vladimir Horowitz with vast dynamic contrasts, consisting of tremendous double-fortissimos followed by sudden delicate pianissimos. Mostly he is attracted to the Romantic music by Schumann, Liszt, Chopin, Brahms, and Rachmaninov. The greatest place in his concert programs belongs to Scriabin’s works, as well as classical and contemporary music.

In 1997, by decree of the President of Russia Boris Yeltsin, Valery Kuleshov was awarded the rare distinction “Honoured Artist of the Russian Federation.”

In addition to maintaining an international performing schedule, Valery Kuleshov serves as artist-in-residence at the University of Central Oklahoma in Edmond, Oklahoma. He also performs duo piano repertoire with his talented daughter, Tatiana Kuleshova.

Angela Cheng

Angela Cheng – Canada

Consistently praised for her brilliant technique, tonal beauty, and superb musicianship, Canadian pianist Angela Cheng is one of her country’s national treasures. In addition to regular guest appearances with virtually every orchestra in Canada, she has performed with the symphonies of Alabama, Annapolis, Colorado, Flint, Houston, Indianapolis, Jacksonville, Saint Louis, San Diego, Syracuse, and Utah, as well as the philharmonic orchestras of Buffalo, Louisiana, London, Minas Gerais/Brazil, and Israel. In June 2016, she returned to Virtuosi Concerts Winnipeg as “Poet of the Piano,” in celebration of their 25th anniversary season.

Highlights of the 2017–2018 season included return performances with the Edmonton Symphony and Vancouver Symphony, performing Ravel’s Concerto in G; Victoria Symphony, performing Mozart’s Piano Concerto No. 9, K. 271; and Orchestre Métropolitain/Montreal, performing Strauss’ Burleske in D Minor under the direction of Yannick Nézet-Séguin. She also made her debut with the Dayton Philharmonic. In August, she made her Argentinian recital debut in Buenos Aires at the Auditorio de la Fundación Beethoven. Her performance schedule also includes extensive touring as collaborative pianist with Pinchas Zukerman and as a member of the Zukerman Trio.

Ms. Cheng made her highly acclaimed Carnegie Hall debut with the Edmonton Symphony in the spring of 2012. That summer, she also appeared at the prestigious Salzburg Festival in a recital with Pinchas Zukerman.

Angela Cheng’s collaborations with Pinchas Zukerman began in 2009, when, at his invitation, she toured both Europe and China as a member of the Zukerman Chamber Players, and as Mr. Zukerman’s collaborative pianist. She joined them again in the spring of 2010 for a U.S. tour, which included concerts at Kennedy Center in Washington, D.C., and the 92nd Street Y in New York. Subsequent seasons have seen multiple tours of Europe and South America, including performances at the Musikverein in Vienna, the Concertgebouw in Amsterdam, and at the Schleswig-Holstein and Ravinia festivals. With Mr. Zukerman and cellist Amanda Forsyth, as a member of the Zukerman Trio, Ms. Cheng made her debuts in 2013 at the Verbier, Edinburgh, Miyazaki, St. Petersburg/Stars of the White Nights, and Enescu/Romania Festivals. During the 2016–2017 season, the Zukerman Trio performed in Australia, Asia, Scandinavia, Europe, and the United States. Last season, Ms. Cheng performed with Mr. Zukerman and the Zukerman Trio throughout the United States, and in Australia, the Canary Islands, Germany, and South America.

An avid recitalist, Ms. Cheng appears regularly on recital series throughout the United States and Canada, and has collaborated with numerous chamber ensembles including the Takács, Colorado, and Vogler Quartets. Festival appearances have included Banff, Bravo! Vail, Chautauqua, Colorado, Great Lakes Chamber Music Festival, La Jolla’s SummerFest, Ravinia, Vancouver, Festival International de Lanaudière in Quebec, MasterWorks Festival, Toronto Summer Music Festival, and the Cartegena International Music Festival in Colombia.

Angela Cheng’s debut recording of two Mozart concerti with Mario Bernardi and the CBC Vancouver Orchestra received glowing reviews. Other CDs include Clara Schumann’s Concerto in A Minor with JoAnn Falletta and the Women’s Philharmonic for Koch International; for CBC Records, four Spanish concerti with Hans Graf and the Calgary Philharmonic; both Shostakovich concerti with Mario Bernardi and the CBC Radio Orchestra; and a solo disc of selected works of Clara and Robert Schumann. Most recently, an all-Chopin recital CD was released by Universal Music Canada.

Ms. Cheng is a gold medalist of the Arthur Rubinstein International Piano Masters Competition, as well as the first Canadian to win the prestigious Montreal International Piano Competition. Other awards include the Canada Council’s coveted Career Development Grant and the Medal of Excellence for outstanding interpretations of Mozart from the Mozarteum in Salzburg.

pianistangelacheng.com

Philippe Bianconi

Philippe Bianconi – France
1985 cliburn silver medalist

French pianist Philippe Bianconi has been described as an artist whose playing is “always close to the soul of the music, filling the space with poetry and life,” (Washington Post) and who offers “an extraordinary exhibition of musicianship, technical control and good taste” (The London Times). Having appeared as a soloist with the world’s finest orchestras, Mr. Bianconi recently concluded his tenure as director of the American Conservatory at Fontainebleau, a post he held between 2013–2017 that cemented his reputation as one of the most distinguished artists of his generation. He will continue to teach at the American Conservatory at Fontainebleau and joins the faculty of École Normale de Musique de Paris in fall 2018.

Mr. Bianconi was awarded the silver medal in the Seventh Van Cliburn International Piano Competition in 1985 and made his acclaimed recital debut at Carnegie Hall in 1987.  Since then, he has appeared as a soloist with leading orchestras, including Los Angeles, Pittsburgh, Cleveland, Baltimore, Atlanta, Dallas, and Montreal, and performed at the Ravinia Festival with the Chicago Symphony under James Conlon. He has collaborated with such distinguished conductors as Lorin Maazel, Christoph von Dohnanyi, Kurt Masur, JoAnn Falletta, Marek Janowski, and Edo de Waart.

In Europe, Mr. Bianconi appears regularly with many orchestras, including a recent performance with James Conlon and the Orchestre de l’Opéra de Paris in the sold-out Paris Garnier Opera House, and with the Orchestre National de France, Orchestre de Paris, Berlin Radio Symphony, Netherlands Philharmonic, Warsaw Philharmonic, Prague Symphony Orchestra, Orchester der Beethovenhalle in Bonn, and Strasbourg Philharmonic. He has concertized a number of times in Australia, performing with the Melbourne and Sydney Symphony Orchestras.

An active and acclaimed recitalist, he has performed around the world, including at New York’s Stern Auditorium at Carnegie Hall, at Wigmore Hall in London, for the Berlin Philharmonic, and in San Francisco, Chicago, Boston, Washington, D.C., Philadelphia, Hamburg, Milan, Madrid, Tokyo, Shanghai, and Sydney. His recent recital in the Théâtre des Champs-Elysées in Paris was a huge success, with Le Figaro acclaiming him “one of the best pianists in France.” The much-in-demand artist will perform throughout Europe and North America during the 2018–2019 season. In March 2019, as part of the Festival du Printemps des Arts de Monaco, Mr. Bianconi will perform and record Brahms’ first and second piano concertos with the Monte Carlo Philharmonic and conductor Michal Nesterowicz.

Philippe Bianconi’s recording of Debussy’s Prèludes for the La Dolce Volta label received a prestigious Diapason d’Or de l’année and a nomination for “Recording of the Year” at the Victoires de la Musique Classique. Additionally, he has recorded Debussy piano music and the complete solo works of Ravel, as well as solo albums of Schumann and Schubert, for the Lyrinx label. His other recordings include the Brahms Violin Sonatas with Tedi Papavrami on the Aeon label, works of Shostakovich and Prokofiev with cellist Gary Hoffman on the Le Chant du Monde label, and the three Schubert lieder cycles with Hermann Prey on Denon. Additionally, in 2014, he released a Chopin album with the four Ballades, and in 2016, released a Schumann album featuring Papillons, Carnaval and Davidsbündlertänze, both on La Dolce Volta.

As director of the American Conservatory at the Palais de Fontainebleau from 2013–2017, he joined a celebrated coterie of previous faculty and directors, among them Maurice Ravel, Robert Casadesus, Jean Francaix, Henri Dutilleux, Leonard Bernstein, and Nadia Boulanger, who was director from 1949–1979. Founded in 1921, the American Conservatory has trained an enormous number of legendary musicians, including Aaron Copland, Elliott Carter, Virgil Thomson, Astor Piazzolla, Phillip Glass, and Quincy Jones. Mr. Bianconi makes his home in Paris when he is not performing around the world.

ALESSIO BAX, jury chairman

ALESSIO BAX – ITALY
JURY CHAIRMAN

Combining exceptional lyricism and insight with consummate technique, Alessio Bax is without a doubt “among the most remarkable young pianists now before the public” (Gramophone). He catapulted to prominence with first prize wins at both the Leeds and Hamamatsu International Piano Competitions, and is now a familiar face on five continents, not only as a recitalist and chamber musician, but also as a concerto soloist who has appeared with more than 100 orchestras, including the London, Royal, and St. Petersburg Philharmonic Orchestras, the Boston, Dallas, Sydney, Cincinnati and City of Birmingham Symphony Orchestras, and the NHK Symphony in Japan, collaborating with such eminent conductors as Marin Alsop, Vladimir Ashkenazy, Sir Andrew Davis, Sir Simon Rattle, Yuri Temirkanov, and Jaap van Zweden.

Mr. Bax explores many facets of his career in the 2019–2020 season. Fall brings the release of Italian Inspirations, his eleventh recording for Signum Classics. Pairing works by Luigi Dallapiccola and Alessandro Marcello with Italian-themed pieces by Rachmaninov and Liszt, the album’s program is also the vehicle for Mr. Bax’s solo recital debut at New York’s 92nd Street Y. A further debut follows with the Milwaukee Symphony, where he plays Beethoven’s “Emperor” Concerto under Han-Na Chang, and the same composer’s Fourth Concerto and Choral Fantasy take him to the Santa Barbara Symphony. Placing special focus on long-term collaborative projects, this season Mr. Bax undertakes Beethoven’s complete works for cello and piano at the Chamber Music Society of Lincoln Center (CMS) and on a forthcoming Signum Classics release, both with Paul Watkins of the Emerson String Quartet; plays trios in Santiago with Berlin Philharmonic concertmaster Daishin Kashimoto and French horn virtuoso Radovan Vlatković; and embarks on multiple U.S. and European recital tours with superstar violinist Joshua Bell. After headlining the North Carolina Symphony’s season-opening concerts together, Mr. Bax and his regular piano partner, Lucille Chung, give duo recitals with CMS, at Atlanta’s Spivey Hall, in the Yale Piano Series, and at Sala São Paulo in Brazil. He rounds out the season with a full summer of festivals, highlighted by his third season as Artistic Director of Tuscany’s Incontri in Terra di Siena festival, which is fast becoming a major international destination for music-lovers.

Mr. Bax revisited the two concertos heard on Alessio Bax Plays Mozart for his recent debuts with the Boston and Melbourne Symphonies, both with Sir Andrew Davis, and with the Sydney Symphony, which he led himself from the keyboard. Other 2018–2019 highlights include the pianist’s Auckland Philharmonia debut, concerts in Israel, a Japanese tour featuring dates with the Tokyo Symphony, U.S. collaborations with Miguel Harth-Bedoya and Edo de Waart, and two solo recitals marking his return to the prestigious Mozarteum Argentino series at Buenos Aires’ Teatro Colón. Recent seasons have also seen Mr. Bax make his solo recital debut at London’s Wigmore Hall, which aired live on BBC Radio 3, and give concerts at L.A.’s Disney Hall, Washington’s Kennedy Center, and New York’s Carnegie Hall. In 2009, he was awarded an Avery Fisher Career Grant, and four years later he received both the Andrew Wolf Chamber Music Award and the Lincoln Center Award for Emerging Artists.

Alessio Bax graduated with top honors at the record age of 14 from the conservatory of Bari, his hometown in Italy, where his teacher was Angela Montemurro. He studied in France with Francois-Joël Thiollier and attended the Chigiana Academy in Siena under Joaquín Achúcarro. In 1994, he moved to Dallas to continue his studies with Mr. Achúcarro at Southern Methodist University’s Meadows School of the Arts. In fall 2019, Mr. Bax joins the piano faculty of Boston’s New England Conservatory. A Steinway artist, he lives in New York City with Lucille Chung and their 5-year-old daughter, Mila. Beyond the concert hall he is known for his longtime obsession with fine food; as a 2013 New York Times profile noted, he is not only notorious for hosting “epic” multi-course dinner parties, but often spends his intermissions dreaming of meals to come.

Angela Turner Wilson, soprano

Angela Turner Wilson has performed leading roles with many of the major opera houses in the United States and Canada including, New York City Opera, Washington National Opera, Boston Lyric Opera, Dallas Opera, Portland Opera, Atlanta Opera, Lyric Opera of Kansas City, Calgary Opera, Connecticut Opera, Central City Opera, and others. She was awarded the Singer of the Year for 2000 by the Washington National Opera, winner of the Central City Young Artist Award, and a grant winner from the Sullivan Foundation.

As a sought after concert soloist, Ms. Wilson has appeared with the National Symphony Orchestra, Alabama Symphony, Ft. Worth Symphony, Colorado Symphony, Mississippi Symphony, Corpus Christi Symphony, Binghampton Symphony, Valley Symphony, Plano Symphony, and the Dallas Wind Symphony. As a recitalist, she has been engaged by the Dallas Opera Recital Series, Cliburn at the Modern series, Abiquiu Chamber Music Series, as well as various universities and charitable foundations.

Beyond the stage, Ms. Wilson performed the role of Caroline Jefferson in the film Miss Firecracker by Cosair Productions. She is featured in the PBS performances and DVD releases of Washington National Opera’s Le Cid and La Rondine. Ms. Wilson appeared at the Clinton White House as a featured soloist for the state dinner honoring the Prime Minister of Italy and performed “God Bless America” for the George W. Bush Presidential Library dedication. Ms. Wilson currently serves as Assistant Professor of Professional Practice in Voice at Texas Christian University.

Randall Umstead, tenor

A specialist in baroque and concert repertoire, Randall Umstead has appeared as a soloist with Bach Society Houston and Dallas Bach Society, the Johannesburg Festival Orchestra, Milwaukee Symphony, Flagstaff Symphony, Colorado Bach Ensemble, Cincinnati Baroque Orchestra, Catacoustic Consort, the Kwazulu-Natal (South Africa) Philharmonic Orchestra, the Dallas Choral Festival, and the Bach Society of Dayton. Randall twice won a vocal fellowship to the Tanglewood Music Center, where he also was selected for Tanglewood’s Bach Institute.

As a recitalist, Randall has appeared in venues across the United States, Europe, and South Africa. Dr. Umstead was a quarterfinalist in the 2010 International Vocal Competition’s-Hertogenbosch, and in 2008 he was a finalist in the American Bach Society’s 5th Biennial Vocal Competition.

Dr. Umstead currently holds the Charles W. Evans Chair in Voice at Baylor University, where he also serves as Associate Dean for Academic Affairs and Director of Vocal Studies in the School of Music. He is chair-elect of the Baylor University Faculty Senate, and is governor of the Texoma Region of the National Association of Teachers of Singing.

Twyla Robinson, soprano

Twyla Robinson’s incisive musicianship, ravishing vocal beauty, and dramatic delivery have taken her to the leading concert halls and opera stages of Europe and North America. She has been heard in performance with the London Symphony Orchestra, New York Philharmonic, Berlin Staatskapelle, The Cleveland Orchestra, Philadelphia Orchestra, and Los Angeles Philharmonic, among others. She has worked with conductors including Christoph Eschenbach, Alan Gilbert, Bernard Haitink, Pierre Boulez, Franz Welser-Möst, Donald Runnicles, Yannick Nézet-Séguin, Esa-Pekka Salonen, Hans Graf, and Michael Tilson Thomas

In the current season, Ms. Robinson performs Mahler’s Symphony No. 2 “Resurrection” in a return to the Portland Symphony in Maine and with the Memphis Symphony Orchestra. In Palermo, she performs Zemlinsky’s Lyric Symphony with the Teatro Massimo. She recently performed Brahms’ Ein deutsches Requiem with the Portland Symphony Orchestra, Sieglinde in Act I of Die Walküre with the Atlanta Symphony Orchestra, Mahler’s Symphony No. 4 with the Orchestra Sinfonica di Milano Giuseppe Verdi, and Claude Vivier’s Lonely Child with the Orchestre Philharmonique de Radio France.

Jennifer Lane, mezzo-soprano

Acclaimed mezzo-soprano, Jennifer Lane currently has available more than 50 commercial CD recordings on a wide variety of labels and two films on DVD. She has been featured in performances with top ranking opera companies, orchestras, and in recital, in Spain, France, Italy, Monaco, Germany, Austria, Poland, Israel, Scotland, England, Peru, Bolivia, Colombia, Chile, Canada, Japan, Singapore, Korea, Hong Kong, and all 50 United States. Her “dark, bottomless voice is matched by her expressiveness and intelligence,” and is described as “clear, rich, plangent,” “compelling and dramatic,” and “possessing agility and charisma.” Recent recordings garnered her a Grammy® nomination and inclusion in Deutsche Grammophon Gesellschaft’s Stravinsky Complete Edition in A Sermon, A Narrative, and A Prayer and Threni. Jennifer Lane is professor of Vocal Studies at the University of North Texas, having previously taught at University of Kentucky and Stanford University.

Jonathan Tsay

Soloist, collaborative pianist, chamber musician, producer, and arts administrator Jonathan Tsay maintains an artistic career as diverse as his interests. A recent multi-city tour of Taiwan included solo recital stops at the National Recital Hall in Taipei, Kaohsiung Music Hall, and the Pingtung Arts Center. Other recent solo engagements include performances for the Cliburn, Music at Southminster in Ottawa, Blanco Performing Arts, and Fine Arts Chamber Players.

A sought after collaborator, Dr. Tsay has also performed alongside some of the world’s premier musicians, including violinist Chee-Yun, David Cooper (Principal Horn, Berlin Philharmonic), Jing Wang (Concertmaster, Hong Kong Philharmonic), dramatic soprano Alessandra Marc, violinist Chloé Trevor (“musical ambassador to Generation Z”), the Cézanne Quartet, and Nathan Olson (Concertmaster, Dallas Symphony Orchestra). Dr. Tsay performs regularly as Principal Keyboardist of the Dallas Chamber Symphony and Las Colinas Symphony, and serves as Artistic Director of Ensemble75, a chamber music series based out of Dallas, Texas.

Dr. Tsay’s recordings can be found in Brahms – A Listener’s Guide: Unlocking the Masters Series, as well as on Chloé Trevor’s debut album Immortal and Danse Macabre. A solo CD featuring the works of Rachmaninoff, Shostakovich, Debussy, Liszt, and Muczynski was released worldwide in 2009, and and his collaborative album Harmonic Allusions was named one of the “Top 5” albums of 2017 by TheaterJones.

Increasingly popular as a masterclass teacher, Dr. Tsay has given masterclasses throughout Taiwan and Texas. He has served on the screening jury for the Dallas International Piano Competition as well as adjudicator for numerous competitions including the Texas Music Teacher’s Association Solo Competition and Austin Youth Music Ambassadors.

Dr. Tsay started his piano studies with Carolyn Savko at the age of 5. Under the tutelage of Dr. Carol Leone, he earned a Bachelor of Music with Honors at the SMU’s Meadows School of the Arts. Dr. Tsay entered l’Université de Montréal as a Masters of Music student of Marc Durand, and received his doctorate through an accelerated program. His musical background also includes composition studies with Simon Sargon and David Karp, and conducting with Jack Delaney and Paul Phillips.

www.jonathantsay.com
www.ensemble75.com

Matt Ransdell

Matt Ransdell Jr. is a bilingual professional actor, touring motivational speaker, and theater educator. While attending the University of North Texas, Mr. Ransdell began a professional career as a performer with frequent audition opportunities in New York City, and was signed as a talent represented by the Mary Collins Agency. He continues growing his career as an actor on stage as well as in television and film, and is also a resident artist and teacher with Kids Who Care Musical Theatre in Fort Worth.

Gloria Lin

Gloria Lin has performed at Carnegie Hall, Alice Tully Hall at Lincoln Center, Symphony Space, Kosciuszko Foundation, the United Nations, the Ford Center in Toronto, Suntory Hall in Tokyo, and in China, France, Mexico, Peru, Japan, Spain, and Venezuela. She is a guest at international festivals in Cartagena, Colombia and in Morelia, Mexico; Cliburn at the Modern; and at the Chamber Music Society of Fort Worth. She has been featured on prominent national and international media, including APM’s Performance Today, WNYC’s Soundcheck, national television and radio broadcasts in Colombia, and Japan’s public television NHK.

Dr. Lin was educated at The Juilliard School, Interlochen Arts Academy, University of Michigan-Ann Arbor, and Manhattan School of Music, and earned her Doctor of Musical Arts degree at Indiana University-Bloomington. She has led master classes at Beijing’s Central Conservatory, as well as at the National Conservatory in Lima and the Conservatorio de las Rosas in Morelia, Mexico, among other institutions. She currently serves on the piano and musicology faculty at the TCU School of Music in Fort Worth, Texas.

Karen Hall

Karen Hall holds degrees in music performance from the University of Illinois and Texas Christian University. She has been a member of the cello section of the Fort Worth Symphony Orchestra since 1979 and received the American Airlines “Distinguished Musician of the Year” award in 2004. Karen has also held positions with the Dallas Opera Orchestra, the Memphis Symphony, and the Hawaii Symphony. Ms. Hall was the founder and artistic director of Hall Ensemble, a chamber music group specializing in intimate, small-venue, chamber-music concerts. An ardent proponent of historic performance practice, she also plays the Baroque cello and viola da gamba, and is a founding member of Texas Camerata.

Sara Doan

Sara Doan

Born in Fort Worth, Texas, Sara Doan began studying piano at the age of 3 with Donna Edwards. Under her tutelage, Ms. Doan won top prizes in several state and regional competitions. She earned a bachelor’s and master’s degree in piano performance at the University of North Texas, and is currently pursuing a Doctor of Musical Arts at TCU.

Ms. Doan has performed with the Meadows Symphony Orchestra (Dallas) and the North Texas Symphony Orchestra (Denton). She has presented recitals across Texas, and in Oklahoma, Virginia, Pennsylvania, and Washington, D.C.  In December 2010, Ms. Doan served as guest artist in the First International Piano Festival of Bogota, Colombia where she performed, taught master classes, led discussions, and served on the competition jury.

Ms. Doan has served as collaborative pianist-in-residence at Southeastern Oklahoma State and adjunct professor of piano at the University of North Texas. She maintains a private studio in the DFW area and is an adjunct professor at Tarrant County College -Northwest Campus, while performing regularly with her chamber groups, Trio 8831 and Apana Trio. She also presents lectures and educational programs through the Fort Worth Music Fund and Chamber Music Society of Fort Worth.

Candace Bawcombe

Pianist Candace Bawcombe has performed as a soloist, recitalist, chamber, and orchestral musician in the DFW area since her return to Texas in 1991. The New York Times has hailed her as “…deeply talented; a beautiful pianist.” She has enjoyed collaborations with many artists including violinists Pinchas Zukerman, Erick Friedman, Peter Winograd, Eugene Drucker, and concertmasters of many orchestras. Metropolitan Opera star Renée Fleming and Ms. Bawcombe performed the world premiere of Three Persian Songs by Bezhad Ranjbaran in Alice Tully Hall. She has performed and taught in festivals in the United States, Southeast Asia, and the United Kingdom. Ms. Bawcombe was an integral part of Dallas Chamber Music Society for 10 years beginning as the first executive director and later as artistic director. She hosted “Spotlight on Chamber Music” on WRR Classical 101.1FM for several years.

Ms. Bawcombe holds a master’s degree in music from The Juilliard School, where she studied with Abbey Simon and Herbert Stessin. She was 11 years old when she was accepted into the piano studio of concert pianist Lili Kraus. Ms. Kraus, who studied with Béla Bartók, Zoltán Kodály, and Artur Schnabel, mentored her for 14 years. Ms. Bawcombe is currently a featured artist for the Cliburn in the Classroom education program for elementary school students in North Texas. She is founder and managing director of the Children’s Community Chorus of Johnson County and teaches piano in Colleyville and North Arlington. Ms. Bawcombe is married to Dallas Symphony Orchestra violinist Andrew Schast.

Buddy Bray

Buddy Bray

Shields-Collins “Buddy” Bray has been artistic consultant for the Cliburn since 2003. For the last 20 years he has shown his longstanding commitment to new music, hosting concerts spotlighting living American composers such as William Bolcom, John Corigliano, Ricky Ian Gordon, Jennifer Higdon, Jake Heggie, Kevin Puts, Ned Rorem, and Ben Moore. With music educator John Feierabend, Buddy created the Cliburn in the Classroom curriculum for second-, third-, and fourth-graders; now, after almost two decades of serving as writer, narrator, host, and sometimes-pianist at these uniquely interactive programs, he continues to be heavily involved in an advisory role.

A skilled commentator and interviewer, Buddy hosted the large-scale webcast of the Van Cliburn International Piano Competition in June 2022. During the pandemic he also served as host and artistic consultant for the Cliburn’s digital series, Cliburn Masterpiece and Cliburn Kids.

Buddy has been principal keyboardist of the Fort Worth Symphony Orchestra since 1986, and has hosted the orchestra’s pre-concert discussion series Symphonic Insights since 1993. He has performed many times as soloist with orchestra, most recently in Gershwin’s Rhapsody in Blue, a work with which he has had a long association. He has also appeared as soloist with the Dallas and Jacksonville Symphony Orchestras, the Buffalo Philharmonic, the Kennedy Center Opera Orchestra, and in Miguel Harth-Bedoya’s “The Passion of the Tango” with the Los Angeles Philharmonic at the Hollywood Bowl.

Buddy was born in Mississippi and grew up in northeastern Louisiana. He studied there with Donald Cornell, and later with Steven De Groote at Arizona State University and TCU.

Rolston String Quartet

Known for performances marked by “a maturity and cohesion rivaling the best string quartets in the world” (Musical Toronto), the Rolston String Quartet took home first prize in the 2016 Banff International String Quartet Competition, sending them on a concert tour that included Germany, Italy, Austria, Canada, and the United States. Performance highlights have included the Smithsonian, Kennedy Center, Koerner Hall at the Toronto Royal Conservatory of Music, and the Esterhazy Palace. The Quartet—Luri Lee (violin), Jeffrey Dyrda (violin), Hezekiah Leung (viola), and Jonathan Lo (cello)—currently serves as quartet-in-residence for the Yale School of Music, having recently completed a tenure as graduate quartet-in-residence at Rice University’s Shepherd School of Music.

Georgy Tchaidze, piano

Possessing “fine sensibility and perfectly honed technique” (The Telegraph), St. Petersburg-native Georgy Tchaidze trained at the Moscow Conservatory and is a prizewinner at the Honens, Cleveland, and Top of the World international piano competitions. He has performed throughout Europe, North America, and Asia to great acclaim, including debuts at Berlin’s Konzerthaus, Amsterdam’s Het Concertgebouw, Beijing’s National Centre for the Performing Arts, and New York’s Zankel Hall at Carnegie Hall. His reputation as a sensitive collaborative pianist has earned him acclaim; the Calgary Herald said of a performance with the esteemed Borodin Quartet, “Tchaidze was magnificent, matching the experienced string players note for note to produce a performance of rare beauty and musical conviction.”

Alexander Kobrin, piano

Called the “Van Cliburn of today” by the BBC, Alexander Kobrin is at the forefront of today’s performing musicians. Since his Cliburn Competition win in 2005, he has performed in the world’s greatest halls—including New York’s Avery Fisher Hall at Lincoln Center, Washington’s Kennedy Center, London’s Albert Hall, Great Hall of the Moscow Conservatory, and Berlin’s Philharmonie—and with leading orchestras, such as the New York Philharmonic, BBC Symphony, Warsaw Philharmonic, Russian National, and KBS Symphony. He has released eight CDs to great acclaim; his 2015 album was a top five of the year by Fanfare magazine. An inspiring teacher, the Moscow native recently joined the faculty of the Eastman School of Music in Rochester, New York, and has served on the jury of several prestigious competitions.

Yury Favorin, piano

During the 2017 Cliburn Competition, the Texas Classical Review declared that “the centuries-old Russian tradition of piano virtuosity lives on” in Yury Favorin with his “high-octane approach” and “distinctive power and color.” The Moscow native studied at the city’s venerated Conservatory and went on to win prizes at major international competitions including the Queen Elisabeth in Brussels and the Olivier Messiaen in Paris. He’s travelled the world, performing in Russia, the United States, France, Germany, Austria, Norway, Hungary, Italy, Sweden, Poland, Japan, and more. His many recordings include Liszt and 20th-century Russian composers, but also new music and improvisations. He has been part of several groups devoted to freely improvised music, including his own ERROR 404.

Daniel Hsu

DANIEL HSU
2017 CLIBURN BRONZE MEDALIST

Characterized by the Philadelphia Inquirer as a “poet… [with] an expressive edge to his playing that charms, questions, and coaxes,” American pianist Daniel Hsu is recognized for his easy virtuosity and bold musicianship.

A native of the San Francisco Bay Area, Daniel began taking piano lessons at age 6 with Larisa Kagan. He made his concerto debut with the Fremont Symphony Orchestra at age 8, and his recital debut at the Steinway Society of the Bay Area at age 9, before being accepted into the Curtis Institute of Music at the age of 10, along with his two older siblings. He quickly gained international recognition and accolades: bronze medal at the 2015 Hamamatsu International Piano Competition, first prize at the 2015 CAG Victor Elmaleh Competition, 2016 Gilmore Young Artist, and bronze medal at the 2017 Van Cliburn International Piano Competition, where he also took home prizes for best performance of both the commissioned work and chamber music.

He has made his debuts with the Philadelphia Orchestra and Carnegie Hall as part of the CAG Winners Series at Weill Recital Hall, and appeared in recitals at the Dame Myra Hess Memorial Concerts, Krannert Center for the Performing Arts, Vancouver Recital Society, and Gilmore International Keyboard Festival, as well as in Boston, Philadelphia, Chicago, Denver, Los Angeles, Portland, Pittsburgh, and New York. A sensitive and keen collaborator, Daniel has performed with the Tokyo, North Carolina, Grand Rapids, Anchorage, New Haven, and Fort Worth Symphony Orchestras, working alongside conductors Leonard Slatkin, Nicholas McGegan, Cristian Măcelaru, Ruth Reinhardt, Marcelo Lehninger, Eugene Tzigane, and Stilian Kirov. Recent and upcoming highlights include his debuts with the Taiwan Symphony Orchestra with Hannu Lintu, Hamilton Philharmonic Orchestra with Gemma New, Jacksonville Symphony with Courtney Lewis, and Pacific Symphony with Carl St. Clair.

He has joined Curtis on Tour throughout Europe, performs regularly with the Verona Quartet and in duo piano with his brother, Andrew, and appears frequently in chamber music festivals. Ever curious and eager to explore, Daniel worked with Fort Worth rapper Lou Charle$ and singer-songwriter-guitarist Averi Burke to develop and release the single “Free”—which they brought to South by Southwest in spring 2022.

Decca Gold released Daniel’s first album featuring live recordings from the Cliburn Competition of Mussorgsky’s Pictures at an Exhibition and Beethoven’s Piano Sonata, op. 110, as well as his award-winning performance of Marc-André Hamelin’s Toccata on “L’homme armé.” He has also been featured in interviews and performances for WQXR, APM’s Performance Today, and Colorado Public Radio, and was profiled as one to watch by International Piano magazine.

Now 25 years old, Daniel graduated from Curtis in spring 2019, where he studied with Gary Graffman, Robert McDonald, and Eleanor Sokoloff. He is a Marvel film buff and enjoys programming—he contributed to the creation of Workflow (now known as Siri Shortcuts), which won the 2015 Apple Design Award and was acquired by the tech giant in 2017.

ADDITIONAL 2017 CLIBURN AWARDS:
Steven De Groote Memorial Award for the Best Performance of Chamber Music
Beverley Taylor Smith Award for the Best Performance of a New Work

Contact Sandra Doan at [email protected] if you are interested in engaging Daniel Hsu.

Kenny Broberg

KENNY BROBERG
2017 CLIBURN SILVER MEDALIST

American pianist Kenny Broberg continues to build a reputation as “one of the most intelligent and intense artists on the concert stage today” (Theater Jones) with fresh interpretations complemented by a natural, honest stage presence. The Minneapolis native first came to international attention when he captured the silver medal at the 2017 Van Cliburn International Piano Competition with performances marked by “an imaginative shaping of themes, revelation of inner voices, and an unfailing sense of momentum” (Texas Classical Review). He followed this with a bronze medal win at the 2019 International Tchaikovsky Competition, adding to previous prizes at the Hastings, Sydney, Seattle, and New Orleans International Piano Competitions. 

Kenny has performed across Europe, Asia, Australia, and North America, and worked with such esteemed conductors as Ludovic Morlot, Kent Nagano, Leonard Slatkin, Vasily Petrenko, Nicholas Milton, John Storgårds, Carlos Miguel Prieto, and Stilian Kirov. He has collaborated with the Royal Philharmonic, Minnesota, Kansas City Symphony, Sydney Symphony, Seattle Symphony, Fort Worth Symphony, and the Louisiana Philharmonic Orchestras, among others. 

Lauded for “the ability to build a strikingly imaginative and intelligent program… [leading] his audience through a superbly conceived, brilliantly executed journey” (Theater Jones), Kenny enjoys juxtaposing the novel and familiar, bringing light to lesser-known works alongside classic repertoire. Recent and upcoming highlights include his Spivey Hall debut; a tour of rural Australian communities, along with a return to Sydney; residencies at the Mariinsky International Piano, Stars on the Baikal, Strings, and Sunriver Music Festivals; and recitals in Yokohama, Nagoya, Moscow, New York, and Los Angeles.

He has been featured on NPR, WQXR, APM’s Performance Today, MPR, and ABC (Australia) radio. In 2019, Kenny appeared at the Texas Medal of Arts Awards Gala, performing for honorees including Matthew McConaughey and Jennifer Holliday; he is also a finalist for the 2021 American Pianists Awards. Several of his performances at the 2016 Sydney International Piano Competition were included on CDs released on the Universal Music Australia label. His solo debut album was released in August 2017 on the Decca Gold label, featuring one of his signature pieces, the Barber Piano Sonata, as well as works by Bach, Schubert, Chopin, and Franck. 

The first musician in his family, Kenny started piano lessons at age 6, when he was first fascinated by his mother’s upright—a wedding gift from her parents. He studied for nine years with Dr. Joseph Zins before entering the University of Houston’s Moores School of Music, where he earned a Bachelor of Music degree with Nancy Weems in 2016. He currently resides in Kansas City, Missouri, where he continues to be mentored by 2001 Cliburn Gold Medalist Stanislav Ioudenitch at the International Center for Music at Park University. Alongside his teachers, he is influenced by the recordings of Alfred Cortot, William Kapell, and Claudio Arrau. 

A hockey and baseball athlete in high school, Kenny enjoys watching and playing sports; he’s even known to catch a livestream of a game while warming up for a performance.

Contact Sandra Doan at [email protected] if you are interested in engaging Kenny Broberg.

Yekwon Sunwoo

Yekwon Sunwoo

2017 CLIBURN GOLD MEDALIST

Gold medallist of the Fifteenth Van Cliburn International Piano Competition, Yekwon Sunwoo has been hailed for his “unfailingly consistent excellence” (International Piano) and celebrated as “a pianist who commands a comprehensive technical arsenal that allows him to thunder without breaking a sweat” (Chicago Tribune). A powerful and virtuosic performer, he also, in his own words, “strives to reach for the truth and pure beauty in music”.

The first Korean to win Cliburn Gold, Yekwon’s 2019–2020 season includes appearances with Fort Worth and Tuscon Symphonies and the Bucheon Philharmonic and debuts with Washington Chamber Orchestra, Royal Danish Orchestra and Danish Radio Orchestra amongst others as well as a debut appearance at the Vail Festival with Dallas Symphony. Recital highlights include Four Season Arts, San Antonio Arts and the Stadttheater Aschaffenburg. 2020–2021 will see Yekwon make his debut with Orchestra Chambre de Paris and Tugan Sokhiev and return to KBS Symphony with Jaap Van Zweden.

In previous seasons, he has performed as soloist with the Baltimore Symphony Orchestra under Marin Alsop, Houston Symphony, National Orchestra of Belgium, Sendai Philharmonic and Royal Scottish National Orchestra amongst others. Recital appearances include Carnegie Hall, Wigmore Hall, Elbphilharmonie, Salle Cortot and Kumho Art Hall.

An avid chamber musician, Yekwon’s collaborators include Benjamin Beilman, Linus Roth, Andrei Ioniță, Sebastian Bohren, Isang Enders, Tobias Feldmann, Gary Hoffman, Anne-Marie McDermott and the Jerusalem and Brentano Quartets. He has also toured Costa Rica, Guatemala and Panama with the Kumho Asiana Cultural Foundation, performed at Chamber Music of Lincoln Center’s Inside Chamber Music Lectures and been invited to the Summit Music, Bowdoin International and Toronto Summer Music Festivals.

In addition to the Cliburn Gold Medal, Yekwon won first prizes at the 2015 International German Piano Award, the 2014 Vendome Prize held at the Verbier Festival, the 2013 Sendai International Music Competition and the 2012 William Kapell International Piano Competiton.

Born in Anyang, South Korea, Yekwon began learning the piano at the age of 8 and made his recital and orchestral debuts in Seoul at 15. His teachers include Seymour Lipkin, Robert McDonald, Richard Goode and Bernd Goetzke.

In 2017, Decca Gold released Cliburn Gold 2017 two weeks after Yekwon was awarded the Gold Medal and includes his award-winning performances of Ravel’s La Valse and Rachmaninov’s Second Piano Sonata.

A self-proclaimed foodie, Yekwon enjoys finding Pho in each city he visits and takes pride in his own homemade Korean soups.

Contact Alan Coates (Keynote Artist Management) at [email protected] if you are interested in engaging Yekwon Sunwoo.

 

CLIBURN GOLD 2017 DIGITAL ALBUM AVAILABLE NOW

CLICK HERE to purchase digital album today.

CLICK HERE to purchase the CD.

 

 

 

 

Nikita Abrosimov

Nikita Abrosimov

Russia | Age 28

Nikita Abrosimov was born in the Urals in Russia and began studying piano at age 6. After earning his undergraduate degree at the M.A. Balakirev Music College in Nizhny Novgorod, Russia, he studied at Indiana University and the Royal College of Music. In 2011, he won the World Piano Competition in Cincinnati, and the next year he was awarded the prestigious Gawon International Music Society Award in Seoul, South Korea. Mr. Abrosimov has performed at piano festivals in Russia, Europe, and the United States, and his notable concerto appearances include the Stars of the White Nights festival in St. Petersburg, where he performed with the Mariinsky Theatre Symphony Orchestra under the baton of Valery Gergiev. He also has played recitals in New York (Weill Recital Hall, Alice Tully Hall), Seoul (Yongsan Art Hall), and St. Petersburg (Mariinsky Concert Hall), among others. Mr. Abrosimov lives in Nizhny Novgorod with his wife and young son..

 

COMPETITION REPERTOIRE

Preliminary Recital
RACHMANINOFF Variations on a Theme by Corelli, op. 42
HAMELIN Toccata on “L`homme armé”
STRAVINSKY Trois mouvements de Petrouchka

Quarterfinal Recital
MENDELSSOHN Variations sérieuses, op. 54
PROKOFIEV Sonata No. 8 in B-flat Major, op. 84

Semifinal Recital
BACH-LISZT Fantasia and Fugue in G Minor, BWV 542
SHOSTAKOVICH Preludes, op. 34, nos. 1, 2, 5, 6, 9, 10, 13-17, 24
MUSSORGSKY Pictures at an Exhibition

Semifinal Concerto
MOZART Piano Concerto No. 27 in B-flat Major, K. 595

Final Round Piano Quintet
DVOŘÁK Piano Quintet in A Major, op. 81

Final Round Concerto
TCHAIKOVSKY Piano Concerto No. 1 in B-flat Minor, op. 23

2013 Cliburn Competition

FOURTEENTH VAN CLIBURN INTERNATIONAL PIANO COMPETITION
MAY 24–JUNE 9, 2013
NANCY LEE AND PERRY R. BASS PERFORMANCE HALL
FORT WORTH, TEXAS, USA
John Giordano, jury chairman

 

AWARDS AND PRIZES

Beverley Taylor Smith Award for the Best Performance of a New Work: Vadym Kholodenko ($5,000)
Steven De Groote Memorial Award for the Best Performance of Chamber Music: Vadym Kholodenko ($6,000)
John Giordano Jury Chairman Discretionary Award: Steven Lin ($4,000)
Raymond E. Buck Jury Discretionary Award*: Alessandro Deljavan ($4,000)
Jury Discretionary Award: Claire Huangci ($4,000)
Audience Award: Beatrice Rana ($2,500)

WINNERS’ UPDATES

VADYM KHOLODENKO  The Ukrainian gold medalist quickly emerged as one of the most gifted performers of his generation. Amongst his touring activities, he has been artist-in-residence with the SWR Symphonieorchester Stuttgart, Filarmonica Toscanini, and Fort Worth Symphony. His solo album of Scriabin received the Diapason d’Or de l’Année in 2018, which was followed by acclaimed recordings of Prokofiev and Tchaikovsky; future plans include works of Chopin and Godovsky.

BEATRICE RANA The Italian pianist has made waves on the international music scene since her Cliburn appearance. She was named Young Artist of the Year at the Gramophone Awards, “Discovery of the Year” at the Edison Awards, and Female Artist of the Year at the Classic BRIT Awards, and her 2019 release of Stravinsky and Ravel received the Diapason d’Or de l’Année. In 2017, she founded the Classiche Forme music festival in her hometown of Lecce; she has also taken on artistic directorship of the Orchestra Filarmonica di Beneveto. She records exclusively for Warner Classics and was named artist-in-residence at the Accademia Nazionale di Santa Cecilia in the 2022–2023 season.

SEAN CHEN  The charismatic American continues to grow his career, adding debuts with major orchestras and in prestigious venues every year. He is an advocate of new music who also writes and performs his own transcriptions and compositions. He is in demand as a juror and for residencies that combine educational with concert activities. He is currently Millsap Artist in Residence at the University of Missouri-Kansas City Conservatory.

FEI-FEI DONG  The Chinese finalist performs widely as a concert pianist, also deeply involved in community and educational activities. In recent years, she has toured with the Baden-Baden Philharmonic (Germany) and New York Youth Symphony (Spain), and formed the Aletheia Piano Trio and a chamber project “The Inner Voices.”

NIKITA MNDOYANTS  He balances a career of concertizing, teaching, and composing. Recent highlight include performances for Radio France Musique and the International Piano Series in Fribourg, Switzerland, and his 2017 album release of Beethoven, Prokofiev, and Schumann. His solo and chamber compositions are published by Composers, Muzyka, and Jurgenson. He continues his long association with the Festival International de Musique de Wissembourg as artistic director; he recently moved to Wissembourg with his wife and daughter.

TOMOKI SAKATA  2022 was a year of firsts for the Japanese pianist: Tomoki made his conducting debut with the Kanagawa Philharmonic Orchestra and published his own piano transcriptions. He has recently won major prizes at the 2021 Queen Elisabeth (4th, 2021) and Kissinger Klavierolymp (1st and Audience, 2019), and received the Vendome Prize in 2017. He continues to grow his performance career throughout Europe and Asia.


JURY

John Giordano, chairman (United States)
Dmitri Alexeev (Russia)
Michel Beroff (France)
Andrea Bonatta (Italy)
Richard Dyer (United States)
Joseph Kalichstein (Israel/United States)
Yoheved Kaplinsky (Israel)
Liu Shi Kun (China)
Minoru Nojima (Japan)
Menahem Pressler (United States)
Blanca Uribe (Colombia)
Arie Vardi (Israel)
Xian Zhang (China)

ADDITIONAL INFORMATION

Conductor: Leonard Slatkin
Chamber Music: Brentano String Quartet
Orchestra: Fort Worth Symphony Orchestra
Commissioned Work: Christopher Theofanidis, Birichino
Master of Ceremonies: Fred Child
Official Artwork: Untitled (Cliburn Competition) by Ed Ruscha
Documentary: Virtuosity: The Fourteenth Van Cliburn International Piano Competition, directed by Christopher Wilkinson

COMPETITION PROGRAM BOOK

2009 Cliburn Competition

THIRTEENTH VAN CLIBURN INTERNATIONAL PIANO COMPETITION
MAY 22–JUNE 7, 2009
NANCY LEE AND PERRY R. BASS PERFORMANCE HALL
FORT WORTH, TEXAS, USA
John Giordano, jury chairman

 

AWARDS AND PRIZES

Beverley Taylor Smith Award for the Best Performance of a New Work: Nobuyuki Tsujii ($5,000)
Steven De Groote Memorial Award for Best Performances of Chamber Music: Evgeni Bozhanov and Yeol eum Son ($3,000 each)
John Giordano Jury Chairman Discretionary Award: Alessandro Deljavan ($4,000)
Raymond E. Buck Jury Discretionary Award*: Lukáš Vondrácek ($4,000)
Jury Discretionary Award: Eduard Kunz ($4,000)
Internet Audience Award: Mariangela Vacatello

WINNERS’ UPDATES

NOBUYUKI TSUJII  The Japanese pianist rocketed to celebrity status when he won Cliburn gold. He has performed in the top venues across four continents and is an exclusive recording artist for Avex Classics International. He was featured prominently in the 2021 Tokyo Paralympics Opening Ceremony, and is the subject of Peter Rosen’s documentary Touching the Sound.

HAOCHEN ZHANG The Chinese pianist’s career continues to grow since his 2009 Cliburn appearance: BIS Records released his first acclaimed concerto album, made subscription debuts with the New York Philharmonic and Philadelphia Orchestras, and recently collaborated with Shangri-La Hotels on their 50th anniversary #withheart campaign.

YEOL EUM SON The South Korean followed her silver medal win at the Cliburn with silver at the Tchaikovsky Competition in 2011. Her performance career spans North America, Europe, and Asia, and she records for DECCA and Onyx. Recognized for her versatility and creativity, she was appointed artistic director of Music in PeongChang 2018; she is also active as a writer and TV personality and collaborated with Chanel on its 100th Anniversary for W Korea magazine.

EVGENI BOZHANOV  The native of Bulgaria has built a reputation as a risk-taking, original pianist and is active in Europe and Asia. He was appointed professor of piano at the Folkwang Universität der Künste (Essen) in 2019, the same year as his latest recording by Avanticlassic.

MARIANGELA VACATELLO Ms. Vacatello was artist-in-residence alongside composer Georges Aperghis at IRCAM, a Paris-based incubator for music and technology. A prolific recording artist, she released her newest recording of Chopin and Schumann in August 2021, which joins a versatile discography featuring Ginastera, Liszt, and Debussy. Based in Umbria, she balances her performance activities with her commitment to teaching at the Conservatoire “F. Morlacchi” and the Pinerolo International Music Academy.

DI WU Now based in Montreal, Ms. Wu has performed widely in Asia, Europe, and the United States, highlighted by collaborations with Christoph Eschenbach, James Conlon, Ludovic Morlot, Yu Long, and Charles Dutoit. She embarked on a sold-out arena tour with singer Sarah Brightman in China, Japan, Korea, Taiwan, and Mexico, and a sold-out stadium concert in Tokyo, which was recorded and released by Sony-Epic Records.


JURY

John Giordano, chairman (United States)
Marcello Abbado (Italy)
Dmitri Alexeev (Russia)
Hung-Kuan Chen (United States)
Michel Beroff (France)
Richard Dyer (United States)
Joseph Kalichstein (Israel)
Yoheved Kaplinsky (Israel)
Jürgen Meyer-Josten (Germany)
Menahem Pressler (United States)
Tadeusz Strugała (Poland)

ADDITIONAL INFORMATION

Conductor: James Conlon
Chamber Music: Takács Quartet
Orchestra: Fort Worth Symphony Orchestra
American Composers Invitational Grand Prize: Mason Bates ($5,000)
American Composers Invitational New Works: Mason Bates, White Lies for Lomax; Derek Bermel, Turning; Daron Hagen, Suite for Piano; John Musto, Improvisation & Fugue
Master of Ceremonies: Fred Child
Official Artwork:  Ivan Chermayeff, incorporating Treble Clefs by Josef Albers, 1932. Courtesy of the Josef and Anni Albers Foundation.
Documentary: A Surprise in Texas: The Thirteenth Van Cliburn International Piano Competition, directed by Peter Rosen

COMPETITION PROGRAM BOOK

2005 Cliburn Competition

TWELFTH VAN CLIBURN INTERNATIONAL PIANO COMPETITION
MAY 20–JUNE 5, 2005
NANCY LEE AND PERRY R. BASS PERFORMANCE HALL
FORT WORTH, TEXAS, USA
John Giordano, jury chairman

 

AWARDS AND PRIZES

Beverley Taylor Smith Award for the Best Performance of a New Work: Joyce Yang ($5,000)
Steven De Groote Memorial Award for Best Performances of Chamber Music: Joyce Yang ($6,000)
Raymond E. Buck Jury Discretionary Award: Maria Mazo ($4,000)
Jury Discretionary Awards: Jie Chen, Sodi Braide, Gabriela Martinez ($4,000 each)
Internet Audience Award: Alexander Kobrin (Apple iPod Photo)

WINNERS’ UPDATES

ALEXANDER KOBRIN  The Russian gold medalist also won the Cliburn’s first Internet Audience Award. In addition to performing across Asia, Europe, and the United States, he is the L. Rexford Whiddon Distinguished Chair in Piano at Columbus State University, and since 2013 has also been a member of the celebrated Artist Faculty at New York University’s Steinhardt School. In July 2017, Mr. Kobrin will join the faculty of the Eastman School of Music in Rochester, N.Y.

JOYCE YANG  The silver medalist was awarded the Avery Fisher Career Grant in 2010, and today enjoys a busy concert schedule. Recent highlights include debuts with the Minnesota Orchestra and San Diego Symphony, and tours with violinist Augustin Hadelich. In 2016, she released her first recording with Hadelich as well as the world-premiere recording of Michael Torke’s concerto Three Manhattan Bridges, a piece created for her.

SA CHEN  The Beijing-based Crystal Award winner is a piano star in China. Her recent engagements have included concerto dates with the San Francisco Symphony, recital tours in China and Germany, and a performance in Washington, D.C. as part of the Global Citizen 2015 Earth Day event.

DAVIDE CABASSI  Mr. Cabassi has performed widely, especially in Italy, and has been a faculty member of the Monteverdi Conservatory in Bolzano and artist-in-residence at the Col legno Festival in Lucca. Among his many recordings are discs of Mozart (2013) and Beethoven (2014) sonatas on the DECCA label.

CHU-FANG HUANG  The Chinese pianist won top prizes at the Cleveland Competition and Young Concert Artist Auditions shortly after being named a Cliburn finalist. She received the 2011 Avery Fisher Career Grant, is a Steinway Artist, and continues an active performing career.

ROBERTO PLANO  Since being named a Cliburn finalist, this Italian has maintained an active concert schedule in Europe and the United States. He founded and teaches at the Accademia Musicale Varesina, and created the Music Association “Alfred Cortot” to spread the joy of classical music while emphasizing music education for children. His 2016 debut recording for DECCA Classics featured the Harmonies Poétiques et Religieuses by Liszt, which DECCA had not recorded since the 1960s. In September 2016, he joined the faculty of Boston University.


JURY

John Giordano, chairman (United States)
Marcello Abbado (Italy)
Peter Cossé (Germany)
Richard Dyer (United States)
Claude Frank (United States)
Thomas Frost (United States)
Joseph Kalichstein (Israel/United States)
Jürgen Meyer-Josten (Germany)
Menahem Pressler (United States)
Tadeusz Strugała (Poland)

ADDITIONAL INFORMATION

Conductor: James Conlon
Chamber Music: Takács Quartet
Orchestra: Fort Worth Symphony Orchestra
American Composers Invitational Grand Prize: Sebastian Currier ($5,000)
American Composers Invitational New Works: Sebastian Currier, Scarlatti Cadences + Brainstorm; Jennifer Higdon, Secret & Glass Gardens; Daniel Kellogg, scarlet thread; Jan Krzywicki, Nocturnals; Ruth Schonthal, Sonata quasi un’improvvisazione
Master of Ceremonies: Van Cliburn
Official Artwork: Howard Hodgkin, Concert
Documentary: In the Heart of Music, directed by Andy Sommer

COMPETITION PROGRAM BOOK

2001 Cliburn Competition

ELEVENTH VAN CLIBURN INTERNATIONAL PIANO COMPETITION
MAY 25–JUNE 10, 2001
NANCY LEE AND PERRY R. BASS PERFORMANCE HALL
FORT WORTH, TEXAS, USA
John Giordano, jury chairman

 

AWARDS AND PRIZES

Phyllis Jones Tilley Memorial Award for Best Performance of Commissioned Work: Antonio Pompa-Baldi ($5,000)
Steven De Groote Memorial Award for Best Performances of Chamber Music: Davide Franceschetti, Stanislav Ioudenitch, Maxim Philippov ($1,000 each)
Jury Discretionary Awards: Davide Franceschetti, Sergey Koudriakov, Alexander Moutouzkine, Masaru Okada ($4,000 each)

WINNERS’ UPDATES

STANISLAV IOUDENITCH  A native of Uzbekistan, Mr. Ioudenitch, who shared the gold medal in 2001, founded and teaches at the International Center for Music at Park University in Kansas City, where he is also artistic director and associate professor. He joined the piano faculty of the Oberlin Conservatory of Music in fall 2017. He also is vice president of the International Piano Academy Lake Como.

OLGA KERN  The co-winner is now recognized as one of her generation’s great pianists. She performs at the world’s great venues—including the Great Hall of the Moscow Conservatory, La Scala in Milan, and Carnegie Hall in New York—and collaborates with top conductors including Valery Gergiev, Christoph Eschenbach, and Marin Alsop. She has released six recordings on harmonia mundi usa, including her Grammy®-nominated Rachmaninoff disc. In 2016, she was jury chairman of the Seventh Cliburn International Amateur Piano Competition. In October 2017, she performed Barber’s Piano Concerto with Leonard Slatkin and the Detroit Symphony Orchestra to celebrate her American citizenship. 

MAXIM PHILIPPOV  The co-silver medalist has performed recitals in top venues in Asia and Europe and is also a professor of piano at the Moscow Tchaikovsky Conservatory.

ANTONIO POMPA-BALDI  The Italian pianist who shared the silver medal maintains an active concert schedule and has recorded 20 CDs. In 2014, he completed performances of all the Rachmaninoff piano concertos with the Cape Town Philharmonic Orchestra, and in 2015, he performed all the Beethoven concertos in Fresno. He is one of the most prolific recording artists for SPIRIO, Steinway’s new high-resolution player piano, and teaches at the Cleveland Institute of Music.

ALEXEY KOLTAKOV  The Ukrainian finalist has toured Asia, Australia, Europe, North America, and Russia, and earned undergraduate and master’s degrees from The Juilliard School in 2012 and 2014. He has established a piano studio in Sydney, Australia.

WANG XIAOHAN  The Chinese pianist, who played one of his own works in the Competition, is active as composer, conductor, pianist, and teacher.


JURY

John Giordano, chairman (United States)
Marcello Abbado (Italy)
Joaquín Achúcarro (Spain)
Eileen Tate Cline (United States)

Richard Dyer (United States)
Claude Frank (United States)
Thomas Frost (United States)
Andrzej Jasinski (Poland)
Yoheved Kaplinsky (Israel)
Jürgen Meyer-Josten (Germany)
Jean-Marc Peysson (France)
Menahem Pressler (United States)
Zhou Guangren (China)

ADDITIONAL INFORMATION

Conductor: James Conlon
Chamber Music: Takács Quartet
Orchestra: Fort Worth Symphony Orchestra
American Composers Invitational Grand Prize: Lowell Liebermann ($5,000)
American Composers Invitational New Works: C. Curtis-Smith, Four Etudes; Lowell Liebermann, Three Impromptus; James Mobberley, Give ‘em Hell!; Judith Lang Zaimont, Impronta Digitale
Master of Ceremonies: James Conlon
Official Artwork: Tom Phillips, Music World I & Music World II
Documentary: The Cliburn: Playing on the Edge, directed by Peter Rosen

COMPETITION PROGRAM BOOK

1997 Cliburn Competition

TENTH VAN CLIBURN INTERNATIONAL PIANO COMPETITION
MAY 23–JUNE 8, 1997
ED LANDRETH AUDITORIUM AT TEXAS CHRISTIAN UNIVERSITY •  TARRANT COUNTY CONVENTION CENTER THEATRE
FORT WORTH, TEXAS, USA
John Giordano, jury chairman

 

AWARDS AND PRIZES

Phyllis Jones Tilley Memorial Award for Best Performance of Commissioned Work: Naida Cole ($5,000)
Steven De Groote Memorial Award for Best Performances of Chamber Music: Naida Cole, Jon Nakamatsu, Katia Skanavi ($1,000 each)
Jury Discretionary Awards: Victor Chestopal, Michail Dantchenko, Stanislav Ioudenitch ($4,000 each)

WINNERS’ UPDATES

JON NAKAMATSU  The most recent American to win Cliburn gold has developed a highly regarded career as both soloist and chamber musician, performing with top U.S. orchestras. He has recorded 13 CDs for harmonia mundi usa, most recently a 2014 disc of Schumann, and was jury chairman of the First Cliburn International Junior Piano Competition in 2015.

YAKOV KASMAN  The silver medalist is artist-in-residence at the University of Alabama at Birmingham, where he also established a piano series that frequently features Cliburn winners. He has recorded 15 CDs on the Calliope label and performs as a soloist and in duo recitals with his daughter Aleksandra. 

AVIRAM REICHERT  The Cliburn’s first Israeli medalist has an active career as soloist, recitalist, and chamber musician, particularly in Asia, the United States, and Israel, where he is a frequent guest of the Israel Philharmonic and Jerusalem Symphony. He is professor of piano at Seoul National University. 

FILIPPO GAMBA  The Italian finalist went on to enjoy an active performing and recording career in Europe. He also is a professor at the Hochschule für Musik in Basel. 

JAN JIRACEK  In 2011, Mr. Jiracek became artistic director of the International Beethoven Piano Competition Vienna. He has been professor of piano at the Universität für Musik und darstellende Kunst Wien since 2001.

KATIA SKANAVI  Recent highlights of Ms. Skanavi’s busy career have been recitals and orchestral engagements in Amsterdam, Berlin, London, Luxembourg, Madrid, Moscow, and Paris. She was invited by Maestro Valery Gergiev to participate in the Prokofiev anniversary celebration in 2016. Her next CD will be released in 2017 with sonatas by Beethoven, Schumann, and Prokofiev.


JURY

John Giordano, chairman (United States)
Marius Constant (France)
Dean Elder (United States)
Claude Frank (United States)
Ian Hobson (Great Britain)
Warren Jones (United States)
Jerome Lowenthal (United States)
Hiroko Nakamura (Japan)
Lev Naumov (Russia)
Cécile Ousset (France)
Menahem Pressler (United States)
Piero Rattalino (Italy)
Dubravka Tomsic (Slovenia)
Alexis Weissenberg (Switzerland)

ADDITIONAL INFORMATION

Conductor: James Conlon
Chamber Music: Tokyo String Quartet
Orchestras: Fort Worth Symphony Orchestra and Fort Worth Chamber Orchestra
Commissioned Work: William Bolcom, Nine Bagatelles
Master of ceremonies: James Conlon
Official Artwork:Sean Scully, 10.6.93
Documentary: The Tenth Van Cliburn International Piano Competition: Playing with Fire, directed by Catherine Tatge

COMPETITION PROGRAM BOOK

 

1993 Cliburn Competition

NINTH VAN CLIBURN INTERNATIONAL PIANO COMPETITION
MAY 22–JUNE 6, 1993
ED LANDRETH AUDITORIUM AT TEXAS CHRISTIAN UNIVERSITY •  TARRANT COUNTY CONVENTION CENTER THEATRE
FORT WORTH, TEXAS, USA
John Giordano, jury chairman

 

AWARDS AND PRIZES

Best Performance of Commissioned Work: Valery Kuleshov (gold watch)
Steven De Groote Memorial Award for Best Performances of Chamber Music: Richard Raymond and Simone Pedroni ($1,000 each)
Highest Ranking Pianist of the United States: Christopher Taylor ($1,000)
Jury Discretionary Scholarship Award: Andrew Armstrong ($4,000)

WINNERS’ UPDATES

SIMONE PEDRONI  After winning the gold medal, the Italian went on to a busy performing and recording career. A champion of film music in the concert hall, he made his conducting debut in 2015 leading John Williams’ music for Star Wars in a series of sold-out performances in Italy. He will soon release a recording of his own Williams piano transcriptions. 

VALERY KULESHOV  The Russian silver medalist has served as artist-in-residence at the University of Central Oklahoma’s College of Fine Arts and Design since 1998. 

CHRISTOPHER TAYLOR  The American bronze medalist has earned a reputation for his advocacy of music from the past 100 years—Messiaen, Ligeti, and Bolcom—and for his performances of Bach’s Goldberg Variations on a double-manual Steinway. He has actively promoted the rediscovery and refurbishment of that instrument, and over the past five years has also been building a modernized version of it.

JOHAN SCHMIDT  Mr. Schmidt maintains a busy schedule performing with Belgium’s leading orchestras and others, teaching at the Royal Brussels Conservatory, and giving master classes. 

ARMEN BABAKHANIAN  The Armenian finalist has directed the Yerevan International Piano Competition and the Armenian Legacy International Piano Competition in Yerevan. In 2011, he was named dean of the piano department at Yerevan State University. 

FABIO BIDINI  A Steinway artist, Mr. Bidini has recorded 13 CDs. He continues to tour Europe and North America as a soloist and recitalist, and is the new pianist of Trio Solisti. In 2015, he became the first occupant of the Carol Grigor Piano Chair at the Colburn School in Los Angeles, and he is professor of piano at the Hochschule für Musik Hanns Eisler in Berlin.


JURY

John Giordano, Chairman (United States)
Joaquín Achúcarro (Spain)
Philippe Entremont (France)
Claude Frank (United States)
Nelson Freire (Brazil)
Edward Gordon (United States)
Moura Lympany (England)
Lev Naumov (Russia)
Cécile Ousset (France)
John F. Pfeiffer (United States)
Menahem Pressler (United States)
Abbey Simon (United States)
Takahiro Sonoda (Japan)
Ralph Votapek (United States)

ADDITIONAL INFORMATION

Conductor: Jerzy Semkow
Chamber Music: American String Quartet
Orchestras: Fort Worth Symphony Orchestra and Fort Worth Chamber Orchestra
Commissioned Work: Morton Gould, Ghost Waltzes
Master of ceremonies: Paul Harvey
Official Artwork: Ivan Chermayeff
Documentary: The Ninth Van Cliburn International Piano Competition: A Life in Music, directed by Peter Rosen

COMPETITION PROGRAM BOOK

 

1989 Cliburn Competition

EIGHTH VAN CLIBURN INTERNATIONAL PIANO COMPETITION
MAY 27–JUNE 11, 1989
ED LANDRETH AUDITORIUM AT TEXAS CHRISTIAN UNIVERSITY •  TARRANT COUNTY CONVENTION CENTER THEATRE
FORT WORTH, TEXAS, USA
John Giordano, jury chairman

 

AWARDS AND PRIZES

Best Performance of Commissioned Work: Benedetto Lupo (gold watch)
Steven de Groote Memorial Award for Best Performance of Chamber Music: Jean-Efflam Bavouzet, José Carlos Cocarelli, Kevin Kenner, Alexander Shtarkman ($1,000 each)
Highest Ranking Pianist of the United States: Kevin Kenner ($1,000)
Jury Discretionary Awards: Pedro Burmester, Kevin Kenner, Wolfgang Manz, Andrew Wilde ($1,000 each)

WINNERS’ UPDATES

ALEXEI SULTANOV  After winning the gold medal at age 19, the Soviet-born pianist performed on The Tonight Show Starring Johnny Carson and Late Night with David Letterman. He made recordings for Teldec and Arts Core and appeared in concert at Carnegie Hall, Kennedy Center, and La Scala, and with the Pittsburgh, Royal Concertgebouw, Royal Philharmonic, Detroit, Dallas, and Atlanta orchestras. His brilliant career was cut short by a series of strokes, and he passed away in 2005 in Fort Worth. 

JOSÉ CARLOS COCARELLI  The Brazilian silver medalist retired from the concert stage and became a Buddhist monk in France. He teaches piano at a community music school in Fresnay-sur-Sarthe.

BENEDETTO LUPO  Increasingly popular as a guest artist, the bronze medalist has performed with many of the world’s best orchestras and has recorded Schumann’s complete works for piano and orchestra, including the first CD recording of the piano version of Konzertstück, op. 86. Since 2013, he has served as the piano master-course professor at the Accademia Nazionale di Santa Cecilia in Rome in his native Italy.

ALEXANDER SHTARKMAN  This Russian pianist followed his success as a Cliburn finalist with a first-prize win at the Busoni Competition in 1995. In addition to his active concert schedule in Asia, Europe, Russia, and North and South Americas, Mr. Shtarkman has taught at the Peabody Conservatory of Music since 2002. 

TIAN YING  The Chinese finalist is associate professor at the University of Miami’s Frost School of Music. 

ELISSO BOLKVADZE  A star in her native Georgia, Ms. Bolkavadze released an album of Prokofiev and Schubert in 2015. A human rights activist, she gave a charity concert in collaboration with the Embassy of Georgia in Geneva, and appeared with the United Nations Orchestra to support Georgian children affected by war. In 2013, she founded the Batumi International Music Festival on the shores of the Black Sea, and she was named a UNESCO Artist for Peace in 2015.


JURY

John Giordano, chairman (United States)
Sergei Dorensky (USSR)
Jan Ekier (Poland)
Nicole Henriot-Schweitzer (France)
John Lill (United Kingdom)
Li Ming Qiang (China)
Cristina Ortiz (Brazil)
John F. Pfeiffer (United States)
Lawrence Leighton Smith (United States)
György Sándor (United States)
Abbey Simon (United States)
Maxim Shostakovich (United States)
Takahiro Sonoda (Japan)
Joaquin Soriano (Spain)
Ralph Votapek (United States)

ADDITIONAL INFORMATION

Conductor: Stanisław Skrowaczewski
Chamber Music: Tokyo String Quartet
Orchestras: Fort Worth Symphony Orchestra and Fort Worth Chamber Orchestra
Commissioned Work: William Schuman, Chester: Variations for Piano
Master of ceremonies: Dudley Moore
Official Artwork: Robert Rauschenberg
Documentary: The Eighth Van Cliburn International Piano Competition: Here to Make Music, directed by Peter Rosen

COMPETITION PROGRAM BOOK

1985 Cliburn Competition

SEVENTH VAN CLIBURN INTERNATIONAL PIANO COMPETITION
MAY 18–JUNE 2, 1985
ED LANDRETH AUDITORIUM AT TEXAS CHRISTIAN UNIVERSITY •  TARRANT COUNTY CONVENTION CENTER THEATRE
FORT WORTH, TEXAS, USA
John Giordano, jury chairman

 

AWARDS AND PRIZES

Best Performance of Commissioned Work: Barry Douglas (gold watch)
Best Performance of Chamber Music: José Feghali and Kathryn Selby ($1,000 each)
Highest Ranking Pianist of the United States: Hung-Kuan Chen ($1,000)
Jury Discretionary Scholarship Award: Andrew Wilde ($2,500)

WINNERS’ UPDATES

JOSÉ FEGHALI  The British-trained Brazilian pianist went on to have a notable performing and recording career after his gold-medal win. He was artist-in-residence at Texas Christian University, where he also was recognized for his work with Internet2, video conferencing, sound/audio engineering, and streaming technology. He passed away in Fort Worth, Texas, in 2014.

PHILIPPE BIANCONI  The French-born silver medalist performs extensively in Europe and North America as recitalist and concerto soloist. He recently released a Chopin recording, which joins his acclaimed discography of Debussy, Schumann, Schubert, and the complete solo works of Ravel.

BARRY DOUGLAS  After winning the third prize, the Irish pianist became the first non-Russian since Van Cliburn to win gold at the Tchaikovsky Competition in Moscow. In addition to maintaining a busy schedule as a concert pianist, Mr. Douglas founded and directs the Camerata Ireland chamber orchestra. He also is engaged in a project for Chandos to record the major solo piano music of Brahms and Schubert; the sixth and final Brahms volume was released in 2016.

EMMA TAHMIZIÁN  The Bulgarian finalist is notable as a champion of new music who premiered Sebastian Currier’s Piano Concerto in 2007. She is a founding member of the MOSAIC quartet and maintains a longstanding association with the Bowdoin International Music Festival in Maine.

KÁROLY MOCSÁRI  Mr. Moscári continues to perform and teach in his native Hungary and throughout Europe. He has served on the juries for Liszt competitions in Budapest, Utrecht, and Weimar.

HANS-CHRISTIAN WILLE  The German finalist has made a number of well-regarded recordings and continues to concertize. In 1988, he founded the event that grew into the Braunschweig Classix Festival, one of the biggest festivals in Europe. In 2015, he became a professor at the Academy of Music at the Suzhou University of Science and Technology in China.


JURY

John Giordano, chairman (United States)
Idil Biret (Turkey)
Jorge Bolet (United States)
Anton Dikov (Bulgaria)
Malcolm Frager (United States)
Arpad Joo (Hungary/United States)
Lili Kraus (New Zealand)
Li Ming Qiang (China)
Minoru Nojima (Japan)
Cécile Ousset (France)
Harold C. Schonberg (United States)
Soulima Stravinsky (United States)
Wolfgang Stresemann (West Germany/United States)

ADDITITIONAL INFORMATION

Conductor: Stanisław Skrowaczewski
Chamber Music: Tokyo String Quartet
Orchestras: Fort Worth Symphony Orchestra and Fort Worth Chamber Orchestra
Commissioned Work: John Corigliano, Fantasia on an Ostinato
Master of Ceremonies: F. Murray Abraham
Documentary: The Seventh Van Cliburn International Piano Competition, directed by Bill Fertik

COMPETITION PROGRAM BOOK

1981 Cliburn Competition

SIXTH VAN CLIBURN INTERNATIONAL PIANO COMPETITION
MAY 17–31, 1981
ED LANDRETH AUDITORIUM AT TEXAS CHRISTIAN UNIVERSITY •  TARRANT COUNTY CONVENTION CENTER THEATRE
FORT WORTH, TEXAS, USA
John Giordano, jury chairman

 

AWARDS AND PRIZES

Best Performance of Commissioned Work: Santiago Rodriguez (gold watch)
Best Performance of Chamber Music: André-Michel Schub ($1,000)
Highest Ranking Pianist of the Americas: André-Michel Schub ($1,000)
Highest Ranking Pianist of the United States: André-Michel Schub ($1,000)
Jury Discretionary Scholarship Award: Kathryn Selby and Barry Douglas ($1,000 each)

WINNERS’ UPDATES

ANDRÉ-MICHEL SCHUB  The gold medalist has performed with the world’s most prestigious orchestras and currently tours as a member of the Chamber Music Society of Lincoln Center. He also is music director of the Virginia Arts Festival Chamber Music Series and has been on the faculty of the Manhattan School of Music since 2006.

PANAYIS LYRAS  Mr. Lyras, who shared the silver medal, succeeded 1962 gold medalist Ralph Votapek as artist in residence at Michigan State University, where he is also professor of piano.

SANTIAGO RODRIGUEZ  The co-winner of the second prize is considered a leading interpreter of Rachmaninoff and is currently recording The Rachmaninoff Edition, the complete catalog of the composer’s solo piano works. He maintains an active performing career and has been featured many times on the ABC, CBS, NBC, CNN, BBC, and CBC television networks.

JEFFREY KAHANE  The fourth-prize winner has maintained a high profile as conductor and soloist. He just completed his 20th and final season as music director of the Los Angeles Chamber Orchestra. Sample recent engagements include Oregon Bach Festival, the Ravinia Festival with the Chicago Symphony, and New York’s Mostly Mozart Festival, and the Chamber Music Society of Lincoln Center.

CHRISTOPHER O’RILEY  From his groundbreaking transcriptions of Radiohead, Elliott Smith, and Nick Drake, to performances of the classical canon, American Christopher O’Riley has stretched the piano beyond conventional boundaries. As host of the popular radio and television show From the Top, this Cliburn finalist also nurtures the next generation of talent.

DAMING ZHU  Mr. Zhu serves on the piano faculty of Soochow University in Taiwan, where his students have won prizes at renowned international piano competitions. He continues to perform and teach in his native China, helping to build an artistic bridge between the two long-estranged nations. His recording of the complete Chopin Preludes will be released soon.


JURY

John Giordano, chairman (United States)
Luiz de Moura Castro, assistant to the chairman (Brazil)
Marcello Abbado (Italy)
Maurice Abravanel (United States)
Abram Chasins (United States)
Valentin Gheorghiu (Rumania)
Nicole Henriot-Schweitzer (France)
Lili Kraus (New Zealand)
Minoru Nojima (Japan)
Leonard Pennario (United States)
Vlado Perlemuter (France)
Lucio San Pedro (Philippines)
Earl Wild (United States)
Zhou Guangren (China)

ADDITIONAL INFORMATION

Conductor: Leon Fleisher
Chamber Music: Tokyo String Quartet
Orchestras: Fort Worth Symphony Orchestra and Texas Little Symphony
Commissioned Work: Leonard Bernstein, Touches
Master of Ceremonies: André Watts
Documentary: The Sixth Van Cliburn International Piano Competition, directed by Robert Elfstrom

COMPETITION PROGRAM BOOK

1977 Cliburn Competition

FIFTH VAN CLIBURN INTERNATIONAL PIANO COMPETITION
SEPTEMBER 11–25, 1977
ED LANDRETH AUDITORIUM AT TEXAS CHRISTIAN UNIVERSITY • TARRANT COUNTY CONVENTION CENTER THEATRE
FORT WORTH, TEXAS, USA
John Giordano, jury chairman

 

AWARDS AND PRIZES

Best Performance of Commissioned Work: Steven De Groote ($500 gold watch)
Best Performances of Chamber Music: Michel Dalberto, Steven De Groote, Alexander Toradze ($600 each)
Highest Ranking Pianist from the Americas: Jeffrey Swann ($500)
Jury Discretionary Scholarship Award: José Carlos Cocarelli, Abdel-Rahman El-Bacha, Yevgeny Krushevsky, Eliane Rodrigues, Marioara Trifan, Eugene Rowley ($500 each)

WINNERS’ UPDATES

STEVEN DE GROOTE  After winning the first prize, the South African pianist went on to perform in top venues and with the world’s foremost orchestras. His career suffered a setback when he was seriously injured in a plane crash in 1985, after which he settled in Fort Worth as artist-in-residence at TCU. He passed away in South Africa in 1989.

ALEXANDER TORADZE  While continuing a busy international performing career, the silver medalist became the Martin Endowed Professor of Piano at Indiana University in 1991, and founded the highly regarded Toradze Touring Studio. Mr. Toradze continues to perform and record with leading orchestras worldwide, and serves on the jury of the 2017 Cliburn Competition.

JEFFREY SWANN  The American bronze medalist is well established as a lecturer-recitalist. He currently is professor of piano at New York University, artist-in-residence at Northern Arizona University, and artistic director of the Dino Ciani Festival and Academy in Cortina d’Ampezzo, Italy.

CHRISTIAN BLACKSHAW  The British pianist recently completed a sold-out recital tour in China. His complete Mozart sonata series at Wigmore Hall in 2013 was recorded and released in four acclaimed volumes—the fourth was named one of the best classical recordings of 2015 by The New York Times.

MICHEL DALBERTO  A noted recitalist and chamber musician known for his collaborations with artists including Jessye Norman and Barbara Hendricks, Mr. Dalberto served for many years as chairman of the jury of the Clara Haskil competition, and is a professor at the Paris Conservatory.

IAN HOBSON  Mr. Hobson, who teaches at the University of Illinois at Urbana-Champaign, has made more than 60 recordings in the course of a busy performing career, including the complete piano sonatas of Beethoven and Schumann. He is now recording a complete edition (the most comprehensive to date) of the piano works of Chopin.

ALEXANDER MNDOYANTS  The Russian finalist has a reputation as a dedicated pedagogue, and teaches at the Moscow Conservatory and State Classical University. He regularly conducts master classes in Russia and Eastern Europe, as well as in Brazil, Finland, France, Israel, Japan, Portugal, and Taiwan.


JURY

John Giordano, chairman (United States)
Luiz De Moura Castro, assistant to the chairman (Brazil)
Guido Agosti (Italy)
James Dick (United States)
Rudolf Firkušný (United States))
Leon Fleisher (United States)
Alberto Ginastera (Argentina)
Lucrecia R. Kasilag (Philippines)
Lili Kraus (New Zealand)
Nikita Magaloff (Switzerland)
John Ogdon (United Kingdom)
Leonard Pennario (United States)
Nikolai Petrov (USSR)
Pierre Sancan (France)
José Serebrier (Uruguay)

ADDITIONAL INFORMATION

Conductor: John Giordano
Chamber Music: Tokyo String Quartet
Orchestras: Fort Worth Symphony Orchestra and Texas Little Symphony
Commissioned Work: Samuel Barber, Ballade
Documentary: Contest to Carnegie Hall: The 1977 Van Cliburn International Piano Competition, directed by Mitchell Johnson

COMPETITION PROGRAM BOOK

1973 Cliburn Competition

FOURTH VAN CLIBURN INTERNATIONAL PIANO COMPETITION
SEPTEMBER 17–30, 1973
ED LANDRETH AUDITORIUM AT TEXAS CHRISTIAN UNIVERSITY • TARRANT COUNTY CONVENTION CENTER THEATRE
FORT WORTH, TEXAS, USA
John Giordano, jury chairman

 

AWARDS AND PRIZES

Best Performance of Commissioned Work: Vladimir Viardo ($500 gold watch)
Best Performance of Chamber Music: Christian Zacharias ($600)
Rachmaninoff Étude Tableau Award: Alberto Reyes and Vladimir Viardo ($300 each)
Highest Ranking Pianist of the Americas: Alberto Reyes ($500)

WINNERS’ UPDATES

VLADIMIR VIARDO  Soon after winning gold at the Cliburn, Mr. Viardo was detained behind the Iron Curtain for 14 years. When he was finally permitted to travel to the West in the late 1980s, his career flourished with performances at Carnegie Hall, the Concertgebouw, and the Lincoln and Kennedy Centers, and through collaborations with leading orchestras and conductors of the day. He has taught piano at the University of North Texas since 1989. 

CHRISTIAN ZACHARIAS  The silver medalist, one of the top German pianists of the past few decades, began conducting in 1992 and is a long-term artistic partner of the St. Paul Chamber Orchestra. During his long tenure as principal conductor of the Orchestre de Chambre de Lausanne, his recordings with the orchestra won widespread acclaim, notably the complete Mozart piano concertos. He also often conducts opera.

MICHAEL HOUSTOUN  The third-prize winner is a central music figure in New Zealand, and also performs frequently in Australia and Asia. As part of his wide-ranging repertoire, he regularly champions New Zealand composers in his programming.

ALBERTO REYES  After a successful beginning as a concert pianist (he made his U.S. orchestral debut under the baton of Aaron Copland), this Uruguayan pianist changed careers and became a United Nations interpreter, working for the Security Council and General Assembly in New York and having a front-row seat for the major international debates of our time. He retired after three decades, returned to performing, and has recorded CDs of music by Chopin and Schumann.

EVGENI KOROLIOV  The Russian pianist continues an active performing and recording career, with engagements in recent years including Mozart under Valery Gergiev at the Mariinsky in St. Petersburg and Bach’s The Art of the Fugue with the Berlin Philharmonic Orchestra.

KRASSIMIR GATEV  The sixth-place winner recorded nine albums and performed across Europe and the United States. He was professor of piano at the National Academy of Music in his native Bulgaria until his death in 2008.


JURY

John Giordano, chairman (United States)
Abram Chasins (United States)
James Dick (United States)
Nicole Henriot-Schweitzer (France)
John Hopkins (Australia)
Constance Keene (United States)
Lili Kraus (New Zealand)
Fernando Laires (Portugal)
Evgenii Malinin (USSR)
Leonard Pennario (United States)
Vlado Perlemuter (France)
Walter Susskind (United States)
Luis C. Valencia (Philippines)

ADDITIONAL INFORMATION

Conductor: Walter Susskind
Chamber Music: Eudice Shapiro (Violin) and Laszlo Varga (Cello)
Orchestra: Fort Worth Symphony Orchestra
Commissioned Work: Aaron Copland, Night Thoughts

COMPETITION PROGRAM BOOK

1969 Cliburn Competition

THIRD VAN CLIBURN INTERNATIONAL PIANO COMPETITION
SEPTEMBER 29–OCTOBER 12, 1969
ED LANDRETH AUDITORIUM AT TEXAS CHRISTIAN UNIVERSITY •  TARRANT COUNTY CONVENTION CENTER THEATRE
FORT WORTH, TEXAS, USA
Ezra Rachlin, jury chairman

 

AWARDS AND PRIZES

Best Performance of Commissioned Work: Minoru Nojima ($500 gold watch)
Best Performance of Chamber Music: Diane Walsh ($600)
Best Performance of Schumann: Cristina Ortiz (Annunciata Beall Gold Memorial Medal)
Highest Ranking Pianist of the Americas: Cristina Ortiz ($500)

WINNERS’ UPDATES

CRISTINA ORTIZ  Now based in London, the first woman to win Cliburn gold has performed extensively with major orchestras and given master classes worldwide. Her 30 albums cover a wide-ranging repertoire and include, most recently, a Naxos release of solo piano works by York Bowen.

MINORU NOJIMA  One of Japan’s most respected pianists, Mr. Nojima made his Carnegie Hall debut the year after winning silver at the Cliburn and went on to a busy performing career. He was president of the Toyko School of Music and served as a juror for the 2013 Van Cliburn International Piano Competition. Minoru passed away in 2022 at the age of 76.

MARK WESTCOTT  The third-prize winner went on to win the 1972 William Kapell Competition and maintained an active touring schedule until a hand injury halted his career. He is the author of Playing With Love, a reflection on his career and decade-long battle with cancer, and taught piano in Portland, Oregon. Mark passed away in April 2024.

GERALD ROBBINS  Mr. Robbins has distinguished himself in chamber music and is artist-in-residence with the Lyric Piano Quartet at Queens College, CUNY, and a member of the chamber music faculty at the Manhattan School of Music. His pursuits also include conducting and exploring neglected 19th-century repertoire.

DIANE WALSH  Ms. Walsh, a Steinway Artist, won acclaim on Broadway in 2009 for giving 113 performances of Beethoven’s Diabelli Variations in her integral role in Moises Kaufman’s play 33 Variations, which starred Jane Fonda. Ms. Walsh has made 18 recordings, most recently of Bach suites, and frequently performs as a soloist and a chamber musician.

MICHIKO FUJINUMA  The sixth-place winner became a professor at Toho Gakuen University School of Music. She frequently conducts master classes and is often invited to serve on the juries of piano competitions.


JURY

Ezra Rachlin, chairman (United States)
Abram Chasins (United States)
Leon Fleisher (United States)
Peter Frankl (Hungary)
Nicole Henriot-Schweitzer (France)
Bruce Hungerford (Australia)
Motonari Iguchi (Japan)
Mindru Katz (Israel)
Constance Keene (United States)
Lili Kraus (United Kingdom)
Leonard Pennario (USA)

ADDITIONAL INFORMATION

Conductor: Ezra Rachlin
Chamber Music: Eudice Shapiro (Violin) and Laszlo Varga (Cello)
Orchestra: Fort Worth Symphony Orchestra
Commissioned Work: Norman Dello Joio, Capriccio on the Interval of a Second

COMPETITION PROGRAM BOOK

1966 Cliburn Competition

SECOND VAN CLIBURN INTERNATIONAL PIANO COMPETITION
SEPTEMBER 26–OCTOBER 9, 1966
ED LANDRETH AUDITORIUM AT TEXAS CHRISTIAN UNIVERSITY • WILL ROGERS MEMORIAL AUDITORIUM
FORT WORTH, TEXAS, USA
Howard Hanson, jury chairman

 

AWARDS AND PRIZES

Best Performance of Commissioned Work: Radu Lupu ($500 gold watch)
Best Performance of Chamber Music: Barry Snyder ($600)
19th Century Music Award: Blanca Uribe ($300)
Best Performance of Copland Sonata Award: Radu Lupu (Annunciata Beall Gold Memorial Medal)
Highest Ranking Pianist of the Americas: Barry Lee Snyder ($500)

WINNERS’ UPDATES

RADU LUPU  The 1966 gold medalist was firmly established as one of the most important musicians of his generation. He performed regularly at the world’s most prestigious venues and with the foremost orchestras. At the end of the 2018–2019 concert season, Mr. Lupu retired from the concert stage at the age of 73. He has more than 20 recordings to his credit, including a Grammy® Award-winning disc of Schubert sonatas. Mr. Lupu passed away in April 2022.

BARRY SNYDER  The second-prize winner remains busy as a performer and teacher. He has appeared with many leading orchestras under conductors including Leopold Stokowski, David Zinman, and Arthur Fiedler. He joined the faculty of the Eastman School of Music in 1970, where he was a founding member of the Eastman Trio, with which he performed for many years. His commitment to new music has resulted in a number of works written just for him. Mr. Snyder has made more than 50 recordings.

BLANCA URIBE  The bronze medalist performs frequently in Europe, South America, and the United States. Her notable achievements include recordings of the complete Iberia suite of Isaac Albéniz, and performances of all 32 Beethoven sonatas in South America and at Vassar College. She has served on many competition juries, including at the 2013 Van Cliburn International Piano Competition.

MARIA LUISA LOPEZ-VITO  Ms. Lopez-Vito retired from live performance in 2002. She devoted her career to championing the piano music of Theodor Adorno and to teaching piano to disadvantaged children in her native Philippines.

RUDOLF BUCHBINDER  Mr. Buchbinder is renowned as a leading interpreter of the Viennese classical repertoire. His discography includes more than 100 recordings, including the complete concertos of Beethoven, Brahms, and Mozart. Highlights of this season including tours with the Vienna Philharmonic and a Carnegie Hall appearance. Mr. Buchbinder has performed the entire cycle of Beethoven sonatas more than 50 times, including in Berlin, Beijing, and St. Petersburg, and four times each in Vienna and Munich.

BENEDIKT KÖHLEN  The German finalist went on to win third prize at the Busoni competition and make a number of recordings.


JURY

Howard Hanson, chairman (United States)
Joseph Benvenuti (France)
Reimar Dahlgrun (West Germany)
Guillermo Espinosa (Colombia)
József Gát (Hungary)
Valentin Gheorghiu (Romania)
Árni Kristjánsson (Iceland)
Lili Kraus (New Zealand)
Alicia de Larrocha (Spain)
Jean Mahaim (Belgium)
Gerald Moore (United Kingdom)
Boyd Neel (Canada)
Ezra Rachlin, Local Chairman (United States)
Claudette Sorel (United States)
Margerita Trombini-Kazuro (Poland)
Beveridge Webster (United States)
Friedrich Wuhrer (Austria)    

ADDITIONAL INFORMATION

Conductor: Ezra Rachlin
String Quartet: Curtis String Quartet, the New School of Music
Orchestra: Fort Worth Symphony Orchestra
Commissioned Work: Willard Straight, Structure for Piano

COMPETITION PROGRAM BOOK

1962 Cliburn Competition

FIRST VAN CLIBURN INTERNATIONAL PIANO COMPETITION
SEPTEMBER 24–OCTOBER 7, 1962
ED LANDRETH AUDITORIUM AT TEXAS CHRISTIAN UNIVERSITY
FORT WORTH, TEXAS, USA
Leopold Mannes, jury chairman

 

AWARDS AND PRIZES

Best Performance of Commissioned Work: Arthur C. Fennimore ($500 gold watch)
Best Performance of Chamber Music: Ralph Votapek and Hiroko Nakamura ($300 each)

WINNERS’ UPDATES

RALPH VOTAPEK The Cliburn’s first gold medalist continues to enjoy a robust concert and recording career 60 years after win. He recently finished his 27th tour of Argentina, ending at the Teatro Colon in Buenos Aires, and released his ninth recording for the Blue Griffin label. He previously has made hundreds of appearances with major American orchestras and is now professor emeritus at Michigan State University. 

NIKOLAI PETROV The 1962 silver medalist went on to win silver at the Queen Elisabeth Competition in Brussels and maintained an active performance career in across North and South America, Europe, and Russia, in addition to teaching at the Moscow Conservatory. He passed away in Moscow in 2011.

MIKHAIL VOSKRESENSKY The bronze medal winner is professor and chair of the piano faculty at the Moscow Conservatory; his students have won over 100 international competition prizes. With a career that spanned Australia, Europe, Asia, and North and South Americas, he has released over 50 recordings, including, most recently, box sets of the complete Mozart sonatas and concertos.

CÉCILE OUSSET The French pianist, who was particularly known for her collaborations with conductors Kurt Masur and Simon Rattle, retired from a very active performance and recording career in 2006. She has continued to be in-demand as a teacher, giving masterclasses around the world, and serving as a juror for major competitions. In 2011, she was made Chevalier de l’Ordre National du Mérite. She served on the Cliburn jury in 1993 and 1997.

MARILYN NEELEY The American pianist’s busy performance career is highlighted with an Emmy Award in 1970 with her husband, Robert Gerle, for their performances of Beethoven sonatas for violin and piano. She went on to serve as dean of the Catholic University of American in Washington, D.C. Ms. Neeley passed away in 2007 at age 69.

SERGIO VARELLA-CID The sixth-prize winner was based out of London for most of his early career, performing throughout Europe, Africa, and Asia. He moved to Brazil in the late 1970s, where he lived the remainder of his life.


JURY

Leopold Mannes, chairman (United States)
Yara Bernette (Brazil)
Jorge Bolet (United States)
Angelo Eagon (United States)
Rudolph Ganz (United States)
Don Luis Herrera de la Fuente (Mexico)
Motonari Iguchi (Japan)
Milton Katims (United States)
Lili Kraus (United Kingdom)
Lev Oborin (Russia)
Leonard Pennario (United States)
Serge Saxe, local chairman (United States)

ADDITIONAL INFORMATION

Conductor: Milton Katims
String Quartet: University String Quartet-in-Residence, Southern Methodist University
Orchestra: Fort Worth Symphony Orchestra
Commissioned Work: Lee Hoiby, Capriccio on Five Notes

COMPETITION PROGRAM BOOK

BRENTANO STRING QUARTET

BRENTANO STRING QUARTET
Mark Steinberg, violin
Serena Canin, violin
Misha Amory, viola
Nina Lee, cello

Since its inception in 1992, the Brentano String Quartet has appeared throughout the world to popular and critical acclaim. “Passionate, uninhibited and spellbinding,” raves the London Independent; the New York Times extols its “luxuriously warm sound [and] yearning lyricism”; the Philadelphia Inquirer praises its “seemingly infallible instincts for finding the center of gravity in every phrase and musical gesture”; and the Times (London) opines, “the Brentanos are a magnificent string quartet…This was wonderful, selfless music-making.”

As of July 2014, the Brentano Quartet succeeded the Tokyo Quartet as Artists in Residence at Yale University, departing from their 14-year residency at Princeton University. The quartet also currently served as the collaborative ensemble for the 2013 Van Cliburn International Piano Competition and will again in 2017. In recent seasons, the Quartet has traveled widely, appearing all over the United States and Canada, and in Europe, Japan, and Australia. It has performed in the world’s most prestigious venues, including Carnegie Hall and Alice Tully Hall in New York; the Library of Congress in Washington, D.C.; the Concertgebouw in Amsterdam; the Konzerthaus in Vienna; Suntory Hall in Tokyo; and the Sydney Opera House. The Quartet has participated in summer festivals such as Aspen, the Music Academy of the West in Santa Barbara, the Edinburgh Festival, the Kuhmo Festival in Finland, the Taos School of Music, and the Caramoor Festival.

In addition to performing the entire two-century range of the standard quartet repertoire, the Brentano Quartet has a strong interest in both very old and very new music. It has performed many musical works pre-dating the string quartet as a medium, among them Madrigals of Gesualdo, Fantasias of Purcell, and secular vocal works of Josquin. Also, the quartet has worked closely with some of the most important composers of our time, among them Elliot Carter, Charles Wuorinen, Chou Wen-chung, Steven Mackey, Bruce Adolphe, and György Kurtág. The Quartet has commissioned works from Wuorinen, Adolphe, Mackey, David Horne, and Gabriela Frank.

Among the Quartet’s latest collaborations with contemporary composers is a new work by Steven Mackey, “One Red Rose,” which was commissioned to commemorate the 50th anniversary of the assassination of President John F. Kennedy on November 22, 1963. Other new commissions include a piano quintet by Vijay Iyer, a work by Eric Moe (with Christine Brandes, soprano), and a new viola quintet by Felipe Lara (performed with violist Hsin-Yun Huang).

brentanoquartet.com

FORT WORTH SYMPHONY ORCHESTRA

FORT WORTH SYMPHONY ORCHESTRA
Cliburn artistic partner since 1962

The Fort Worth Symphony Orchestra is deeply committed to uniting its community through performance, education, and outreach, reaching an audience of more than 200,000 annually. Since its beginnings in 1912, the FWSO has been an essential thread in the city’s cultural fabric and the very foundation of Fort Worth’s performing arts. As the principal resident company of the acoustically superb Nancy Lee and Perry R. Bass Performance Hall, the Orchestra performs a full season of concerts featuring internationally acclaimed guest artists and works by living composers. The Orchestra performs and partners with the Texas Ballet Theater, Fort Worth Opera, The Cliburn, and Performing Arts Fort Worth. Each summer at the Fort Worth Botanic Garden, the FWSO presents Concerts in the Garden – a series of family-friendly concerts that has become a city-wide tradition. Additionally, the orchestra hosts an annual Festival of Orchestras, providing an opportunity for non-professional orchestras across the state of Texas to perform in Bass Performance Hall. The FWSO keeps exceptional musical experiences at the heart of its community. After all—life is better with music!

www.fwsymphony.org

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NICHOLAS McGEGAN, CONDUCTOR – SEMIFINAL ROUND

NICHOLAS McGEGAN, conductor – Semifinal Round

Described by The New Yorker as “an expert in 18th century style,” Nicholas McGegan has served as music director of San Francisco’s Philharmonia Baroque, artistic director at the International Handel Festival Göttingen, and principal guest conductor of the Pasadena Symphony.

Active in opera as well as the concert hall, he has been principal guest conductor of the Scottish Opera and principal conductor of Sweden’s 18th-century theatre in Drottingholm, running the annual festival there. He has been a pioneer in the process of exporting historically informed practice beyond the world of period instruments to wider conventional symphonic forces, guest-conducting with orchestras such as the Chicago Symphony, Cleveland, Philadelphia, Houston Symphony, Concertgebouw, Royal Scottish National, BBC Scottish Symphony, Scottish Chamber, Royal Northern Sinfonia, City of Birmingham Symphony, Hallé, and the symphony orchestras of Toronto, Montreal, and Sydney. Opera companies he works with include Royal Opera House Covent Garden, San Francisco, Santa Fe, and Washington. He has broken new ground in experimental dance-collaborations with Mark Morris, notably at festivals like Edinburgh International and Ravinia.

His discography of over 100 releases includes the world premiere recording of Handel’s Susanna, which attracted both a Gramophone Award and Grammy nomination. Among his other rediscoveries is the first performance in modern times of Handel’s masterly but mislaid Gloria.

Born in England, he was educated at Cambridge and Oxford universities. His awards include an honorary professorship at Georg-August University, Göttingen, the Hallé Handel Prize, an order of merit of the state of Lower Saxony, a medal of Honour of the City of Göttingen, and an official Nicholas McGegan Day, declared by the Mayor of San Francisco for two decades of distinguished work with the Philharmonia Baroque. He was made an OBE in the Queen’s Birthday Honours List 2010.

nicholasmcgegan.com

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LEONARD SLATKIN, CONDUCTOR – FINAL ROUND

LEONARD SLATKIN, jury chairman & conductor – Final Round

Internationally acclaimed conductor Leonard Slatkin is music director of the Detroit Symphony Orchestra (DSO) and the Orchestre National de Lyon (ONL). He also maintains a rigorous schedule of guest conducting and is active as a composer, author, and educator.

Mr. Slatkin’s more than 100 recordings have garnered seven Grammy® Awards and 64 nominations. His recent Naxos recordings include works by Saint-Saëns, Ravel, and Berlioz with the ONL and music by Copland, Rachmaninov, Borzova, McTee, and John Williams with the DSO. He has also recorded the complete Beethoven and Tchaikovsky symphonies with the DSO.

A recipient of the prestigious National Medal of Arts, he also holds the rank of Chevalier in the French Legion of Honor. He has received Austria’s Declaration of Honor in Silver, the American Symphony Orchestra League’s Gold Baton Award, and the 2013 ASCAP Deems Taylor Special Recognition Award for his book, Conducting Business.

Mr. Slatkin has conducted virtually all of the leading orchestras in the world. He has held posts as Music Director of the New Orleans, St. Louis, and National Symphony Orchestras. He was chief conductor of the BBC Symphony Orchestra and has served as principal guest conductor of London’s Philharmonia and Royal Philharmonic, the Pittsburgh Symphony, the Los Angeles Philharmonic at the Hollywood Bowl, and the Minnesota Orchestra.

leonardslatkin.com

MARC-ANDRÉ HAMELIN, COMMISSIONED WORK

MARC-ANDRÉ HAMELIN, commissioned work

In addition to serving on the jury, renowned pianist and composer Marc-André Hamelin has been commissioned to compose a new work for the 2017 Cliburn Competition, to be performed by all 30 competitors. This marks the first time that the composer of the commissioned work will also serve on the jury. Details on the piece will be released in early 2017, and competitors will receive it no later than March 25, 2017.

Born in Montreal, Marc-André Hamelin is among the elite of world pianists for his unrivaled blend of musicianship and virtuosity in the great works of the established repertoire, as well as for his intrepid exploration of the neglected music of the 19th and 20th centuries. An acclaimed recitalist and soloist, he has performed with many of the world’s leading orchestras and in important venues throughout North America, Europe, Australia, and Asia.

An exclusive Hyperion Records artist, Mr. Hamelin has released over 50 discs including concertos and solo piano works by such composers as Alkan, Godowsky, and Medtner as well as Brahms, Chopin, Liszt, Schumann, and Shostakovich. For his recordings, Mr. Hamelin has been honored with nine Grammy® nominations, and was awarded a lifetime achievement award from the German Record Critic’s Association.

Although primarily a performer, Mr. Hamelin has composed music throughout his career; his works are published by Edition Peters.

He is an Officer of the Order of Canada, a Chevalier de l’Ordre du Québec, and a member of the Royal Society of Canada. In 1989, Mr. Hamelin was awarded the Virginia P. Moore Prize, the highest honor bestowed by the Canadian Arts Council. He currently resides in Boston, Massachusetts.

marcandrehamelin.com

ALEXANDER TORADZE

Alexander Toradze is universally recognized as a masterful virtuoso in the grand Romantic tradition. He appears with the leading orchestras of North America, and overseas performs with the BBC Philharmonic, Berlin Philharmonic, Israel Philharmonic, La Scala Philharmonic, London Symphony, Mariinsky Orchestra, and Orchestre National de France, among others. Festival engagements include BBC Proms, Hollywood Bowl, and White Nights in St. Petersburg.

Mr. Toradze has made lauded recordings for EMI/Angel, Philips, and Pan, including the complete Prokofiev piano concertos with Valery Gergiev and the Kirov Orchestra.

Born in Tbilisi, Georgia, Mr. Toradze graduated from the Tchaikovsky Conservatory in Moscow and soon became a professor there.  He moved to the United States in 1983, and was appointed as the Martin Endowed Chair Professor of Piano at Indiana University South Bend in 1991. The Toradze Piano Studio has developed into a worldwide touring ensemble that has gathered critical acclaim for their performance projects in Europe and the United States.

Mr. Toradze is the 1977 Cliburn silver medalist.

ERIK T. TAWASTSTJERNA

Erik T. Tawaststjerna won the second prize at the Maj Lind piano competition in Helsinki in 1968 and has since given concerts around the world, including the first Finnish performance of Leonard Bernstein’s “Age of Anxiety” in 1981. He has made numerous recordings, among them a series of eight recordings of the complete piano music of Jean Sibelius on the BIS label.

He began his musical education in Helsinki, took private lessons in Moscow, and graduated from the Vienna Music Academy, where he studied with Dieter Weber, as well as from The Juilliard School, where his teacher was Sascha Gorodnitzki. He also holds a doctorate from New York University, where he studied under the guidance of Eugene List. Mr. Tawaststjerna has taught since 1982 at the Sibelius Academy in Helsinki, where he was appointed full professor of piano in 1986. He was named “Professor of the Year” in 2006 by the Finnish Professors’ League.

Mr. Tawaststjerna has served on the juries of international piano competitions in London, Vienna, New York, St. Petersburg, Dublin, and Barcelona, among other cities, and has given master classes at, among other places, the Guildhall School of Music in London, University of the Arts in Berlin, Tokyo College of Music, and at the Vienna University for Music.

ANNE-MARIE McDERMOTT

For more than 25 years, Anne-Marie McDermott has balanced a versatile career as a soloist and collaborator, playing concertos, recitals, and chamber music in hundreds of cities throughout the United States, Europe, and Asia. The breadth of her repertoire spans from Bach and Haydn to Prokofiev and Scriabin, as well as works by today’s most influential composers.

Ms. McDermott has performed with many leading orchestras, including the New York Philharmonic, Minnesota and Philadelphia Orchestras, and the symphony orchestras of Atlanta, Dallas, Houston, and St. Louis. She has been a member of the Chamber Music Society of Lincoln Center since 1995, and continues a longstanding collaboration with violinist Nadja Salerno-Sonnenberg. She also enjoys performing with OPUS ONE, a chamber group with Ida Kavafian, Steven Tenenbom, and Peter Wiley; together they have commissioned over 15 new works.

Her passions have recently coalesced in several important projects indicative both of her popularity and the range of her musical interests: the presentation of the complete Prokofiev piano sonatas and chamber music as part of the Lincoln Center Festival; the premier of Charles Wuorinen’s Piano Sonata No. 4; and the performance and recording of Gershwin’s complete works for piano and orchestra with the Dallas Symphony Orchestra, which was named Editor’s Choice by Gramophone magazine.Ms. McDermott also serves as artistic director of the Bravo! Vail Music, and Ocean Reef Chamber Music, as well as curator for chamber music at the Mainly Mozart Festival in San Diego.

MARI KODAMA

Pianist Mari Kodama has established an international reputation for her profound musicality and articulate virtuosity in performances of a broad repertoire across Europe, North America, and Japan. She has appeared with the Berlin, London and Los Angeles Philharmonic orchestras, the NHK Symphony, and Vienna Symphony orchestras and at the Aspen, Montpellier, Mostly Mozart, Ravinia and Verbier festivals.

Along with solo and concerto appearances, Ms. Kodama performs in duo concerts both with her daughter Karin Kei Nagano, and her sister, Momo Kodama. She marked a significant stage in her recording career in the fall of 2014 with the release of the complete Beethoven Sonatas box set on the Pentatone label, the culmination of a decade’s work. Her discography also features Carl Loewe’s Second Piano Concerto with the Russian National Orchestra (PentaTone); and Beethoven’s Piano Concerti Nos. 1-5 and the Triple Concerto with the Deutsches Symphonie-Orchester Berlin and Kent Nagano.

In addition to her performance activities, Ms. Kodama is the Artistic and Musical Director for the Musical Days in Forest Hill festival and curates a series for young musicians at the Bad Kissingen Festival.

JOSEPH KALICHSTEIN

Born in Tel Aviv, pianist Joseph Kalichstein is acclaimed as an orchestral soloist, recitalist, and chamber musician. With diverse repertoire ranging from Bach and Brahms to 20th-century works by Bartok, Prokofiev, and others, Mr. Kalichstein has collaborated with such conductors as Daniel Barenboim, Pierre Boulez, James Conlon, Charles Dutoit, Zubin Mehta, Leonard Slatkin, Edo do Waart, and the late George Szell, among others, performing with the world’s most esteemed orchestras.

Mr. Kalichstein is a founding member of the famed Kalichstein-Laredo-Robinson Trio, which celebrates its 40th anniversary in 2017. He also is a frequent guest with the Guarneri and Emerson String Quartets. He serves as the chamber music advisor to the Kennedy Center and artistic director of the Center’s Fortas Chamber Music Concerts. He continues to hold the inaugural Chamber Music Chair at The Juilliard School, where he also teaches a limited number of advanced piano students

His principal teachers included Joshua Shor in Israel and Edward Steuermann and Ilona Kabos at The Juilliard School. Prior to winning the 1969 Leventritt Award, Mr. Kalichstein had won the Young Concert Artists Auditions, resulting in a heralded New York recital debut, followed by an invitation from Leonard Bernstein to perform with the New York Philharmonic in a nationally televised concert. He served as a Cliburn juror during the 2005, 2009, and 2013 Competitions.

MARC-ANDRÉ HAMELIN

Born in Montreal, Marc-André Hamelin is among the elite of world pianists for his unrivaled blend of musicianship and virtuosity in the great works of the established repertoire, as well as for his intrepid exploration of the neglected music of the 19th and 20th centuries. An acclaimed recitalist and soloist, he has performed with many of the world’s leading orchestras and in important venues throughout North America, Europe, Australia, and Asia.

An exclusive Hyperion Records artist, Mr. Hamelin has released over 50 discs including concertos and solo piano works by such composers as Alkan, Godowsky, and Medtner as well as Brahms, Chopin, Liszt, Schumann, and Shostakovich. For his recordings, Mr. Hamelin has been honored with nine Grammy® nominations, and was awarded a lifetime achievement award from the German Record Critic’s Association.

Although primarily a performer, Mr. Hamelin has composed music throughout his career; his works are published by Edition Peters.

He is an Officer of the Order of Canada, a Chevalier de l’Ordre du Québec, and a member of the Royal Society of Canada. In 1989, Mr. Hamelin was awarded the Virginia P. Moore Prize, the highest honor bestowed by the Canadian Arts Council. He currently resides in Boston, Massachusetts.

CHRISTOPHER ELTON

Edinburgh native Christopher Elton is professor emeritus of the Royal Academy of Music in London—a position awarded him in 2011, following 24 years of service as head of keyboard. His international recognition has come largely as a result of his students’ successes. Many have won prizes in major international competitions, including the Cliburn, Tchaikovsky, Leeds, Shanghai, and Munich (ARD), and several are now recording artists with major concert careers.

Mr. Elton is in demand as a teacher and jury member internationally. He has given master classes in the Europe, the United States, Asia, and Australia and served on the juries of Moscow Tchaikovsky, Leeds, and others. As an adjudicator, he has worked both in festivals and on television in the United Kingdom, Canada, and Hong Kong.

A competitor prizewinner himself, Mr. Elton also studied at the Royal Academy, where he achieved the unusual distinction of the highest performing award, the Dip. RAM, on both piano and cello.

ARNALDO COHEN

Brazilian-born pianist Arnaldo Cohen came to prominence after winning First Prize at the 1972 Busoni International Piano Competition and making his debut at the Concertgebouw in Amsterdam. Since then, he has been in demand internationally, appearing with such major orchestras as the Philadelphia, Philharmonia, and Cleveland Orchestras; Chicago Symphony; and Los Angeles and London Philharmonics. Recitals have taken him to important music centers around the world. Also dedicated to chamber music, he was a member of the acclaimed Amadeus Trio and has performed with many string quartets.

His recent recordings include the Liszt and Rachmaninov piano concertos with the Sao Paulo State Symphony Orchestra, an all-Liszt solo disc, and his pioneering CD Three Centuries of Brazilian Music.

He currently holds a full professorship at the Jacobs School of Music at Indiana University, having previously taught at the Royal Academy of Music. In October 2013, Mr. Cohen was appointed artistic director for the Portland International Piano Series.

LEONARD SLATKIN, Jury Chairman

Internationally acclaimed conductor Leonard Slatkin is Music Director of the Detroit Symphony Orchestra (DSO) and the Orchestre National de Lyon (ONL). He also maintains a rigorous schedule of guest conducting and is active as a composer, author, and educator.

Mr. Slatkin’s more than 100 recordings have garnered seven Grammy® Awards and 64 nominations. His recent Naxos recordings include works by Saint-Saëns, Ravel, and Berlioz with the ONL and music by Copland, Rachmaninov, Borzova, McTee, and John Williams with the DSO. He has also recorded the complete Beethoven and Tchaikovsky symphonies with the DSO.

A recipient of the prestigious National Medal of Arts, he also holds the rank of Chevalier in the French Legion of Honor. He has received Austria’s Declaration of Honor in Silver, the American Symphony Orchestra League’s Gold Baton Award, and the 2013 ASCAP Deems Taylor Special Recognition Award for his book, Conducting Business.

Mr. Slatkin has conducted virtually all of the leading orchestras in the world. He has held posts as Music Director of the New Orleans, St. Louis, and National Symphony Orchestras. He was chief conductor of the BBC Symphony Orchestra and has served as principal guest conductor of London’s Philharmonia and Royal Philharmonic, the Pittsburgh Symphony, the Los Angeles Philharmonic at the Hollywood Bowl, and the Minnesota Orchestra.

Tony Yike Yang

Tony Yike Yang

Canada | Age 18

Tony Yike Yang is enrolled at Harvard University and the New England Conservatory of Music, where he studies with Wha Kyung Byun. He previously studied in the Pre-College Division at The Juilliard School and at the Taylor Academy of the Royal Conservatory in Toronto. Mr. Yang won fifth prize at the 2015 International Fryderyk Chopin Piano Competition as well as the Ewa & Włodzimierz Kamirski Award for the Youngest Finalist, and earned a Jury Discretionary Award at the First Cliburn International Junior Piano Competition in 2015. He also has won top prizes at Thomas & Evon Cooper, Hilton Head, Bösendorfer and Yamaha USASU International Junior, and Gina Bachauer International Junior piano competitions. He has appeared with The Cleveland Orchestra, Warsaw Philharmonic, Montreal’s Orchestre Metropolitain, and Toronto Sinfonietta. When he’s not playing piano, Mr. Yang loves badminton, ping-pong, video games, swimming, movies, and spicy food.

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COMPETITION REPERTOIRE

Preliminary Recital
BEETHOVEN Sonata No. 30 in E Major, op. 109
HAMELIN Toccata on “L’homme armé”
PROKOFIEV Sonata No. 7 in B-flat Major, op. 83

Quarterfinal Recital
SCRIABIN Sonata No. 2 in G-sharp Minor, op. 19
LISZT Sonata in B Minor

Semifinal Recital

SCARLATTI Sonata in A Major, K. 212
SCARLATTI Sonata in D Minor, K. 9
CHOPIN Sonata No. 2 in B-flat Minor, op. 35
MUSSORGSKY Pictures at an Exhibition

Semifinal Concerto
MOZART Piano Concerto No. 20 in D Minor, K. 466

Final Round Piano Quintet
SCHUMANN Piano Quintet in E-flat Major, op. 44

Final Round Concerto
PROKOFIEV Piano Concerto No. 2 in G Minor, op. 16

 

Tristan Teo

Tristan Teo

Canada | Age 20

Tristan Teo was born in Vancouver, where he started piano lessons at age 6. He graduated from high school with honors at 15 and is now enrolled in the accelerated bachelor’s/master’s program at The Juilliard School, studying with Jerome Lowenthal. He is a proud recipient of a Kovner Fellowship at Juilliard, where he is also a Secondary Piano Teaching Fellow, teaching instrumentalists at all degree levels. Since his orchestral debut at age 10, Mr. Teo has performed with the Vancouver Symphony Orchestra, Minnesota Orchestra, and Milwaukee Symphony Orchestra. He has won awards at several international piano competitions, including second place at the 2016 Hilton Head International Piano Competition, and prizes at the Virginia Waring, ePiano International, Bösendorfer and Schimmel USASU, Cooper, and PianoArts competitions. Mr. Teo has given recitals in the United States, Canada, France, Germany, and Italy in venues such as Salle Cortot in Paris and the McCallum Theatre in Palm Desert, California. In his spare time, he enjoys reading, cooking, and watching movies.

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COMPETITION REPERTOIRE

Preliminary Recital
HAMELIN Toccata on “L’homme armé”
BEETHOVEN Sonata No. 31 in A-flat Major, op. 110
LISZT Totentanz for Solo Piano

Quarterfinal Recital
BACH Toccata in D Minor, BWV 913
RAVEL Gaspard de la nuit
KAPUSTIN Variations, op. 41

Semifinal Recital

BACH-BUSONI Chaconne in D Minor, BWV 1004
RZEWSKI Winnsboro Cotton Mill Blues 
BRAHMS Variations on a Theme by Handel, op. 24

Semifinal Concerto
MOZART Piano Concerto No. 20 in D Minor, K. 466

Final Round Piano Quintet
BRAHMS Piano Quintet in F Minor, op. 34

Final Round Concerto
RACHMANINOFF Piano Concerto No. 3 in D Minor, op. 30

Georgy Tchaidze

Georgy Tchaidze

Russia | Age 29

Georgy Tchaidze was born in St. Petersburg and earned his master’s degree at the Moscow Conservatory. He has won prizes at several competitions, including first at the 2009 Honens International Piano Competition, fourth at the 2016 Cleveland International Piano Competition, and first at the 2015 Top of the World International Piano Competition in Tromsø, Norway. Mr. Tchaidze has performed throughout Europe, North America, and Asia, including at Wigmore Hall in London, Zankel Hall at Carnegie Hall, Konzerthaus Berlin, Het Concertgebouw in Amsterdam, and National Centre for the Performing Arts in Beijing. He performed with Canada’s National Arts Centre Orchestra under Pinchas Zukerman and with the Cleveland Orchestra with conductor Bramwell Tovey. As a chamber artist, he tours with the Cecilia and Borodin string quartets. Mr. Tchaidze has released three recordings on the Honens label: a live recording with the Cecilia String Quartet, an all-Schubert album, and a disc of works by Medtner, Mussorgsky and Prokofiev. He studies in Berlin, where his other passions include literature, cinema, and nature.

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COMPETITION REPERTOIRE

Preliminary Recital
SCARLATTI Sonata in D Minor, K. 77
BEETHOVEN Sonata No. 31 in A-flat Major, op. 110
HAMELIN Toccata on “L’homme armé”
RACHMANINOFF Étude-tableau in C Minor, op. 33, no. 3
RACHMANINOFF Étude-tableau in C-sharp Minor, op. 33, no. 9

Quarterfinal Recital
SCHUBERT Impromptu in A-flat Major, D. 935, op. 142, no. 2
SCHUBERT Impromptu in B-flat Major, D. 935, op. 142, no. 3
PROKOFIEV Sonata No. 8 in B-flat Major, op. 84

Semifinal Recital

SCHUMANN Waldszenen, op. 82
MEDTNER “Alla Reminiszenza” from Forgotten Melodies, op. 38
MUSSORGSKY Pictures at an Exhibition

Semifinal Concerto
MOZART Piano Concerto No. 20 in D Minor, K. 466

Final Round Piano Quintet
DVOŘÁK Piano Quintet in A Major, op. 81

Final Round Concerto
PROKOFIEV Piano Concerto No. 3 in C Major, op. 26

 

Yekwon Sunwoo

Yekwon Sunwoo

South Korea | Age 28

Yekwon Sunwoo earned his bachelor’s degree at the Curtis Institute of Music and his master’s at The Juilliard School, and also studied with Richard Goode at the Mannes School of Music. He currently studies under Bernd Goetzke in Hannover. Mr. Sunwoo won first prizes at the 2015 International German Piano Award in Frankfurt, the 2014 Vendome Prize held at the Verbier Festival, the 2013 Sendai International Music Competition, and the 2012 William Kapell International Piano Competition. He has performed with the Juilliard Orchestra under Itzhak Perlman at Avery Fisher Hall, Baltimore Symphony Orchestra under Marin Alsop, Houston Symphony Orchestra, National Orchestra of Belgium, Sendai Philharmonic Orchestra, and others. He has given recitals at Carnegie Hall, Hamarikyu Asahi Hall in Tokyo, Wigmore Hall in London, Radio France and Salle Cortot in Paris, and Kumho Art Hall in Seoul. Mr. Sunwoo has been featured on WQXR’s McGraw-Hill Young Artists Showcase, and has performed chamber music for the Chamber Music Society of Lincoln Center, with Ida Kavafian and Peter Wiley as part of Curtis On Tour, and with Roberto Diaz on the Bay Chamber Concerts.

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COMPETITION REPERTOIRE

Preliminary Recital
HAYDN Sonata in C Major, Hob. XVI:48
HAMELIN Toccata on “L’homme armé”
SCHUBERT-LISZT Litanei auf das Fest Aller Seelen
RACHMANINOFF Sonata No. 2 in B-flat Minor, op. 36 (1931)

Quarterfinal Recital
SCHUBERT Sonata in C Minor, D. 958
RAVEL La Valse

Semifinal Recital
BEETHOVEN Sonata No. 30 in E Major, op. 109
STRAUSS-GRAINGER “Ramble on the Last Love-duet” from Richard Strauss’ Der Rosenkavalier
PROKOFIEV Sonata No. 6 in A Major, op. 82

Semifinal Concerto
MOZART Piano Concerto No. 21 in C Major, K. 467

Final Round Piano Quintet
DVOŘÁK Piano Quintet in A Major, op. 81

Final Round Concerto
RACHMANINOFF Piano Concerto No. 3 in D Minor, op. 30

 

Yutong Sun

Yutong Sun

China | Age 21

Yutong Sun studies with Alexander Korsantia at the New England Conservatory. He has won awards at a number of competitions, including third prize at the 2016 Maria Canals International Piano Competition in Barcelona, first prize at the 2012 Jaén Award International Piano Competition (Spain), and second prize at the 2011 New Orleans International Piano Competition for Young Artists. He made his recital debut at age 10 in Beijing and his orchestra debut with the Orchestra of Granada in Spain at age 16. Mr. Sun has performed with orchestras and in recital in China, France, Spain, and the United States. In 2013, he released a recording of a recital performance as part of the Laureate Series on the Naxos label. When not playing music, he likes to watch movies and sports.

COMPETITION REPERTOIRE

Preliminary Recital
HAMELIN Toccata on “L’homme armé”
SHOSTAKOVICH Prelude and Fugue in D Minor, op. 87, no. 24
CHOPIN Nocturne in C Minor, op. 48, no. 1
PROKOFIEV Sonata No. 7 in B-flat Major, op. 83

Quarterfinal Recital
CHOPIN Impromptu No. 1 in A-flat Major, op. 29
CHOPIN Ballade No. 1 in G Minor, op. 23
BACH Prelude and Fugue in E-flat Minor, BWV 853
LIGETI Etude No. 13 “L’escalier du diable”
BARTÓK Sonata (1926)

Semifinal Recital

BEETHOVEN Sonata No. 26 in A-flat Major, op. 81a (“Les Adieux”)
LISZT Un sospiro
MUSSORGSKY Pictures at an Exhibition

Semifinal Concerto
MOZART Piano Concerto No. 20 in D Minor, K. 466

Final Round Piano Quintet
BRAHMS Piano Quintet in F Minor, op. 34

Final Round Concerto
PROKOFIEV Piano Concerto No. 3 in C Major, op. 26

Ilya Shmukler

Ilya Shmukler

Russia | Age 22

Moscow native Ilya Shmukler studies piano with Elena Kuznetsova at the Moscow Conservatory. He has frequently performed in the leading concert halls of Russia, including in Moscow, St. Petersburg, Ekaterinburg, and Kazan, as well as in Austria, the Netherlands, Italy, Spain, Bulgaria, Germany, Lithuania, Moldova, and Kazakhstan. Mr. Shmukler has won awards at a number of piano competitions, including grand prizes of the 2009 Musica Classica and the 2012 Scriabin-Rachmaninoff competitions in Russia, and second prize in the 2012 International Rachmaninov Music Competition. He has played with several orchestras, most notably the Mariinsky Theatre Symphony Orchestra. When not playing piano, he enjoys cinema, literature, art, swimming, and table tennis.

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COMPETITION REPERTOIRE

Preliminary Recital
HAMELIN Toccata on “L’homme armé”
HAYDN Sonata in F Major, Hob  XVI:23
BACH-SILOTI Prelude in B Minor, BWV 855a
RAVEL Gaspard de la nuit

Quarterfinal Recital
BACH-BUSONI Chaconne in D Minor, BWV 1004
RAVEL Pavane pour une infante défunte
STRAVINSKY Trois mouvements de Petrouchka

Semifinal Recital

SCHUMANN Novelette in F-sharp Minor, op. 21, no. 8
DEBUSSY La cathédrale englouitie from Preludes, Book I
DEBUSSY Feux d’artifice from Preludes, Book II
PROKOFIEV Sonata No. 8 in B-flat Major, op. 84

Semifinal Concerto
MOZART Piano Concerto No. 21 in C Major, K. 467

Final Round Piano Quintet
SCHUMANN Piano Quintet in E-flat Major, op. 44

Final Round Concerto
PROKOFIEV Piano Concerto No. 3 in C Major, op. 26

 

Philipp Scheucher

Philipp Scheucher

Austria | Age 24

Philipp Scheucher was born in Graz, Austria, and began music studies at age 5. He earned his bachelor’s degree at the University of Music and Performing Arts Graz and is now in the master’s program there under the tutelage of Markus Schirmer. Mr. Scheucher has performed in some of Europe’s most important concert halls, including the Golden Hall at the Vienna Musikverein, Gewandhaus in Leipzig, Hercules Hall in Munich, and Konzerthaus Berlin. He also has performed in France, Italy, Spain, Denmark, Poland, Croatia, Hungary, and the Czech Republic. He won first prizes at the 2015 Aarhus International Piano Competition in Denmark and at the 2014 Cologne International Piano Competition, and second prizes at the 2015 Ferenc Liszt Competition in Italy and the 2016 UNISA International Piano Competition in South Africa. Mr. Scheucher has performed with the Graz Philharmonic, the K&K Philharmonic, and Johannesburg Philharmonic Orchestras. His other passions include books, skateboarding, movies and TV, and driving.

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COMPETITION REPERTOIRE

Preliminary Recital
BEETHOVEN Fantasia in G Minor, op. 77
HAMELIN Toccata on “L’homme armé”
AUERBACH Prelude in D Minor, op. 41, no. 24
LISZT Consolation No. 3
LISZT Rhapsodie espagnole

Quarterfinal Recital
MOZART Sonata No. 11 in A Major, K. 331
RAVEL “Oiseaux tristes” from Miroirs
RAVEL “Alborada del gracioso” from Miroirs
STRAVINSKY Trois mouvements de Petrouchka

Semifinal Recital

BEETHOVEN Sonata No. 17 in D Minor, op. 31, no. 2 (“Tempest”)
MUSSORGSKY Pictures at an Exhibition

Semifinal Concerto
MOZART Piano Concerto No. 20 in D Minor, K. 466

Final Round Piano Quintet
SCHUMANN Piano Quintet in E-flat Major, op. 44

Final Round Concerto
TCHAIKOVSKY Piano Concerto No. 1 in B-flat Minor, op. 23

 

Leonardo Pierdomenico

Leonardo Pierdomenico

Italy | Age 24

Leonardo Pierdomenico is studying for his master’s degree under Benedetto Lupo at the Accademia Nazionale di Santa Cecilia in Rome. Born in Pescara, he graduated from the Luisa D’Annunzio conservatory there, then studied at the Fiesole School of Music. Mr. Pierdomenico won the 2011 Premio Venezia piano competition in Venice and was a semifinalist at the 2016 Queen Elisabeth Competition, where his Chopin Ballade No. 1 in G Minor was included on the best-of-competition CD, released by harmonia mundi. Mr. Pierdomenico was named a fellow of the 2016 Music Academy of the West Festival in Santa Barbara, where he worked with artists such as Jeremy Denk, Jerome Lowenthal, Jean-Yves Thibaudet, Julian Martin, and Leon Fleisher. He also has played solo recitals in Belgium, France, Germany, Netherlands, and in the major venues of Italy, and his performances have been featured on the radio in Belgium, Italy, and Santa Barbara, California. In 2011, he was awarded a medal for his artistic achievements by Italian President Giorgio Napolitano. When not at the piano, Mr. Pierdomenico especially enjoys painting and soccer.

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COMPETITION REPERTOIRE

Preliminary Recital
CLEMENTI Sonata No. 5 in F-sharp Minor, op. 25
HAMELIN Toccata on “L’homme armé”
BRAHMS Variations on a Theme by Paganini, Books I and II, op. 35

Quarterfinal Recital
LISZT Ballade No. 2 in B Minor
RACHMANINOFF Variations on a Theme by Chopin, op. 22

Semifinal Recital

BEETHOVEN Sonata No. 4 in E-flat Major, op. 7
CHOPIN Ballade No. 1 in G Minor, op. 23
CHOPIN Ballade No. 2 in F Major, op. 38
CHOPIN Ballade No. 3 in A-flat Major, op. 47
CHOPIN Ballade No. 4 in F Minor, op. 52

Semifinal Concerto
MOZART Piano Concerto No. 20 in D Minor, K. 466

Final Round Piano Quintet
SCHUMANN Piano Quintet in E-flat Major, op. 44

Final Round Concerto
LISZT Piano Concerto No. 2 in A Major

 

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