Masaya Kamei

Masaya Kamei

Japan  |  Age 20

A native of Aichi, Japan, Masaya Kamei—at the age of 20—has achieved major piano accolades in his home country. He was the first to be accepted to the Toho Gakuen College Music Department a year early (in 2019). At the same time, he was the first to win both of Japan’s largest national competitions, the Music Competition of Japan Piano Division and the PTNA Piano Competition Special Grade, in a single year. Other awards include the Masuzawa, Nomura, Iguchi, Kawai, Miyake, and Steinway Prizes; the Argerich Arts Promotion Foundation Award; and the Minister of Education, Culture, Sports, Science and Technology Award.

Those early wins not only provided many invitations for engagements—they also changed the young artist’s performance perspective: “I realized that I would now be playing the piano as the champion of Japan’s largest competition. A new kind of professionalism sprouted in my heart that has always exceeded expectations.”

His vigorous concert schedule the past few years includes recitals and concertos at major halls in Japan, such as Suntory Hall, Tokyo Opera City Concert Hall, and Tokyo Metropolitan Theater; and with the Tokyo City Philharmonic, Tokyo Philharmonic, New Japan Philharmonic, Tokyo Symphony, Chiba Symphony, and 21st Century Tokyo Orchestras.

In 2021, Masaya was selected as a scholarship student of the Rohm Music and Ezoe Memorial Recruit Foundations. He is currently a fourth-year student at Toho Gakuen, under the guidance of Hisako Ueno, Michiko Okamoto, and Shoichi Hase. He recently placed third at the 2022 Maria Canals International Music Competition.

masaya-kamei.com


REPERTOIRE

Preliminary Round

HOUGH Fanfare Toccata
CHOPIN Etude in A Minor, op. 10, no. 2
BERG Sonata, op. 1
LISZT Réminiscences de Norma

Quarterfinal Round

BACH Chromatic Fantasia and Fugue in D Minor, BWV 903
LISZT Transcendental Etude No. 4 “Mazeppa”
RACHMANINOV Sonata No. 2 in B-flat Minor, op. 36 (1931)

Semifinal Round – Recital

BEETHOVEN Piano Sonata No. 21 in C Major, op. 53 (“Waldstein”)
LISZT Paganini Etude No. 3 “La campanella”
RAVEL Gaspard de la nuit
BALAKIREV Islamey: Oriental Fantasy

Semifinal Round – Mozart concerto

MOZART Piano Concerto No. 19 in F Major, K. 459

Final Round – Concerto I

SAINT-SAËNS Piano Concerto No. 5 in F Major, op. 103

Final Round – Concerto II

RACHMANINOV Piano Concerto No. 3 in D Minor, op. 30


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Arseniy Gusev

Arseniy Gusev

Russia  |  Age 23

When Arseniy Gusev was 5 years old, an upright piano was brought into his St. Petersburg home, and he immediately started playing and experimenting with it. He wrote his first piece—a romance on a Pushkin poem—shortly thereafter, and his grandmother asked him if he would like to go to music school. He went on to study both composition and piano performance at the St. Petersburg Conservatory. Upon graduation in 2018, he moved to the United States, where he attends the Cleveland Institute of Music, under the tutelage of Sergei Babayan (piano) and Keith Fitch (composition).

He has performed in Austria, Belgium, Italy, Russia, Slovakia, Germany, and the United States, and his compositions have been heard in Mariinsky Theatre, Carnegie Hall, Konzerthaus Dortmund, St. Petersburg Philharmonic, and other major venues. Arseniy is a laureate of many prestigious competitions, such as the Dorothy McKenzie Artist Award, Cleveland Piano Virtu(al)oso Competition, Singapore International Piano Competition, Three Arts Piano Competition, Cleveland Composers Guild Contest, “Another Space” Composition Competition, International Gavrilin Competition, International Competition “Performer-Composer,” and others.

Arseniy has an exclusive publishing contract with Kompozitor, one of the biggest publishers in Eastern Europe. He says: “I hope to do everything I can to bring the tradition of composer-pianists back on a new level.”


REPERTOIRE

Preliminary Round

GIBBONS Lord Salisbury’s Pavane
FROBERGER Aria in D Minor, FbWV 636
FRANCK Prélude, Choral et Fugue
HOUGH Fanfare Toccata
SCRIABIN Sonata No. 7, op. 64 “White Mass”

Quarterfinal Round

RACHMANINOV Prelude in D-flat Major, op. 32, no. 13
SCHUMANN Symphonic Etudes, op. 13 and op. posth.
GUSEV Toccata No. 1

Semifinal Round – Recital

MESSIAEN “Le baiser de l’Enfant-Jésus” and “Regard de l’Esprit de joie” from Vingt Regards sur l’enfant-Jésus
LIGETI Etude No. 7 “Galamb Borong”
LIGETI Etude No. 13 “L’escalier du diable”
KURTÁG “Les adieux” from Játékok
SCHUBERT Sonata in C Minor, D. 958

Semifinal Round – Mozart concerto

MOZART Piano Concerto No. 24 in C Minor, K. 491

Final Round – Concerto I

RAVEL Piano Concerto for the Left Hand in D Major

Final Round – Concerto II

BRAHMS Piano Concerto No. 1 in D Minor, op. 15


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Francesco Granata

Francesco Granata

Italy  |  Age 23

Milan native Francesco Granata’s journey with music began when he was 5 and has not stopped since. He graduated from the Milan Conservatory in 2016, with the highest evaluation and special mention. He then had the opportunity to study under two distinguished Cliburn laureates: Benedetto Lupo at the St. Cecilia Academy in Rome, where he obtained the Master Course Diploma, and—now—Roberto Plano at the Jacobs School of Music at Indiana University.

He won several competitions in Italy, including Premio Crescendo in Florence, Premio Società Umanitaria in Milan, and the Italian selections of Jeunesse Musicale International. In 2017, he won the XXXIV Premio Venezia, reserved for the top Italian graduates. This led to many concert engagements across the country, as well in other European countries and in India. In 2021, he had strong finishes at both the Montreal and Busoni Competitions.

In 2015, he recorded Lachner’s transcription of Beethoven’s Third Piano Concerto for piano and string quintet on DVD for Limenmusic studios. 2018 saw the release of his first CD, through the Italian music magazine Suonare news.

When asked about his vision for future musical endeavors, Francesco said: “I believe that culture is meant for humankind, not for only a few people. One of my dreams is to be able to perform in less-advantaged countries, developing also educational projects for the communities and children, speaking the only common language in the world: music itself.”


REPERTOIRE

Preliminary Round

TCHAIKOVSKY Méditation, op. 72, no. 5
HOUGH Fanfare Toccata
SCHUBERT Sonata in A Minor, D. 784
STRAVINSKY–AGOSTI Suite from The Firebird

Quarterfinal Round

CLEMENTI Sonata in F-sharp Major, op. 25, no. 5
RAVEL Miroirs

Semifinal Round – Recital

BEETHOVEN–LISZT Adelaide, S. 466, no. 3
BEETHOVEN Sonata No. 31 in A-flat Major, op. 110
BACH–BUSONI Chaconne in D Minor, BWV 1004
KAPUSTIN Concert Etudes, op. 40, nos. 1, 2, 6, 7, 8

Semifinal Round – Mozart concerto

MOZART Piano Concerto No. 22 in E-flat Major, K. 482

Final Round – Concerto I

BEETHOVEN Piano Concerto No. 4 in G Major, op. 58

Final Round – Concerto II

BRAHMS Piano Concerto No. 2 in B-flat Major, op. 83


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Anna Geniushene

Anna Geniushene

Russia  |  Age 31

Born in Moscow on New Year’s Day in 1991, Anna Geniushene made her recital debut just seven years later in the small hall of the Berlin Philharmonic. She has since developed a diverse and versatile career as an artist: performances in major world venues such as the Town Hall in Leeds, National Concert Hall in Dublin, Museum of Arts in Tel Aviv, the Konzerthaus ‘Neue Welt,’ Great Hall of Moscow Conservatory, and Sala Greppi in Milan; a dedication to chamber music, including duo piano repertoire with her husband, Lukas Geniušas, and close collaboration with Quartetto di Cremona; and the creation of her own festival of collaborative music-making (NikoFest).

During the pandemic, Anna’s penchant for creativity manifested in online projects, such as a series of online recitals for the Vancouver Chopin Society, participation in the “Armchairs Season” of the Moscow Philharmonic, and recording sessions for the ConSpirito music channel on YouTube. Her debut CD was released on LINN Records in March 2020.

A laureate of major international piano contests, she has had strong finishes at the Leeds, Tchaikovsky, Busoni, and Dublin Competitions. She sees her participation in the Cliburn as a “dream,” as an “opportunity to be part of a very friendly community, to find a new audience, and to challenge myself.”

Anna graduated from the Moscow Tchaikovsky Conservatory in 2015, and completed her Master’s with Distinction and Advanced Diploma from the Royal Academy of Music (London) in 2018. She has also been one of the elite Bicentenary Scholars at the Academy under the tutelage of Christopher Elton.

geniushene.com


REPERTOIRE

Preliminary Round

HAYDN Sonata in D Major, Hob. XVI:42
HOUGH Fanfare Toccata
RACHMANINOV Études-tableaux, op. 33

Quarterfinal Round

BRAHMS Four Ballades, op. 10
BARTÓK Sonata, Sz. 80

Semifinal Round – Recital

BEETHOVEN Seven Bagatelles, op. 33
VERDI–LISZT Danza sacra e duetto finale d’Aida
PROKOFIEV Sonata No. 8 in B-flat Major, op. 84

Semifinal Round – Mozart concerto

MOZART Piano Concerto No. 25 in C Major, K. 5033

Final Round – Concerto I

BEETHOVEN Piano Concerto No. 1 in C Major, op. 15

Final Round – Concerto II

TCHAIKOVSKY Piano Concerto No. 1 in B-flat Minor, op. 23


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Federico Gad Crema

Federico Gad Crema

Italy  |  Age 23

Milan-born Federico Gad Crema has already performed at some of the most prestigious halls in the world, including Carnegie Hall in New York, Teatro alla Scala and Sala Verdi in Milan, and Teatro Castro Alves in Salvador, Bahia (Brazil). He regularly performs with top orchestras such as Orchestra dell’Accademia del Teatro alla Scala, NEOJIBA Orchestra, Symphonic Orchestra of Cannes, San Antonio Symphony Orchestra, and New Mexico Philharmonic.
 
Winner of numerous major national and international piano competitions in Italy, France, Germany, Belgium, Greece, and the United States, recent prizes include first place at Concours International André Dumortier, third at Casagrande, and second at the Olga Kern International Piano Competition. 
 
A 2016 graduate of the “G. Verdi” Conservatory of Music in Milan, he continued his studies at the Colburn Conservatory of Music in Los Angeles, and, since 2019, is a proud recipient of a full scholarship at the Perosi Music Academy. In 2021, he obtained his master’s degree at the Conservatory of Music in Milan with high honors, and he has been awarded a prestigious grant from the De Sono Foundation. 
 
Federico is creating a music festival in beautiful Santuario di Oropa, an event designed to “embrace the core values of social and religious integration through music. The modern world we live in is facing an alarming lack of awareness and togetherness, and I believe we can use the power and sincerity of music as a binding glue for our broken society.” He also nurtures passions for conducting and fashion through mentorships with Brazilian conductor Ricardo Castro in Geneva and Jean-Yves Thibaudet in Los Angeles. 

federicogadcrema.com


REPERTOIRE

Preliminary Round

SCARLATTI Sonata in D Minor, K. 213
SCRIABIN Fantasy in B Minor, op. 28
MENDELSSOHN Variations sérieuses, op. 54
HOUGH Fanfare Toccata

Quarterfinal Round

CHOPIN 24 Preludes, op. 28

Semifinal Round – Recital

DEBUSSY Images, Book I
CHOPIN Fantasy in F Minor, op. 49
MUSSORGSKY Pictures at an Exhibition

Semifinal Round – Mozart concerto

MOZART Piano Concerto No. 23 in A Major, K. 488

Final Round – Concerto I

CHOPIN Piano Concerto No. 2 in F Minor, op. 21

Final Round – Concerto II

BRAHMS Piano Concerto No. 1 in D Minor, op. 15


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Dmytro Choni

Dmytro Choni

Ukraine  |  Age 28

Dmytro Choni began piano in his native Kyiv when he was 4 years old. After a particularly meaningful performance at the age of 14, which he calls “a turning point,” his lifelong journey of professional musicianship began. He earned a bachelor’s degree from the Tchaikovsky National Music Academy of Ukraine under the guidance of Yuri Kot, then moved to Austria in 2015 to study with Milana Chernyavska at the Kunstuniversität Graz.

A prizewinner at nearly 20 international piano competitions, he has taken first prize at six: Santander (Spain), Bösendorfer USASU (USA), Los Angeles, ZF-Musikpreis (Germany), Roma (Italy), and Tucumán (Argentina). Dmytro is a laureate of other top competitions, including Leeds, Vendome, Busoni, and Horowitz, and recipient of top young artist prizes at Interlaken Classics (Switzerland) and Piano Academy Eppan (Italy). He now comes to Fort Worth, calling the Cliburn “nothing else but my dream.”

Dmytro has collaborated with renowned orchestras, such as the Royal Liverpool Philharmonic, Phoenix Symphony, RTVE Symphony, Seongnam Philharmonic, Ukraine National Symphony, Liechtenstein Symphony, and Dominican Republic National Symphony Orchestras. His performances in major halls in Europe, Asia, South America, and the United States (including Carnegie Hall and Merkin Hall in January 2022) have made a lasting impression on his musical development.

Dmytro’s debut album was released by Naxos in 2020; it received a “Supersonic Award” from Pizzicato and was highly acclaimed by the international critics, one raving he “could be one of the 21st century’s most outstanding pianists.” In March, he told the Fort Worth Report that music is “always kind of a hideaway from what’s going on in the world. Through the music, you can try to project the best possible emotion, the optimism, the hope.”

dmytrochoni.com


REPERTOIRE

Preliminary Round

HOUGH Fanfare Toccata
SCHUMANN Novelette in F-sharp Minor, op. 21, no. 8
RACHMANINOV Sonata No. 2 in B-flat Minor, op. 36 (1931)

Quarterfinal Round

PROKOFIEV Sarcasms, op. 17
DEBUSSY “Et la lune descend sur le temple qui fut” from Images, Book II
DEBUSSY L’isle joyeuse
LISZT Après une lecture du Dante: Fantasia quasi Sonata

Semifinal Round – Recital

BRAHMS Two Rhapsodies, op. 79
SCRIABIN Sonata No. 4 in F-sharp Major, op. 30
DEBUSSY Images, Book I
GINASTERA Sonata No. 1, op. 22

Semifinal Round – Mozart concerto

MOZART Piano Concerto No. 20 in D Minor, K. 466

Final Round – Concerto I

BEETHOVEN Piano Concerto No. 3 in C Minor, op. 37

Final Round – Concerto II

PROKOFIEV Piano Concerto No. 3 in C Major, op. 26


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Albert Cano Smit

Albert Cano Smit

Spain/Netherlands  |  Age 25

Albert Cano Smit has “established himself as an artist to watch” (Montreal Gazette), having won first prizes at the 2019 Young Concert Artists International Auditions and the 2017 Walter W. Naumburg Piano Competition, the latter of which earned him a Carnegie Hall debut at Weill Recital Hall. He was also awarded the prestigious Arthur Rubinstein Piano Prize from The Juilliard School in 2020, and had strong finishes in the 2017 Montreal and 2016 Hilton Head competitions.

Notable concerto engagements include appearances with the San Diego Symphony, Las Vegas Philharmonic, Orchestre symphonique de Montréal, Orquesta Filarmónica de Boca del Río, Barcelona Symphony, and Catalonia National Orchestra. He has given recital and chamber performances across the United States at the Kennedy Center Terrace Theater, Merkin Concert Hall, Steinway Society–The Bay Area, New York’s Salon de Virtuosi, and Bravo! Vail Festival; in France at the Wissembourg Festival and Fondation Louis Vuitton; at Germany’s Rheingau Music Festival; in Xiamen, China; and throughout Spain.

A polyglot who speaks five languages, Albert was born in Geneva, the son of a Dutch mother and Spanish father who settled in Catalonia. He left home at 9 to join the Escolania de Montserrat choir school, where hours of rehearsal every day strongly affected his musical development. The school also produced one of his most memorable performance experiences, a benefit for the victims of the 2010 Haiti earthquake, because it “had a purpose beyond music that brought us together.” His serious piano studies took him to Chetham’s School of Music in Manchester and finally to Juilliard, where he completed his artist diploma in May 2022, under the tutelage of Robert McDonald.

albertcanosmit.com


REPERTOIRE

Preliminary Round

BACH Contrapunctus I, IV, II, XIIIb, XIIIa, V, IX from The Art of Fugue, BWV 1080
ALBÉNIZ “Evocación” and “El Puerto” from Iberia, Book I
HOUGH Fanfare Toccata

Quarterfinal Round

BEETHOVEN Sonata No. 17 in D Minor, op. 31, no. 2 (“The Tempest”)
SCRIABIN Poem in F-sharp Major, op. 32, no. 1
SCRIABIN Etude in C-sharp Minor, op. 2, no. 1
LIGETI Etude No. 15 “White on White”
LIGETI Etude No. 13 “L’escalier du diable”

Semifinal Round – Recital

BACH English Suite No. 1 in A Major, BWV 806
SCHUMANN Kreisleriana, op. 16
GINASTERA Danzas Argentinas, op. 2

Semifinal Round – Mozart concerto

MOZART Piano Concerto No. 24 in C Minor, K. 491

Final Round – Concerto I

BEETHOVEN Piano Concerto No. 4 in G Major, op. 58

Final Round – Concerto II

BRAHMS Piano Concerto No. 1 in D Minor, op. 15


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Yangrui Cai

Yangrui Cai

China  |  Age 21

Yangrui Cai began his piano studies at age 4, though none of his family had any music- or art-related background. When he was 15, a first-place finish in the national auditions earned him a spot in China’s Xinghai Conservatory of Music Middle School. Upon his graduation with distinction in July 2019, the Hunan native was admitted to several prestigious conservatories in the United States with full scholarships. He is currently a third-year undergraduate student at Oberlin Conservatory, under the tutelage of 2001 Cliburn Gold Medalist Stanislav Ioudenitch.

Yangrui has taken top prizes in all major Chinese national competitions and went on to honors in international competitions, such as Sendai (Japan), USASU (USA), and Sydney (Australia). Concertizing from an early age, he has given solo recitals in China, Japan, Germany, Denmark, Italy, France, Canada, and the United States; and appeared as soloist with the Hong Kong Youth Philharmonic Orchestra, Guangzhou Symphony Orchestra, and Hangzhou Philharmonic Orchestra in China, Sendai Philharmonic Orchestra in Japan, and TIMM Ensemble in Italy.

An artist of varied interests—ranging from painting to cooking to drone flying—Yangrui’s commitment to music is distinct: “Since a young age, I found piano playing as the best way to express feelings that are difficult to convey. It is the purest means of communication.”


REPERTOIRE

Preliminary Round

HOUGH Fanfare Toccata
LISZT “Bénédiction de Dieu dans la solitude” from Harmonies poétiques et religieuses
BRAHMS Variations on a Theme by Paganini, op. 35, Book I

Quarterfinal Round

FANNY MENDELSSOHN Easter Sonata in A Major
COUPERIN Le Tic-Toc-Choc ou Les Maillotins
STRAVINSKY Trois mouvements de Pétrouchka

Semifinal Round – Recital

LISZT 12 Transcendental Etudes

Semifinal Round – Mozart concerto

MOZART Piano Concerto No. 25 in C Major, K. 503

Final Round – Concerto I

SAINT-SAËNS Piano Concerto No. 2 in G Minor, op. 22

Final Round – Concerto II

PROKOFIEV Piano Concerto No. 3 in C Major, op. 26


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Tianxu An

Tianxu An

China  |  Age 23

Tianxu An, from Baoding, near Beijing, is a sought-after young artist, both at home in China and around the world. In June 2019, Tianxu drew international attention when he won fourth prize and a special prize for “courage and restraint” in the XVI International Tchaikovsky Competition—the highest award for a Chinese pianist at that contest in 17 years. A month later, he made his debut with the Philadelphia Orchestra at the Mann Center.

Recent concert highlights include performances with the Mariinsky, China Philharmonic, NCPA (National Centre for the Performing Arts), and Macau Orchestras, as well as a 2021 major recital tour across China. He recorded his first CD in August 2021, a recital album for Alpha Classics featuring works by Tchaikovsky, Rachmaninov, and Prokofiev. He previously won top awards at the Greenfield Student, “Helen Cup” Shanghai International Piano, and Wiesbaden International Piano Competitions.

Born into a non-musical family, Tianxu began his piano studies because his parents believed it a good way to develop intelligence. His love for and commitment to music grew throughout his time at the Middle School affiliated with the Central Conservatory of Music in Beijing, where he studied with Hua Chang. He moved to Philadelphia in 2015 to attend the Curtis Institute of Music under the tutelage of Meng-Chieh Liu and Robert McDonald, and also studies privately with Dang Thai Son. His career pursuit is largely driven by the fact that “music is a powerful language which establishes a deeply emotional bond among people.”


REPERTOIRE

Preliminary Round

GUBAIDULINA Chaconne
MENDELSSOHN Variations sérieuses, op. 54
HOUGH Fanfare Toccata
LISZT Mephisto Waltz No. 1

Quarterfinal Round

SCHUMANN Toccata in C Major, op. 7
BEETHOVEN Sonata No. 31 in A-flat Major, op. 110
SCRIABIN Sonata No. 5, op. 53

Semifinal Round – Recital

BRAHMS Sonata No. 1 in C Major, op. 1
PROKOFIEV Sonata No. 6 in A Major, op. 82

Semifinal Round – Mozart concerto

MOZART Piano Concerto No. 21 in C Major, K. 467

Final Round – Concerto I

SAINT-SAËNS Piano Concerto No. 2 in G Minor, op. 22

Final Round – Concerto II

RACHMANINOV Piano Concerto No. 3 in D Minor, op. 30


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Janina Fialkowska

JANINA FIALKOWSKA – CANADA
JURY CHAIRMAN

For over 40 years, concert pianist Janina Fialkowska has enchanted audiences and critics around the world. She has been praised for her musical integrity, her refreshing natural approach, and her unique piano sound thus becoming “one of the Grandes Dames of piano playing” (Frankfurter Allgemeine).

Born in Canada, she began her piano studies with her mother at age 4, continuing on in her native Montreal with Yvonne Hubert. In Paris she studied with Yvonne Lefébure and in New York at The Juilliard School with Sascha Gorodnitzki, experiencing the best of both French and Russian piano traditions. Her career was launched in 1974, when the legendary Arthur Rubinstein became her mentor after her prize-winning performance at his inaugural Master Piano Competition, calling her a “born Chopin interpreter” and laying the foundation for her lifelong identification with this composer.

Since then she has performed with the foremost orchestras worldwide under the baton of such conductors as Zubin Mehta, Bernard Haitink, Lorin Maazel, Sir Georg Solti, Sir Roger Norrington, and Yannick Nézet-Séguin, to name one of the younger generation. She has won special recognition for a series of important premieres, notably Liszt’s newly discovered Third Piano Concerto with the Chicago Symphony and several contemporary piano concertos. Ms. Fialkowska’s discography includes many award-winning discs, e.g.  BBC Music Magazine’s 2013 “Instrumental CD of the Year” award as well as the Canadian “Juno Award” in 2018.

Her native Canada has bestowed upon her their highest honors: Officer of the Order of Canada and the Governor General’s 2012 Lifetime Achievement Award in Classical Music (Canada’s equivalent to the Kennedy Center Honors), as well as three honorary doctorates.  She passes on her wide musical experience in master classes and at her annual International Piano Academy in Bavaria, where she now resides, and makes frequent appearances as a juror of the world’s most prestigious piano competitions.

Janina previously served on the Screening Jury for the 2017 Van Cliburn International Piano Competition.


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Alessio Bax

ALESSIO BAX – ITALY

Combining exceptional lyricism and insight with consummate technique, Alessio Bax is without a doubt “among the most remarkable young pianists now before the public” (Gramophone). He catapulted to prominence with First Prize wins at both the Leeds and Hamamatsu International Piano Competitions, and is now a familiar face on five continents, not only as a recitalist and chamber musician, but also as a concerto soloist who has appeared with more than 150 orchestras, including the London, Royal, and St. Petersburg Philharmonic Orchestras, the Boston, Dallas, Cincinnati, Sydney, and City of Birmingham Symphony Orchestras, and the NHK Symphony in Japan, collaborating with such eminent conductors as Marin Alsop, Vladimir Ashkenazy, Sir Andrew Davis, Fabio Luisi, Sir Simon Rattle, Yuri Temirkanov, and Jaap van Zweden.

Bax constantly explores many facets of his career. He released his eleventh Signum Classics album, Italian Inspirations, whose program was also the vehicle for his solo recital debut at New York’s 92nd Street Y as well as on tour. He recently embarked on a trio tour of Spain with violinist Joshua Bell and cellist Steven Isserlis. Bax and his regular piano duo partner, Lucille Chung, gave recitals at New York’s Lincoln Center and were featured with the St. Louis Symphony and Stéphane Denève. He has also presented the complete works of Beethoven for cello and piano with cellist Paul Watkins in New York City.

Next season he will make his debut with the Milwaukee Symphony, performing Brahms’ Second Piano Concerto and will return for the fourth time for two recitals at the historic Teatro Colón in Buenos Aires. This past summer was highlighted by his fifth season as Artistic Director of Tuscany’s Incontri in Terra di Siena festival as well as return appearances at the Seattle Chamber Music Festival and at the Bravo! Vail Music Festival with the Dallas Symphony and Fabio Luisi conducting.

Bax revisited Mozart’s K. 491 and K. 595 concertos, as heard on Alessio Bax Plays Mozart, for his recent debuts with the Boston and Melbourne Symphonies, both with Sir Andrew Davis, and with the Sydney Symphony, which he led himself from the keyboard. Other recent highlights include the pianist’s Auckland Philharmonia debut, concerts in Israel, a Japanese tour featuring dates with the Tokyo Symphony, a U.S. tour with flutist Emmanuel Pahud and an Asian tour with Daishin Kashimoto. Recent seasons also saw Bax make his solo recital debut at London’s Wigmore Hall, and give concerts at L.A.’s Disney Hall, Washington’s Kennedy Center, and New York’s Carnegie Hall. In 2009, he was awarded an Avery Fisher Career Grant, and four years later he received both the Andrew Wolf Chamber Music Award and the Lincoln Center Award for Emerging Artists.

Bax’s celebrated Signum Classics discography includes Beethoven’s “Hammerklavier” and “Moonlight” Sonatas (a Gramophone “Editor’s Choice”); Beethoven’s “Emperor” Concerto; Bax & Chung, a duo disc with Lucille Chung; Alessio Bax plays Mozart, recorded with London’s Southbank Sinfonia; Alessio Bax: Scriabin & Mussorgsky (named “Recording of the Month … and quite possibly … of the year” by MusicWeb International); Alessio Bax plays Brahms (a Gramophone “Critics’ Choice”); Bach Transcribed; and Rachmaninov: Preludes & Melodies (an American Record Guide “Critics’ Choice 2011”). Recorded for Warner Classics, his Baroque Reflections album was also a Gramophone “Editor’s Choice.” He performed Beethoven’s “Hammerklavier” Sonata for Daniel Barenboim in the PBS-TV documentary Barenboim on Beethoven: Masterclass, available on DVD from EMI.

At age 14, Bax graduated with top honors from the conservatory of Bari, his hometown in Italy, and after further studies in Europe, he moved to the United States in 1994. A Steinway artist, he lives in New York City with pianist Lucille Chung and their daughter, Mila. He was invited to join the piano faculty of Boston’s New England Conservatory in the fall of 2019.

CLIBURN COMPETITON LINKS
ABOUT  I  APPLICATION  I  JURY  I  ROUNDS & REPERTOIRE  I  ARTISTIC COLLABORATORS  I  CLIBURN COMPETITION HISTORY

SEUNG-YEOP LEE

SEUNG-YEOP LEE

AGE 47  I  TAMPA, FLORIDA  I  SOUTH KOREA
MATHEMATICS PROFESSOR

After initial piano training in his native Korea from age 8 to 14, Seung-Yeop Lee says his passion for the instrument was ignited when he started taking lessons from his son’s piano teacher in 2018. His career has followed his other love, math. After earning a B.S. in physics from Seoul National University, Seung-Yeop moved to the United States, completing his master’s at Pennsylvania State University and his Ph.D. at the University of Chicago. He’s lived in Tampa since 2013, currently serving as associate professor in mathematics at the University of South Florida. He sees the Cliburn Amateur as a chance to grow as a musician through learning and performance.

 


Repertoire

Preliminary Round

SCRIABIN Etude in D-sharp Minor, op. 8, no. 12
SCHUBERT–LISZT “Auf dem Wasser zu Singen”
CHOPIN Polonaise in A-flat Major, op. 53, (“Héroïque”)

Semifinal Round 

BEETHOVEN Sonata No. 23 in F Minor, op. 57 (“Appassionata”) (I)
MOZART–VOLODOS Rondo alla turca
RAVEL La valse

Final Round 

BEETHOVEN Concerto No. 3 in C Minor, op. 37 (I)

 

MICHAEL STEFANAKIS

MICHAEL STEFANAKIS

AGE 40  I  ATHENS, GREECE  I  GREECE
TAX ATTORNEY

Michael Stefanakis’s piano studies began when he was 7 and carried on through his first two years of law school in Athens. After a break from the instrument and the start of his career, he enrolled in the Athens Conservatory in 2014, going on to earn a diploma in piano performance and now doing post-diploma work. Now a senior manager of international tax with Deloitte Business Solutions, Michael advises some of the world’s largest private equity firms on their dealings with Greece. He sees the Cliburn Amateur as “an inspiration for people all over the world who—like me—believe that the development of their musical skills does not stop at a certain age… this development ultimately means facing one’s weaknesses and fears and becoming a better person overall.”

 


Repertoire

Preliminary Round

SCHUMANN Variations on the Name “Abegg,” op. 1
CHOPIN Etude in A Minor, op. 25, no. 11 (“Winter Wind”)

Semifinal Round 

BEETHOVEN Sonata No. 12 in A-flat Major, op. 26
RACHMANINOV Prelude in C Minor, op. 23, no. 7

Final Round 

GRIEG Concerto in A Minor, op. 16 (I)

KEIKO KIRCHER

KEIKO KIRCHER

AGE 41  I  CHAMPAIGN, ILLINOIS  I  JAPAN/UNITED STATES
COLLEGE PHYSICS INSTRUCTOR

A physics lecturer at University of Illinois at Urbana-Champaign and at Parkland College, Dr. Keiko Kircher likes to make her physics lectures be full of music, one example being the use of Mussorgsky being pulled by a string that is wrapped around a rotatable solid sphere while he enjoys pictures at an exhibition in a museum. Keiko began learning music by playing electric organ (called the “electone” in Japan) and switched to the piano at 19. After taking some time away from the instrument while her kids were young and colicky, Keiko returned and now enjoys taking part in amateur competitions—including the 2016 Cliburn—because they motivate her to learn new music, to performance level (whether she is successful or not), and she enjoys getting to know other competitors. She also very much enjoys dog training. Now that her precious dog Neutrina knows how to play the piano, she is taking care of Neutrina extremely well with lots of love so that Neutrina can reach age 35 and enter Cliburn Amateur then.

 


Repertoire

Preliminary Round

ALBÉNIZ Asturias (Leyenda)
KORCHMAR Piano Cycles 1–3
BARGIEL “Präludium” from Suite No. 2 for Piano, op. 31

Semifinal Round 

ALBÉNIZ “Triana” from Iberia, Book II
RACHMANINOV Variations on a Theme of Corelli, op. 42

Final Round 

SHOSTAKOVICH Concerto No. 2 in F Major, op. 102 (I)

 

Peter Czornyj

Peter Czornyj – United Kingdom

Peter Czornyj, born in England, studied musicology, piano, and composition at Hull University and musicology at Hamburg University, Germany. Upon graduation, he commenced research for a doctoral dissertation on Telemann and Berlin while performing as a theater musician, vocal coach, and piano accompanist in Hamburg and Berlin. From 1992 to 1998, he was director of Archiv Produktion at Deutsche Grammophon, and then founded the independent label Glissando. In 2001, he was named artistic administrator of The Cleveland Orchestra, working closely with Christoph von Dohnányi, Franz Welser-Möst, and Pierre Boulez, including extensive new music commissioning and presenting a chamber music and piano recital series. In 2006, he was appointed vice president for artistic administration at the St. Louis Symphony, and in August 2008, joined the Sydney Symphony as director of artistic planning, partnering with Vladimir Ashkenazy and David Robertson in concert planning, recordings, new music commissioning, and an international piano recital series. In February 2014, he returned to the United States to be the Dallas Symphony’s vice president of artistic operations, collaborating, until his retirement in August 2021, with Music Director Fabio Luisi.


AMATEUR COMPETITION LINKS
2022 AMATEUR COMPETITION   I  JURY   I   ARTISTIC COLLABORATORS  I  AMATEUR HISTORY

Alexander Kobrin

ALEXANDER KOBRIN
 2005 CLIBURN GOLD

SEMIFINAL ROUND RECITAL
ORIGINALLY BROADCAST MAY 29, 2005

PROGRAM
SCHONTHAL Sonata quasi un’improvvisazione
SCHUMANN Symphonic Etudes, op. 13
RACHMANINOV Etudes-tableaux, op. 33

ABOUT ALEXANDER KOBRIN

Heralded for “thoughtful performances perfectly balanced between intellectual rigor and expressive pliancy” (Dallas Morning News), 2005 Cliburn Gold Medalist Alexander Kobrin has established a performance career across North America, Europe, and Asia. He has performed with many of the world’s leading orchestras, including the New York Philharmonic, Russian National, English Chamber, Dallas Symphony, and BBC Symphony, and recitals have taken him to major halls and music festivals around the world. He has released nine acclaimed recordings to date, covering a wide swatch of piano literature, for the harmonia mundi, Quartz, and Centaur labels. Born in Moscow, Alexander enrolled in the Gnessin Special School of Music at age 5, after which he attended the Moscow Conservatory. In addition to the Cliburn gold medal, he has won top prizes at the Busoni, Hamamatsu, and Scottish International Piano Competitions. He is currently on faculty of the Eastman School of Music in Rochester, New York.

Leonardo Pierdomenico

LEONARDO PIERDOMENICO
2017 CLIBURN COMPETITION JURY DISCRETIONARY AWARD

 

PROGRAM
CLEMENTI Sonata No. 5 in F-sharp Minor, op. 25
HAMELIN Toccata on “L’homme arme”
BRAHMS Variations on a Theme by Paganini, Books I and II, op. 35

ABOUT LEONARDO
Leonardo recorded his debut album just six months after the 2017 Cliburn; released in 2018 by Piano Classics, the all-Liszt recording was hailed by Gramophone magazine as “stunning… Pierdomenico is a musician of rare sensitivity and vision, and following his further development will be a pleasure.” He is planning another for the label this year. He has made solo, chamber, and concerto appearances throughout Europe and North America, and has been selected to compete in the International Franz Liszt Piano Competition in Utrecht, now slated for November 2020. He graduated in 2017 from the Accademia Nazionale di Santa Cecilia in Rome, where he studied with Benedetto Lupo. In 2011, he was awarded a medal for his artistic achievements by Italian President Giorgio Napolitano. leonardopierdomenico.com

Tony Yike Yang

TONY YIKE YANG
2017 CLIBURN COMPETITION JURY DISCRETIONARY AWARD
QUARTERFINAL ROUND RECITAL

PROGRAM
SCRIABIN Sonata No. 2 in G-sharp Minor, op. 19
LISZT Sonata in B Minor

 

ABOUT TONY YIKE YANG
Now 21, Tony was the youngest competitor at the 2017 Cliburn, and the youngest-ever laureate of the 2015 International Chopin Piano Competition at age 16. Declared “an absolute revelation… [who] combines the characteristics of a true virtuoso and an artist,” he balances performances throughout Europe, Asia, and North America with his studies as a dual-degree major in economics and piano performance at Harvard University and the New England Conservatory, where he studies with Alexander Korsantia. Of note, he has performed for Her Royal Highness Camilla, the Duchess of Cornwall; Canadian Prime Minister Stephen Harper; and Polish President Andrzej Duda. His lauded debut album featuring works by Chopin was released in 2016 on the Fryderyk Chopin Institute’s Blue Series. He has served on the jury of the 2019 Hong Kong International Music Festival and the 2020 Steinway Canada Young Artists Piano Competition (virtual edition), and is currently music advisor to the Chinese University of Hong Kong and the Sun Yat-Sen University in Shenzhen and Guangzhou respectively.

2019 Cliburn Junior Winners

SHUAN HERN LEE (1ST), EVA GEVORGYAN (2ND), JIWON YANG (3RD)
2019 JUNIOR COMPETITION WINNERS RECITAL SHOWCASE      

PROGRAM

JIWON YANG (3rd)
LISZT Réminiscences de Norma after Bellini

EVA GEVORGYAN (2nd)
LISZT Hungarian Rhapsody No. 12
SAINT-SAENS Étude en forme de Valse
HINDEMITH “Ragtime” from Suite “1922,” op. 26

SHUAN HERN LEE (1st)
BARTOK Three Etudes, op. 18

ABOUT THE ARTISTS

JIWON YANG
With an “impressive technique and natural bravura,” JiWon gained fans at the 2019 Cliburn Junior. Since making her recital debut at age 9 in Seoul and her concerto debut at 13 in Kazahkstan, she has participated in concerts, festivals, and competitions in North America, Europe, and Asia. Notable performances include those with the Salzburg Chamber Soloists, and at the Cultural Center of the Philippines and Philippines Chopin Society. She was recently accepted into the Mannes School of Music and looks forward to moving to New York in the fall to study with Richard Goode and Pavlina Dokovska.

EVA GEVORGYAN
At just 16, Eva is already building an international reputation for “electrifying emotional intelligence” and “an astonishing sense of style.” With over 40 international competition wins under her belt for piano and composition, Eva was also named Discovery Award winner at the 2019 International Classical Music Awards. Notable performances include those with the Lucerne Symphony, Mariinsky Theatre, and Dallas Symphony Orchestras, working with conductors Valery Gergiev, Vasily Petrenko, Lawrence Foster, and Gerhardt Zimmermann. She made her Royal Albert Hall debut in 2019, and has performed for the presidents of Armenia and Italy. She is a student at the Central Music School of the Moscow Conservatory, where she studies piano with Natalia Trull and composition with Tatiana Chudova.

SHUAN HERN LEE
During last year’s Cliburn Junior, Shuan was heralded for “emotional command and vigorous sweep,” demonstrating “style, technique, and depth and breadth of musical imagination.” He has performed across Europe and his native Australia, as well as in the United States, China, Russia, and Indonesia. Notable collaborations include those with the Minnesota, Moscow State, Armenia State Philharmonic, Jakarta Symphony, and Dallas Symphony Orchestras. He just finished his third year of study at the University of Western Australia, where he is pursuing a BA in piano. He also attends the International Piano Academy Incontri col Maestro (Italy), where he studies with Ingrid Fliter, as well as continuing to study with Yoon Sen Lee, with whom he started lessons at age 2.

Claire Huangci

CLAIRE HUANGCI
2013 CLIBURN COMPETITION JURY DISCRETIONARY AWARD
Preliminary II recital

PROGRAM
SCHUBERT Drei Klavierstücke, D. 946
TCHAIKOVSKY-PLETNEV Excerpts from The Sleeping Beauty

ABOUT CLAIRE
Claire has established a reputation for “radiant virtuosity, artistic sensitivity,” and “superior focus [and] imaginative abilities.” Her solo recordings for Berlin Classics are deep dives, including a double album of Scarlatti sonatas (German Record Critics’ Award and Gramophone Editor’s Choice), complete Rachmaninov preludes, and complete Chopin nocturnes, and her first orchestral album with the Deutsche Radiophilharmonic Saarbrücken was released in fall 2019. Her growing career spans Europe, Asia, and North and Latin America. In recent months at home, she has hosted “Conversations with Claire” for streaming service IDAGIO and returns to the concert stage this month in Switzerland. clairehuangci.com

2015 Cliburn Junior Winners

Alim Beisembayev (1st), Arsenii Mun (2nd), Youlan Ji (3rd)
2015 Junior Competition Winners Recital Showcase

PROGRAM
(originally broadcast from TCU – Texas Christian University June 2015)

YOULAN JI
RACHMANINOV Etude-Tableaux, op. 33, nos. 2, 6, 8, & 9

Arsenii MUN
BEETHOVEN 32 Variations in C Minor, WoO 80
LISZT La campanella

ALIM BEISEMBAYEV
RACHMANINOV Prelude in G Major, op. 32, no. 5
DEBUSSY Feux d’artifice
LISZT Paganini Etude No. 6 in A Minor

ABOUT THE 2015 JUNIOR WINNERS:

ALIM BEISEMBAYEV
Shortly after his 2015 Cliburn Junior win—when he was declared “impressive and clearly worth watching”— Alim graduated from the Purcell School for Young Musicians and was accepted at the Royal Academy of Music with a full scholarship, to continue his studies with Tessa Nicholson. He has since made his debuts at the Wigmore Hall and Royal Albert Festival Hall (and with that, been featured on BBC Radio) and gone on to win prizes at the Manchester International, Vigo International, and Jacques Samuel Intercollegiate Piano Competitions. Born in Kazakhstan, Alim started playing piano when he was 5; at age 10, he moved to Moscow to study at the Central Music school, and two years later, moved again to London to study at the Purcell School.

ARSENII MUN
Now 21, Arsenii moved to New York in fall 2019 to study with Sergei Babayan at The Juilliard School, after nine years at the St. Petersburg State Rimsky-Korsakov and its affiliated Middle Special School of Music. Since his Cliburn appearance, he continues to grow his profile in the United States and Europe, and has been recognized with the Tabor Foundation Award as best pianist at Verbier Festival Academy, 1st prize at both the International Competition for Young Pianists Arthur Rubinstein in memoriam and the International Piano Competition in Saint-Priest, France, and winner of the Yuri Temirkanov Prize. He continues to refine his skills on the soccer field and snowboard when weather and social-distancing permit.

YOULAN JI
Born in Beijing, Youlan started piano lessons at age 4, and moved to New York upon acceptance at The Juilliard School’s Pre-College Division at age 13. At the 2015 Cliburn Junior, she was hailed for performances that were “stunning,” with playing that is “clean, sparkling, light and scampering… intelligent.” Just 16 at that time, she has since won first prize at the New York International Piano Competition and made debuts at the Phillips Collection and other young artist series across New York. She also graduated from the Professional Children’s School in New York, and entered Juilliard as an undergraduate student in 2018, continuing to work with Yoheved Kaplinsky.

Steven Lin

STEVEN LIN
2013 Cliburn Competition jury discretionary award
Cliburn Competition Preliminary Round Recital (originally broadcast May 24, 2013)

PROGRAM:
BACH Overture in the French Style, BWV 831
MENDELSSOHN Fantasie in F-sharp Minor, op. 28 (“Scottish Sonata”)
VINE Sonata No. 1

ABOUT STEVEN:
Steven Lin’s star has continued to rise, highlighted by recent performances with the Israel Philharmonic, Baltimore Symphony, National Taiwan Symphony, and the National Symphony of Mexico, as well as solo recitals at the Kennedy Center and Carnegie Hall. Hailed as an immediately engaging and imaginative young artist, he has established a solo, chamber, and concerto career in Europe, Asia, and North America. A top prize winner of the 2013 Arthur Rubinstein Competition, Steven recently completed the Artist Diploma program at the Curtis Institute of Music, having finished both his bachelor’s and master’s degrees at The Juilliard School.

Dasol Kim

Dasol Kim
2017 Cliburn Competition jury discretionary award
Cliburn Competition Semifinal Round Recital (originally broadcast June 2, 2017)

PROGRAM:
MENDELSSOHN Fantasie in F sharp Minor, op. 28 (“Scottish Sonata”)
KAPUSTIN Intermezzo in D-flat Major, op. 40, no. 7
SCHUBERT Sonata in B-flat Major, D. 960

ABOUT DASOL:
Hailed for performances of “sheer magic” and “suave musicianship,” Dasol Kim has established a career that brings him to North and South America, Asia, and Europe. Among his many noteworthy solo engagements, Dasol is in the midst of a four-year project to perform the complete cycle of the 32 Beethoven Piano Sonatas in Switzerland and Korea. He is also a sought-after concerto soloist and chamber musician: highlights include collaborations with the New York Philharmonic, Bavarian Radio Symphony, and KBS Symphony Orchestras, as well as partnerships with the Rolston Quartet, cellist Gautier Capucon, and violinist Benjamin Beilman. Now living in Berlin, Dasol credits his musical development to his mentors, Gerald Fauth and Arie Vardi.

Thomas Yu

THOMAS YU
2016 CLIBURN AMATEUR FIRST-PRIZE WINNER
HIGHLIGHTS FROM HIS CLIBURN AMATEUR APPEARANCE (ORIGINALLY BROADCAST JUNE 2016)

PROGRAM:
MCINTYRE BUTTERFLIES AND BOBCATS
DURAND PRELUDE NO. 1
DEBUSSY REFLETS DANS L’EAU
CHOPIN SCHERZO NO. 3 IN C-SHARP MINOR, OP. 39
SCHUMANN-LISZT WIDMUNG

ABOUT THOMAS:

Thomas Yu is one of the most recognized amateur pianists in the world, maintaining a performance schedule across five continents while also running a private periodontal practice, teaching at the Foothills Medical Hospital, and giving lectures across Canada. His passion for music was influenced by two private teachers and mentors: he grew up studying with Bonnie Nicholson in Saskatoon, and later with Marc Durand, when he moved to Toronto for post-graduate periodontal training. Even as he pursued another professional path, he remained dedicated to music, entering the amateur world by sweeping the Paris International Competition for Outstanding Amateurs in 2006. He capped off a run of the major international amateur competitions over the next decade with his Cliburn Amateur appearance in 2016, bringing home the first, press, and audience prizes. He’s taking advantage of his time at home in Calgary, taking turns with his wife running after two toddlers and recording rock covers for his popular YouTube channel.

Yury Favorin

YURY FAVORIN
2017 CLIBURN FINALIST
CLIBURN COMPETITION QUARTERFINAL RECITAL (ORIGINALLY BROADCAST MAY 29, 2017)

PROGRAM:
BACH-BUSONI ICH RUF’ ZU DIR, HERR JESU CHRIST, BWV 639
RACHMANINOV VARIATIONS ON A THEME BY CORELLI, OP. 42
SCRIABIN SONATA NO. 10, OP. 70
LISZT SCHERZO AND MARCH

ABOUT YURY:
During the 2017 Competition, Yury won fans with his “high-octane approach” and “distinctive power and color;” one critic declared “the centuries-old Russian tradition of piano virtuosity lives on.” Since then, he has grown his career across the United States, Europe, and his native Russia; recent highlights include invitations from the Seattle and Montreal Symphony Orchestras and recordings featuring solo music by Alkan (MUSO) and Prokofiev violin sonatas (Melodiya). Also a proponent of new music, Yury is trained in composition and enjoys improvisation and premiering new work. Together with composer Alexey Sysoev (electronics) and Dnitry Schielkin (percussion), he formed the ensemble ERROR 404 devoted to free improvisatory music. In addition to his performance activities, he sits on the faculty of his alma mater, the Moscow Tchaikovsky Conservatory.

 

Di Wu

DI WU
2009 CLIBURN FINALIST
CLIBURN COMPETITION PRELIMINARY ROUND RECITAL (ORIGINALLY BROADCAST MAY 23, 2009)

PROGRAM:
HAYDN SONATA IN C MAJOR, HOB. XVI:48
RAVEL MIROIRS
GOUNOD-LISZT WALTZ FROM THE OPERA FAUST

ABOUT DI:
Over the last decade, Di has continued to perform regularly across four continents, cementing her reputation for “ charisma, steely technique, and keen musical intelligence.” Recent highlights include her debut with Christoph Eschenbach in Berlin, a sold-out arena tour with singer Sarah Brightman in China, Japan, Korea, Taiwan, and Mexico, and a sold-out stadium concert in Tokyo, which was recorded and released by Sony-Epic Records in Japan. An enthusiastic chamber musician, she has appeared with violinist Julian Rachlin, the Takács Quartet, and Curtis-on-Tour. She recently got married and now makes her home in Montreal. https://www.diwupiano.com/

 

Nikita Mndoyants

NIKITA MNDOYANTS
2013 CLIBURN FINALIST
Cliburn Competition Semifinal Round Recital
(originally broadcast June 1, 2013)

PROGRAM
SCARLATTI Sonata in G Minor, K. 476
Sonata in B Minor, K. 87
Sonata in G Major, K. 125
THEOFANIDIS Birichino
DEBUSSY Selected Preludes
MUSSORGSKY Pictures at an Exhibition

ABOUT NIKITA
The 2013 finalist has performed in many of the world’s most prestigious venues in North America, Europe, and Asia. Hailed as a “wise and thoughtful musician,” Nikita has enjoyed collaborations with conductors Charles Dutoit, Ignat Solzhenitsyn, and Bramwell Tovey; the Borodin and Escher Quartets; and violinists Dmitry Sitkovetsky and Valeriy Sokolov; amongst others. Also a well-established composer, he won top prizes at the 2014 Myaskovsky and 2016 Prokofiev International Competitions of Composers; his works are published by Composer, Muzyka, and Jurgensen; and they have been performed by violinist Daniel Hope, the Szymanowski and Zemlinsky Quartets, and the Moscow State Orchestra. He currently lives in Moscow, where he also teaches at his alma mater, the Moscow Tchaikovsky Conservatory.

Georgy Tchaidze

GEORGY TCHAIDZE
2017 CLIBURN FINALIST
Cliburn Competition Semifinal Round Recital
(originally broadcast June 2, 2017)

 

PROGRAM:
SCHUMANN Waldszenen, op. 82
MEDTNER “Alla Reminiscenza” from Forgotten Melodies, op. 38
MUSSORGSKY Pictures at an Exhibition

ABOUT GEORGY
Lauded for his “fine sensibility and perfectly honed technique,” giving performances “of rare beauty and musical conviction,” Georgy enjoys a performance career that takes him across North America, Asia, and Europe; highlights include appearances at the Berlin Konzerthaus, Het Concertgebouw in Amsterdam, Carnegie Hall, and the Verbier, Lucerne, and Toronto Summer Music Festivals. Winner of the Honens and Top of the World Competitions, he has released three recordings: an all-Schubert album; works by Medtner, Mussorgsky, and Prokofiev; and chamber music with the Cecilia String Quartet. Georgy has been artist in residence at the Queen Elisabeth Music Chapel in Belgium since 2016 and makes his home in Berlin.

Kenny Broberg

KENNY BROBERG
2017 SILVER MEDALIST

Cliburn Competition Semifinal Round Recital (originally broadcast June 5, 2017)
SCHUBERT Four Impromptus, D. 899, op. 90
LISZT Sonata in B Minor

 

Mariangela Vacatello

Mariangela Vacatello
2009 Audience Award Winner
Cliburn Competition Preliminary Round Recital
Originally broadcast May 24, 2009

PROGRAM
HADYN Sonata in C Major, Hob. XVI:50
BUSONI Ten Variations on a Prelude by Chopin
LISZT Transcendental Etude No. 10 in F Minor
STRAVINSKY Trois mouvements de Pétrouchka

ABOUT MARIANGELA
Hailed for her “superb zest, brio, and imaginative scope,” the 2009 audience favorite maintains an extensive performance schedule across Europe, Asia, and Africa, while also in demand as teacher and juror. Her musical curiosity and range are reflected in her lauded discography for Brilliant Classics—including the complete piano works of Ginastera, the Liszt Transcendental Etudes, and the complete Debussy Etudes—as well as her association with IRCAM, a Paris-based incubator for music and technology. She currently lives in Perugia, Italy with her husband, organist Adriano Falcioni.

Rachel Cheung

Rachel Cheung
2017 Cliburn Audience Award Winner
Cliburn Competition Preliminary Round Recital
(originally broadcast May 27, 2017)

PROGRAM:
SCHUBERT Drei Klavierstücke, D. 946
DEBUSSY Voiles from Preludes, Book I
DEBUSSY Ce qu’a vu le vent d’ouest from Preludes, Book I
LISZT Mephisto Waltz No. 1
HAMELIN Toccata on “L’homme armé”

ABOUT RACHEL
In the three years since the Competition, Rachel has grown her reputation for “stunningly imaginative” performances marked by “flights of both beauty and virtuosity.” She has been recognized as Artist of the Year (Music) by the Hong Kong Arts Development Council; made her play/conduct debut with the Orchestre de chambre de Paris; joined the Asian Youth Orchestra on a friendship tour throughout the continent; and been in residence with the Hong Kong Philharmonic, RTHK Radio 4, and the Chamber Music Heidelberger Frühling. An amateur photographer, she enjoys documenting her tours across Europe, North and South America, and Asia with her analog camera.

Alessandro Deljavan

ALESSANDRO DELJAVAN
2013 CLIBURN JURY DISCRETIONARY AWARD WINNER
CLIBURN COMPETITION PRELIMINARY ROUND I RECITAL (originally broadcast May 25, 2013)

 

Program
BACH Partita No. 5 in G Major, BWV 829
CHOPIN Twelve Etudes, op. 25

ABOUT ALESSANDRO

Alessandro’s “highly individualistic musical psyche” and “stunningly beautiful and expressive” performances have earned him legions of fans; his tours take him across North and South America, Europe, and Asia. His discography of over 40 albums reveals a voracious musical curiosity: they include the complete Chopin waltzes, etudes, and mazurkas; the complete piano works for Reynaldo Hahn; the complete violin sonatas of Grieg; the complete strings/piano works of Tanayev; and deep explorations of Bach, Schumann, Mompou, Martucci, Grieg, and Liszt. In addition to his performance activities, he is also currently a professor of piano at the Giordano Conservatory of Music in his native Italy.

If you’d like to preview Alessandro’s newest album with the BACH Goldberg Variations, sign up here: https://mailchi.mp/acca9c787c92/goldberg-preview

Tomoki Sakata

TOMOKI SAKATA
2013 CLIBURN FINALIST
CLIBURN COMPETITION SEMIFINAL ROUND RECITAL (ORIGINALLY BROADCAST JUNE 1, 2013)

Program
THEOFANIDIS BIRICHINO
DEBUSSY ETUDES, BOOK I
VERDI-LISZT DANZA SACRA E DUETTO FINALE DI “AIDA”
RACHMANINOV SONATA NO. 2 IN B-FLAT MINOR, OP. 36

 

ABOUT TOMOKI
Following his finalist finish at the 2013 Cliburn at only 19, Tomoki garnered the top prizes at the 2016 Franz Liszt International Piano Competition (Budapest) and the 2019 Kissinger Klavierolymp (Bad-Kissingen), and has made recital and chamber appearances across Europe, Asia, the United States, and Africa. Active as a composer since the age of 6, he has continued to cultivate this craft, having recently been commissioned for new works to be performed in Japan’s most prestigious venues. He received both his bachelor’s and master’s degrees from the Hochschule für Musik, Theater und Medien Hannover, and is currently at home in Japan.

Beatrice Rana

 BEATRICE RANA
2013 CLIBURN SILVER MEDALIST
CLIBURN COMPETITION PRELIMINARY ROUND I RECITAL
Originally broadcast Friday, May 24, 2013

PROGRAM
CLEMENTI Sonata in B Minor, op. 40, no. 2
SCHUMANN Études en forme de variations, op. 133

ABOUT BEATRICE
Beatrice’s meteoric rise since the 2013 Competition is cemented by recognition as Gramophone’s 2017 Young Artist of the Year, Edison Klassiek’s 2017 Discovery of the Year, 2016 Borletti-Buitoni Fellow, 2015 BBC New Generation Artist, and 2018 nomination for Classic BRIT Female Artist of the Year. She has released three acclaimed albums as an exclusive Warner Classics recording artist, and enjoys performing in the world’s most esteemed venues, both in solo recitals and collaborations with such orchestras as the Los Angeles and New York Philharmonics, Royal Concertgebouw Orchestra, and Chicago, Toronto, and Dallas Symphonies. Based in Rome, she is also the founder and artistic director of the Classiche Forme in her native region of Puglia, Italy.

Daniel Hsu

Daniel Hsu

 

2017 Cliburn Bronze Medalist
Cliburn Competition Final Round Quintet

 

PROGRAM
FRANCK  Piano Quintet in F Minor  with the Brentano String Quartet


Preliminary Round Recital originally broadcast May 26, 2017

 

PROGRAM

BEETHOVEN Sonata No. 31 in A-flat major, op. 11

HAMELIN Toccata on “L’homme armé”

LISZT Réminiscences de Don Juan


ABOUT DANIEL
Daniel continues to build a reputation as a “deeply inquisitive artist,” hailed for “breathing fresh air to age-old traditions” in performances across North America and Asia. He was profiled as “one to watch” by International Piano magazine. Also a keen collaborator, he has worked with conductors Ruth Reinhardt, Hannu Lintu, and Stilian Kirov, and enjoys a regular relationship with the Verona Quartet. Daniel graduated from Curtis in spring 2019 and recently moved to the Bay Area, California. Co-developer of the award-winning Workflow app (now known as Siri Shortcuts), he still enjoys flexing his tech brain. danielhsupiano.com

Sean Chen

SEAN CHEN
2013 Cliburn Third-Prize Winner
Preliminary Round I Recital
webcast live from Bass Performance Hall on May 26, 2013

PROGRAM
BACH French Suite No. 5 in G Major, BMV 816
BARTOK Three Etudes, op. 18
CHOPIN Three Mazurkas, op. 59
SCRIABIN Sonata No. 5, op. 53

ABOUT SEAN
Sean has built a multi-faceted career as performer, composer, and educator. In performances worldwide, he often includes his lauded transcriptions of orchestral works, including Ravel’s La Valse and Mozart’s Overture to the Marriage of Figaro, as well as encore improvisations which been called “genuinely brilliant.” With his natural inclination for teaching and approachable personality, he is also in demand for master classes, juries for notable piano contests, and artist residencies. He currently lives in Kansas City, where he is artist in residence at the University of Missouri-Kansas City Conservatory of Music and Dance. Sean and his wife Betty, a violinist with the Kansas City Symphony, welcomed a baby girl into the family last summer. seanchenpiano.com

NOBUYUKI TSUJII

NOBUYUKI TSUJII
2009 Cliburn Gold Medalist
Semifinal Recital
webcast live from Bass Performance Hall on May 31, 2009

PROGRAM
BEETHOVEN Sonata in B-flat Major, op. 106, (“Hammerklavier”)
MUSTO Improvisation & Fugue

ABOUT NOBU
Since the 2009 Cliburn, Nobu has earned the devotion of countless fans through the passion and excitement of his live performances. Long-standing collaborations with conductors Vladimir Ashkenazy, Vasily Petrenko, and Yutako Sado have resulted in bestselling recordings for Avex, for whom he records exclusively. He travels across Europe, Asia, Australia, and North America for performances in the world’s most venerated halls, including the Royal Concertgebouw, Vienna’s Musikverein, Carnegie Hall, and Wigmore and Royal Albert Halls in London. avex.jp/tsujii/tsujii-en

Fei-Fei

FEI-FEI
2013 Cliburn Finalist
Preliminary Round Recital II
webcast live from Bass Performance Hall on May 29, 2013

PROGRAM
SCARLATTI Sonata in D Major, K. 96; Sonata in F Minor, K. 466
DEBUSSY Danse
LISZT Sonata in B Minor

ABOUT FEI-FEI
Finalist at the 2013 Cliburn Competition and winner of the 2014 Concert Artists Guild Competition, Fei-Fei has established a reputation for bringing “passion, piquancy, and tenderness” to performances throughout North America, Europe, and Asia. Recent collaborations include a tour of Spain with the New York Youth Symphony, an artist residency with the Baden-Baden Philharmonic, and chamber music both with her trio, the Aletheia Piano Trio, and as part of The Inner Voices project with clarinetist Yoonah Kim and violist Dana Kelley. Currently living in New York, Fei-Fei has also been sharing #songsofcomfort from home, on her Facebook and YouTube pages. feifeipiano.com

Haochen Zhang

HAOCHEN ZHANG
2009 Cliburn GOLD MEDALIST
Final Round Recital
webcast live from Bass Performance Hall on June 6, 2009

 

PROGRAM
BRAHMS Variations and Fugue on a Theme by Handel, op. 24
RAVEL Gaspard de la nuit

ABOUT HAOCHEN
Haochen’s star continues to rise since his 2009 Cliburn win—notable achievements include two lauded discs for BIS Records, a 2017 Avery Fisher Career Grant, an ongoing relationship with The Philadelphia Orchestra (at home and on tour), and debuts with the BBC Proms, New York Philharmonic, and Moscow’s Easter Festival, among others. He enjoys collaborations with the world’s foremost conductors, as well as chamber music with the Shanghai, Tokyo, and Brentano Quartets. Only 19 when he won Cliburn gold, he graduated from Curtis three years later; he continues to live in Philadelphia and also enjoys expressing his creativity through painting. haochenzhang.com

Yekwon Sunwoo

YEKWON SUNWOO
2017 Cliburn GOLD MEDALIST

 

Final Round Quintet
webcast live from Bass Performance Hall on June 7, 2017

PROGRAM
DVOŘÁK Piano Quintet in A Major, op. 81 with the Brentano String Quartet

PRELIMINARY ROUND RECITAL
ORIGINALLY BROADCAST SUNDAY, MAY 28, 2017

PROGRAM
HAYDN Sonata in C Major, Hob. XVI:48
HAMELIN Toccata on “L’homme arme”
SCHUBERT-LISZT Litanei auf das Fest Aller Seelen
RACHMANINOV Sonata No. 2 in B-flat Minor, op. 36 (1931)

ABOUT YEKWON
The first Korean to win Cliburn gold, Yekwon is hailed for his “unfailingly consistent excellence,” and “ravishing pianism” in performances across North America, Europe, and Asia. Recent and upcoming highlights include Bravo! Vail with the Dallas Symphony, Royal Danish Orchestra at home and on tour, and a special collaboration with choreographer Trey McIntyre and the San Francisco Ballet. He has graced the cover of Forbes Korea as one of 40 power leaders, was declared “one to watch” by International Piano magazine, and was featured in Korean reality show “Stranger.” Desiring to nurture the next generation of musicians, he recently launched a mentorship program for young Korea pianists. When not on the road, Yekwon splits his time between Berlin and Seoul. yekwonsunwoo.com

Vadym Kholodenko

VADYM KHOLODENKO
2013 CLIBURN GOLD MEDALIST
Preliminary Round II recital
webcast live from Bass Performance Hall on June 4, 2013

PROGRAM
Bach-Siloti Prelude in B Minor, BWV 855a
Beethoven Sonata No. 30 in E Major, op. 109
Stravinsky Trois mouvements de Petrouchka


Vadym Kholodenko, 2013 Cliburn gold
Brentano Quartet
Final Round Quintet

PROGRAM
FRANCK Piano Quintet in F Minor


ABOUT VADYM KHOLODENKO

Since winning gold at the 2013 Cliburn Competition, Vadym has built a reputation as one of the most musically dynamic and technically gifted young pianists. He enjoys a career that spans five continents, performing in the world’s music capitals and collaborating with foremost conductors. Vadym’s lauded recordings for harmonia mundi international have been awarded the Diapason d’Or de l’année and Gramophone’s “Editor’s Choice,” while future plans include solo discs of works by Tchaikovsky and Prokofiev. vadymkholodenko.com

JORGE ZAMORA

JORGE ZAMORA                                                                        

AGE 49  I  HUIXQUILUCAN, MEXICO  I  MEXICO
BUSINESS DEVELOPMENT DIRECTOR

Jorge Zamora graduated from the Instituto Tecnológico y de Estudios Superiores de Monterrey with a degree in electronics and communications engineering, and quickly began work in telecommunications in Mexico City. He had studied piano seriously in his formative years, and that love for music led him, at age 25, to study at the Cleveland Institute of Music for three years. Though he’d return to Mexico to build a successful career in technology sales management (he’s currently director of business development for Qualcomm), Jorge’s concertizing days were far from over. After a 10-year break, he came back to performance for the 2011 Cliburn Amateur; he says that, since then, he has witnessed “a chain reaction of positive things” in his life, not only at the piano, but also in the development of a well-balanced life without compromise. For 2022, he is also “much more conscious of how this process also shapes the way my children and the people around me witness how hard work, discipline, and—more importantly—the love of music provide me such encouragement and motivation to do this wonderful Competition.”

 


Repertoire

Preliminary Round

LISZT Ballade No. 2 in B Minor

Semifinal Round 

MUSSORGSKY Selections from Pictures at an Exhibition

Final Round 

BEETHOVEN Concerto No. 5 in E-flat Major, op. 73 “Emperor” (III)

EIJI YOSHIMURA

EIJI YOSHIMURA                                                        

AGE 50  I  TOKYO, JAPAN  I  JAPAN
BUSINESS PLANNING DIRECTOR

This 2022 Cliburn appearance marks the first time that Eiji Yoshimura will perform outside of Japan. A student of the piano from an early age, he’s been with his current teacher for 12 years, but has no formal music training. He graduated from the University of Tokyo with a Bachelor of Geophysics and initially worked as a system engineer. In 2009, he joined his current company, Avnet K.K, where he works in the distribution of semiconductors and electronic components, now as director of business planning. He spends his limited amount of non-work time at the piano. The 2011 winner of Tokyo’s amateur competition, Eiji comes to the Cliburn in hopes of sharing the “pleasure of music,” of “getting stimulation from excellent performances by other competitors,” and of confirming his love of piano music with new friends; he believe that “this is the best place for company with the same mind to come together.”

 


Repertoire

Preliminary Round

SCARLATTI Sonata in E Major, K. 531
CHOPIN Scherzo No. 2 in B-flat Minor, op. 31

Semifinal Round 

BEETHOVEN Sonata No. 21 in C Major, op. 53 (“Waldstein”) (I)
RAVEL “Oiseaux tristes” from Miroirs
STRAVINSKY–AGOSTI Three Movements from The Firebird

Final Round 

SCHUMANN Concerto in A Minor, op. 54 (I)

DMYTRO VYNOGRADOV

DMYTRO VYNOGRADOV                                                         

AGE 52  I  KYIV, UKRAINE  I  UKRAINE
BUSINESS DEVELOPMENT MANAGER

Born in Kyiv to a family of musicians—in his words, “a dynasty dedicated to art, music, and literature”—Dmytro Vynogradov received classical piano training at his country’s leading conservatories, including the Kyiv Specialized Secondary Music School and the National Musical Academy of Ukraine. Dmytro has undergone the postgraduate studies under supervision of Professor Victor Merzhanov. Rather than building a career as a musician, he went into business, specializing in the aviation, cargo, and tourism sector. Over the years, he’s served as manager, general manager, and investor for a number of projects in Ukraine and the United Arab Emirates. As an amateur pianist, he performs regularly in festivals in Germany, Italy, and France, and has won prizes at competitions in Paris, Sicily, and Colorado Springs. He remains an avid follower of the Old “Joseph Lhevinne” school of pianism, and performing the virtuoso repertoire rare transcriptions of early’ 20th century is a major priority in his musical life, as a reflection of his heritage.

 


Repertoire

Preliminary Round

BACH–BUSONI “Nun komm’ der Heiden Heiland,” BWV 659
LISZT Transcendental Etude No. 12 “Chasse-neige”
SCRIABIN Etude in C-sharp Minor, op. 2, no. 1
RACHMANINOV Prelude in E-flat Minor, op. 23, no. 9

Semifinal Round 

BACH–RUMMELL “Jesus Christus, Gottes Sohn,” BWV 4
CHOPIN Ballade No. 4 in F Minor, op. 52
LISZT–BUSONI La campanella
LISZT Hungarian Rhapsody No. 8 in F-sharp Minor
CHOPIN Etude in G-flat Major, op. 10, no. 5 (“Black Key”)

Final Round 

TCHAIKOVSKY Concerto No. 1 in B-flat Minor, op. 23 (III)

HIROKO TOYA

HIROKO TOYA

AGE 65  I  TOKYO, JAPAN  I  JAPAN
ATTORNEY

After a commitment to the piano in her childhood, which included a performance with the Sapporo Symphony Orchestra when she was 12, Hiroko Toya decided to pursue a career in law. After passing the National Bar Exam, she worked as a public prosecutor in Japan for many years, dealing with criminal cases. More recently, she taught for three years at Meiji University’s School of Law, transitioning in 2016 to become an attorney for the government of Japan. She recommitted to the piano in 2008, and finished third in the Osaka amateur competition in 2015 and won a prize at Warsaw’s Chopin amateur competition in 2018. It was at the latter that she heard of the Cliburn Amateur from other participants and decided to apply; Hiroko’s goals for the Competition include sharing joy with the audience and meeting and learning from fellow pianists.

 


Repertoire

Preliminary Round

HAYDN Sonata in G Minor, Hob. XVI:44 (I)
MOMPOU Prelude No. 7 “Palmier d’étoiles”
DEBUSSY “La Puerta del vino” and “Ondine” from Préludes, Book II

Semifinal Round 

BACH Chromatic Fantasia and Fugue in D Minor, BWV 903
CHOPIN Mazurkas, op. 24, nos. 1 and 4
GRANADOS Allegro de concierto, op. 46

Final Round 

BEETHOVEN Concerto No. 1 in C Major, op. 15 (I)

FERDY TALAN

FERDY TALAN

AGE 38  I  WEST NEW YORK, NEW JERSEY  I  INDONESIA
REALTOR

Music changed Ferdy Talan’s life when he was growing up in Jakarta; it led him to New York, where he’s embarked on a decade-long journey of self-discovery, breaking through societal and self-imposed boundaries and limitations. While working fulltime as an agent for Alf Naman Real Estate Advisors, he’s developing his artistic craft, taking regular lessons with Prof. Zitta Zohar and competing in amateur piano competitions: in 2017, he won in St. Petersburg and Boston, and placed second in Washington, D.C. As to why he’s entered the 2022 Cliburn: “Music is my inner language that I deeply understood from a very young age. A bridge for my soul and spirit to the world. Today, more than ever before, we are in dire need for Artists to connect to humanity at large.” His interests outside of real estate and the piano include International cuisine, architecture, and interior design.

 


Repertoire

Preliminary Round

GUBAIDULINA Chaconne
MOSZKOVSKI Étincelles, op. 36, no. 6

Semifinal Round 

BOWEN Toccata, op. 155
SCARLATTI Sonata in F Minor, K. 466
JANÁČEK Piano Sonata 1.X.1905 “From the Street”
RACHMANINOV Moment musicaux in E Minor, op. 16, no. 4

Final Round 

SAINT-SAËNS Concerto No. 2 in G Minor, op. 22 (I)

MICHAEL SLAVIN

MICHAEL SLAVIN

AGE 71  I  MANHASSET, NEW YORK  I  UNITED STATES
NEURO-OPHTHALMOLOGIST (RETIRED)

A graduate of the Albert Einstein Medical School, Michael Slavin practiced ophthalmology for 25 years, serving as professor and program director at Long Island Jewish Medical Center. His retirement several years ago has allowed him to refocus on playing the piano, a study he began at age 5 and continued through 10 years at Juilliard pre-college. His commitment to amateur pianism is strong: he’s recently recorded all four Chopin Scherzos and all 21 Chopin Nocturnes; he was the first prize winner in competitions in Chicago, Paris, Warsaw, and Washington, D.C.; and recitals have taken him to New York City, Fort Worth, and Washington, D.C., as well as abroad to Japan, Poland, and Germany—which also provide opportunities for him and his wife to enjoy visiting the world’s greatest art and history museums. His proudest musical accomplishment, he says, is his second-prize win in the 2016 Cliburn Amateur. “The amateur world is made up of those that put in a lot of time to perform for one reason and one reason only: their love of the art.”

 


Repertoire

Preliminary Round

RAVEL Jeux d’eau
LISZT Hungarian Rhapsody No. 13 in A Minor

Semifinal Round 

JANÁČEK In the Mists
CHOPIN Fantasie in F Minor, op. 49

Final Round 

BEETHOVEN Concerto No. 1 in C Major, op. 15 (I)

ELADIO SANTIAGO

ELADIO SANTIAGO                                                                      

AGE 58  I  WEST FRIENDSHIP, MARYLAND  I  UNITED STATES
PRESIDENT & CEO – ADVISORY INVESTMENT MANAGEMENT

Eladio Santiago’s lifetime love of music is directly intertwined with his admiration for Van Cliburn. His first RCA album in the 1970s was Van’s groundbreaking recording Chopin’s Greatest Hits and the Rachmaninov Piano Concerto No. 2; he fell in love, very young, with the sweeping Romantic interpretations, and much of the repertoire he developed through the years was under that influence. He had the opportunity to meet Van Cliburn twice: first, backstage in the 90s, while studying with 1981 Cliburn Silver Medalist Santiago Rodriguez at the University of Maryland (where he earned a B.M. and M.M. in music); and again in 2004 at the Kennedy Center, after a career in Wall Street had taken him away from music—that encounter helped bring him to the piano with encouragement from his wife, a pianist and teacher. In 2018, he founded Strategic Investments Corp, an investment portfolio management and advisory firm where he serves as president & CEO.

 


Repertoire

Preliminary Round

RACHMANINOV Étude-tableau in E-flat Minor, op. 39, no. 5
DEBUSSY La plus que lente
PROKOFIEV Sonata No. 7 in B-flat Major, op. 83 (III)

Semifinal Round 

GLUCK–SGAMBATI “Dance of the Blessed Spirits” from Orfeo ed Euridice
SCRIABIN Etude in D-sharp Minor, op. 8, no. 12
RACHMANINOV Prelude in D Major, op. 23, no. 4
CHOPIN Barcarolle in F-sharp Major, op. 60
CHOPIN Sonata No. 3 in B Minor, op. 58 (IV)

Final Round 

BEETHOVEN Piano Concerto No. 3 in C Minor, op. 37 (I)

SEAN SUTHERLAND

SEAN SUTHERLAND

AGE 45  I  TORONTO, CANADA  I  SAINT VINCENT AND THE GRENADINES / CANADA
PRODUCT MANAGER

Sean Sutherland has a passion for innovation in education, a natural commitment given his own academic endeavors: he simultaneously earned bachelor’s degrees in music, and electrical engineering and computer science from the Massachusetts Institute of Technology; one year later, he completed a master’s in the latter, again at MIT; nine years after that, an M.B.A. from McGill University; and another seven years later, an M.A. in Education, specializing in learning and design technology from Stanford University. He’s an entrepreneur at heart who loves finding solutions to pain points, particularly of students, teachers, and administrators; he ran a niche tutorial test prep service for a number of years. Now working as a product manager for TradeCafe in Toronto, Sean is helping to develop a trading platform for protein commodities. He’s an active amateur pianist, performing in the United States, Canada, Germany, Poland, Italy, and throughout the Caribbean, including his native St. Vincent and the Grenadines. This year, he returns to the Cliburn after a semifinalist finish in 2016, and winning first prize at the Chopin Amateur Piano Competition in Warsaw.

 


Repertoire

Preliminary Round

CHOPIN Mazurka in F Minor, op. 63, no. 2
RAVEL La valse

Semifinal Round 

BONTEMPS Prelude No. 11 “Onirico”
GRANADOS “Quejas, o La Maja y el Ruiseñor” from Goyescas, op. 11
KAPUSTIN Sonata No. 1, op. 39 (“Sonata-Fantasia”)

Final Round 

PROKOFIEV Concerto No. 3 in C Major, op. 26 (III)

DOMINIQUE SALLOUM

DOMINIQUE SALLOUM                                          

AGE 53  I  CORMONTREUIL, FRANCE  I  FRANCE / LEBANON
CEO – ARTIFICIAL INTELLIGENCE INDUSTRY

When he was young, Dominique Salloum aspired to become a concert artist. “I was born for music and cannot live without it. It’s the air I breathe.” He credits listening to recordings of the greatest pianists as his earliest training. He competed at a high level in his native Lebanon, then studied in France with Abdel Rahman El Bacha, François-René Duchâble, and Plamena Mangova. For personal reasons, his career took a different path. After finishing his music degree from the Ecole Normale de Musique de Paris, he worked for the French Territorial Public Service. He then founded the artificial intelligence company bioptimize, where he’s now spent nine years serving as CEO. Dominique says that the Cliburn Amateur allows him to realize his dream of participating in an international piano competition.

 


Repertoire

Preliminary Round

SCRIABIN Prelude in E-flat Minor, op. 11, no. 14
BACH Italian Concerto, BWV 971 (II)
BEETHOVEN Sonata No. 8 in C Minor, op. 13 (“Pathétique”) (III)
CHOPIN Nocturne in C-sharp Minor, op. posth.

Semifinal Round 

PROKOFIEV Etude in C Minor, op. 2, no. 4
BEETHOVEN Sonata No. 17 in D Minor, op. 31, no. 2 (“Tempest”)
BRAHMS Intermezzo in B-flat Minor, op. 117, no. 2

Final Round 

PROKOFIEV Concerto No. 3 in C Major, op. 26 (III)

JAMES ROSENBLUM

JAMES ROSENBLUM                                  

AGE 41  I  HARWICH, MASSACHUSETTS  I  UNITED STATES
ATTORNEY

Currently an associate at Senie & Associates—a law firm specializing in land use and environmental matters—James Rosenblum’s academic credits include a Bachelor of Arts in political science from Yale University and a Juris Doctor from Columbia University. After serious private piano study as a child and teenager, he’s kept musically active in adulthood through masterclasses and summer programs, and made the finals of two amateur competitions, both Chicago’s and WQXR’s Classical Moonlighter’s in New York. With his wife, Georgian-American pianist Ana Glig, he has recently made select duo piano and chamber appearances in Massachusetts, and in May 2019, the couple sponsored their first competition for young classical pianists in Gurjaani, Georgia. They’ve also toured Georgia three times, giving masterclasses and performances. James seasonally serves as pianist/organist at First Church of Truro, Massachusetts.

 


Repertoire

Preliminary Round

BACH Prelude and Fugue in C-sharp Major, BWV 848
BACH Prelude and Fugue in B Major, BWV 892
CHOPIN Etudes, op. 10, nos. 6, 5, 1

Semifinal Round 

BACH English Suite No. 3 in G Minor, BWV 808
MENDELSSOHN Lieder ohne Worte in F-sharp Minor, op. 67, no. 2
RAVEL “Ondine” from Gaspard de la nuit
CHOPIN Polonaise in A-flat Major, op. 53 (“Héroïque”)

Final Round 

BEETHOVEN Concerto No. 3 in C Minor, op. 37 (I)

RICHARD REID

RICHARD REID                                      

AGE 71  I  CARY, NORTH CAROLINA  I  UNITED STATES
SOFTWARE ENGINEER

In the summer of 1970, Richard Reid was a student at the Chautauqua School of Music and Arts in upstate New York, when his winning of a major award—combined with a happy coincidence—afforded him the opportunity to meet Van Cliburn in person after the legend’s recital appearance. He complimented Van on his performance of Beethoven, and, in turn, Van complimented him on his compliment, an encounter the 19-year-old would never forget. Richard went on to earn music degrees from Oberlin College (B.M.) and The Juilliard School (M.M.) before transitioning to computer science with a graduate degree from the University of South Carolina. He’s worked in software engineering for more than 30 years, the last 13 with SNAP Appliance. His other interests include breadmaking, photography, and coin collecting.

 


Repertoire

Preliminary Round

BEETHOVEN Sonata No. 7 in D Major, op. 10, no. 3 (I)
GRANADOS “Los requiebros” from Goyescas, op. 11

Semifinal Round 

CHOPIN Sonata No. 3 in B Minor, op. 58

Final Round 

PROKOFIEV Concerto No. 3 in C Major, op. 26 (III)

ALLEN RACHO

ALLEN RACHO

AGE 49  I  BOLINGBROOK, ILLINOIS  I  UNITED STATES
SOFTWARE ARCHITECT

Allen Racho completed two undergraduate degrees at Amherst College: one in biology and the other in composition with a thesis in—appropriately— electronic music. He has been a software engineer and architect for the past 20 years, in fields as diverse as medical technology and the retail sector. Spending the earliest part of his childhood in Asia and Europe, Allen’s formative musical experience was at the Jakarta Intercultural School in Indonesia. He is currently a technology lead for Ulta Beauty’s IT Marketing group, a primary driver of sales for the major U.S. retailer. Allen and his father consider Van Cliburn one of their idols; participating in a competition named in honor of the great pianist is “icing on the cake—very nice icing on a very nice cake.” At this pivotal time in his musical journey, before new paths make their demands on the time he can devote to piano, Allen competes “for the sheer joy of playing alongside and being measured against the most dedicated and talented musicians out there, who just happen to not be doing this for a living.”

 


Repertoire

Preliminary Round

KAPUSTIN Concert Etude, op. 40, no. 3 “Toccatina”
LISZT Transcendental Etude No. 11, “Harmonies du soir”
CHOPIN Etude in C Major, op. 10, no. 1

Semifinal Round 

KAPUSTIN Concert Etude, op. 40, no. 6 “Pastoral”
CHOPIN Ballade No. 4 in F Minor, op. 52
GERSHWIN–WILD “Embraceable You”
CHOPIN Polonaise in A-flat Major, op. 53, (“Héroïque”)

Final Round 

GRIEG Concerto in A Minor, op. 16 (III)

YUKA OTOHATA

YUKA OTOHATA

AGE 51  I  TOKYO, JAPAN  I  JAPAN
MARKETING OPERATIONS PROFESSIONAL

Yuka Otohata’s education—B.A. in law from Tokyo’s Keio University, followed by a B.A. and M.A. from Johns Hopkins University in international studies—well prepared her for her career at IBM Japan, where she worked 13 years as a strategy consultant before moving to its marketing and communications department in 2010. In 2017, she had recently resumed the serious piano study that had been an important part of her earlier life, when she was diagnosed with breast cancer. The resulting surgery and treatment put her music studies on hold; nerve damage encroached on her limbs—she couldn’t feel her fingertips. As the side effects subsided, she recommitted to the piano once again. She says she’s entering this competition because: “I now know what it is like not being able to do what you want to do—to play music, to express yourself through the music you love, and to meet people who share the same love; I want to see how far I can reach.”

 


Repertoire

Preliminary Round

BACH Italian Concerto, BWV 971

Semifinal Round 

RACHMANINOV Moments musicaux, op. 16, nos. 1 and 4
FRANCK Prélude, Fugue et Variation, op. 18
CHASINS Three Chinese Pieces, op. 5

Final Round 

TCHAIKOVSKY Concerto No. 1 in B-flat Minor, op. 23 (III)

KENSUKE OTA

KENSUKE OTA

AGE 41  I  YOKOHAMA, JAPAN  I  JAPAN
RESEARCH SCIENTIST

Kensuke Ota has been dedicated to both science and music since very early in his life, having maintained an outstanding level of commitment to each. The former led him to earn B.S., M.S., and Ph.D. degrees from the University of Tokyo, after which he’s worked in semiconductor device research for the Toshiba Corporation and, now, emerging memory device science for the Kioxia Corporation. Meanwhile, Kensuke has studied with the same piano teacher for 32 years—since he was 6. He won or placed second in amateur competitions in Tokyo, St. Petersburg, Chicago, Paris, Colorado Springs, and Osaka. This marks his first appearance at the Cliburn, and he looks forward to gauging his current skill, to enjoying the performance, and to finding stimulation in fellow pianists. Outside of these passions, he likes to travel, and to play both soccer and table tennis.

 


Repertoire

Preliminary Round

HAYDN Sonata in C Major, Hob. XVI:50 (I)
BALAKIREV Islamey (Oriental Fantasy)

Semifinal Round 

SCARLATTI Sonata in G Major, K. 455
LISZT Après une lecture du Dante: Fantasia quasi Sonata
TOKUYAMA Musica NARA, op. 25
SOUSA–HOROWITZ “The Stars and Stripes Forever”

Final Round 

PROKOFIEV Concerto No. 3 in C Major, op. 26 (III)

MASANORI MURAKAMI

MASANORI MURAKAMI

AGE 38  I  TOKYO, JAPAN  I  JAPAN
CLINICAL PROJECT MANAGER

Masanori Murakami has had three piano teachers in his life: the first taught him “the pleasure of music;” the second, technical prowess and repertoire building; and the third, artistry and the connection with the audience. He won first prize at the 2007 International Competition for Outstanding Amateurs in Paris, as well as in two Japanese competitions around the same time; he says he’s been waiting a long time—eight years—to be eligible for the Cliburn Amateur and is looking forward to making the audience happy with his music and to meeting new friends from around the world. An alumnus of the Ritsumeikan University Graduate School of Science and Engineering, Masanori has worked in research since 2009, developing various new medicines through clinical trials in the fields of orthopedics, respiratory, cancer pain, and cancer. He enjoys cooking, and drinking wine and Japanese sake, as well as listening to jazz music—he’s a big Bill Evans fan.

 


Repertoire

Preliminary Round

GODOWSKY Alt Wien
GINASTERA Danzas Argentinas, op. 2
SCRIABIN Etude in C-sharp Minor, op. 42, no. 5

Semifinal Round 

RAVEL Sonatine
LISZT Rhapsodie espagnole

Final Round 

PROKOFIEV Piano Concerto No. 3 in C Major, op. 26 (III)

RIE MOORE

RIE MOORE

AGE 47  I  LEXINGTON PARK, MARYLAND  I  JAPAN
TRANSLATOR

After earning her B.A. in international politics, economics, and business from Tokyo’s Aoyama Gakuin University, Rie Moore spent a decade working in Japan in various marketing, translation, and executive assistant positions at major international companies, including Microsoft, Starbucks, and Nissan. During that time, she also returned to piano lessons after a 10-year hiatus—but the nature of her career made dedication to music extremely difficult. When her husband’s job moved their family to Maryland in 2007, she came across the Piano Festival by the River at St. Mary’s College of Maryland. She credits this experience with leading her back to the path of serious piano studies; in 2019, she completed a degree in music through the college’s second bachelor’s degree program, an accomplishment that took six years, while also raising a small child and working as a freelance translator. Rie loves hiking—to be immersed in nature—as well as rediscovering various Japanese art forms such as noh, ukiyo-e, and sado, and philosophy behind them.

 


Repertoire

Preliminary Round

SCRIABIN Prelude in B Major, op. 16, no. 1
PROKOFIEV “Lento irrealmente” from Visions fugitives, op. 22
VIERNE “La lumière rayonnait des astres de la nuit, le rossignol chantait…” from Trois Nocturnes, op. 34

Semifinal Round 

BERIO Wasserklavier
BEETHOVEN Sonata No. 31 in A-flat Major, op. 110

Final Round 

MOZART Concerto No. 23 in A Major, K. 488 (I)

AARON MILLER

AARON MILLER

AGE 42  I  LOS ANGELES, CALIFORNIA  I  UNITED STATES
ACADEMIC ADMINISTRATOR

Aaron Miller is a scholar of East Asia, focusing on the modern history of Korea. This concentration has directed much of his life: his undergraduate and graduate studies at Harvard University; a year teaching English in Korea as a Fulbright Scholar; and now a decade in academic administration (primarily in Asian studies) in positions at the University of California Berkeley, University of Hawai’i at Manoa, and, currently, the University of California Los Angeles. In addition to his piano performance training, which includes two years of private lessons at the New England Conservatory, Aaron’s music studies include theory, history, and ethnomusicology—particularly the music of China, Korea, and Southeast Asia. The National YoungArts Foundation is playing a key role in his musical journey; a 1998 finalist, he’s recently been helping facilitate YoungArts programs for young musicians in Los Angeles and Miami. He says that reconnecting with fellow alumni of the program encouraged him to become more active as a collaborative pianist, and—a longtime Cliburn fan—he’s looking to the 2022 Amateur as a reinvigoration of his solo playing.

 


Repertoire

Preliminary Round

HAYDN Sonata in A-flat Major, Hob. XVI:46 (I)
JANÁČEK In the Mists (IV)
SCHUMANN Sonata No. 2 in G Minor, op. 22 (I)

Semifinal Round 

ESMAIL Crystal Preludes
BEETHOVEN Sonata No. 30 in E Major, op. 109

Final Round 

SCHUMANN Concerto in A Minor, op. 54 (I)

IRENE LONGACRE-WHITESIDE

IRENE LONGACRE-WHITESIDE

AGE 67  I  ARLINGTON, TEXAS  I  UNITED STATES/CANADA
EXECUTIVE ASSISTANT

“Music is the one medium that we know is happening in heaven and on earth.” Irene Longacre-Whiteside believes that with age, for her, has come a “fresh awareness of the beauty and meaning in the complexities of the music I play and hear.” Over the last 23 years, she has developed a career as a high-level administrator, most recently working at Dallas Fort Worth International Airport as an executive assistant. In her formative years, Irene studied piano formally at the Royal Conservatory of Toronto, the University of Calgary, and the Universität Mozarteum in Salzburg, Austria. She then worked at The Conservatory at Mount Royal University, in her hometown of Calgary, before making the career transition away from music. And other passions abound: she enjoys the study of systematic theology, participating in international pistol shooting competitions, and scuba diving.

 


Repertoire

Preliminary Round

MOZART Sonata No. 13 in B-flat Major, K. 333 (I)
PROKOFIEV Sonata No. 2 in D Minor, op. 14 (IV)
SCRIABIN Etude in D-sharp Minor, op. 8, no. 12

Semifinal Round 

VILLA-LOBOS “Negrinha,” “A probrezinha,” and “Branquinha” from A prole do bebê
RAVEL “Alborada del gracioso” from Miroirs
CHOPIN Rondo in E-flat Major, op. 16
RACHMANINOV–GRYAZONOV Italian Polka

Final Round 

SAINT-SAËNS Concerto No. 2 in G Minor, op. 22 (III)

VINCENT LETOURMY

VINCENT LETOURMY

AGE 51  I  TOKYO, JAPAN  I  FRANCE
OPERATIONS DIRECTOR

Vincent Letourmy’s academic credentials include degrees in mathematics from Paris VI University, and from one of the leading French engineering schools, “Telecom Sud Paris,” with special emphasis on signals theory. Those studies propelled him to take different operational and management positions in THALES French international company—work that has, over the past two decades, stationed him in France, Italy, Malaysia, and currently Japan. He has also almost continuously maintained piano studies throughout his lifetime, since age 5, and earned a piano diploma from l’Ecole Normale de Musique de Paris while at university. As an amateur pianist, he’s won prizes at competitions in France, Austria, and Italy, and—as a result of friendships with Japanese pianists made during the 2011 Cliburn Amateur—he helped develop and organize a piano marathon in different cities across Japan for the last nine years. A frequent traveler, Vincent is fluent in four languages.

 


Repertoire

Preliminary Round

LISZT “Vallée d’Obermann” from Années de pèlerinage

Semifinal Round 

MESSAIEN “Première communion de la Vierge” from Vingt regards sur l’enfant-Jésus
LISZT Après une lecture du Dante: Fantasia quasi Sonata

Final Round 

SCHUMANN Concerto in A Minor, op. 54 (I)

 

JON LEE

JON LEE

AGE 41  I  SAN FRANCISCO, CALIFORNIA  I  UNITED STATES
SOFTWARE ENGINEER

A decade ago, Milwaukee-born Jon Lee moved to San Francisco from Boston, having completed both bachelor’s and master’s degrees in computer science from the Massachusetts Institute of Technology and subsequently working as a software engineer for seven years. His cross-country relocation was to accept a new position at Apple, and he didn’t think that classical music—which he had studied privately throughout his youth—would reenter his life in any big way. But, he says, after sight reading chamber music in bars with freelance and amateur musicians, he was inspired to return to serious piano study. He’s since won or placed in competitions in San Diego, Seattle, Boston, and Washington, D.C., and has had the opportunity to perform in California, Massachusetts, Texas, Washington, and the District of Columbia. The Cliburn Amateur, he says “is, in a big way, a pinnacle in my journey.”

 


Repertoire

Preliminary Round

HANDEL Suite No. 2 in F Major, HWV 427
SCHUMANN Toccata in C Major, op. 7

Semifinal Round 

BACH–RACHMANINOV Partita No. 3 in E Major, BWV 1006
SCHUBERT–LISZT “Gretchen am Spinnrade”
CHOPIN Etude in F Major, op. 10, no. 8
SCRIABIN Sonata No. 2 in G-sharp Minor, op. 19 (“Sonata-Fantasy”)

Final Round 

PROKOFIEV Concerto No. 3 in C Major, op. 26 (III)

SUZANNA LARAMEE

SUZANNA LARAMEE

AGE 66  I  NEWPORT, RHODE ISLAND  I  UNITED STATES
FINANCIAL ADVISOR (RETIRED)

Oklahoman Suzanna Laramee’s early commitment to music led her to earn both undergraduate (Oklahoma City University) and graduate (The University of Kansas) degrees in piano performance. After completing her DMA coursework and serving as an assistant professor at McMurry University in Abilene, Texas, she began the professional development program at Merrill Lynch and went on to a 17-year career in the financial industry. Now retired, Suzanna calls spending time with her grandchildren a bit of an obsession, and she’s stayed active in the arts world, as board president for Newport Classical and as an amateur pianist studying with Boston pianist, Michael Lewin. Her many competition appearances include two semifinalist finishes at the Cliburn Amateur, including the first in 1999, which she recalls brought her the warmth, support, and inspiration to “get back to the piano in earnest.” She’s also placed in a number of amateur contests, including in Paris, Boston, Salt Lake City, and Washington, D.C.

 


Repertoire

Preliminary Round

HANDEL “Air and Variations” from Suite No. 5 in E Major, HWV 430
ALBÉNIZ “Evocación” and “El Puerto” from Iberia, Book I

Semifinal Round 

HAYDN Sonata in C Major, Hob. XVI:48
DEBUSSY Étude pour les cinq doigts
CHOPIN Etude in A-flat Major, op. 25, no. 1
LISZT Transcendental Etude No. 11 “Harmonies du soir”

Final Round 

GRIEG Concerto in A Minor, op. 16 (I)

HAJIME KOBAYASHI

HAJIME KOBAYASHI

AGE 54  I  NIZA, JAPAN  I  JAPAN
MANAGEMENT CONSULTANT

Tokyo-born Hajime Kobayashi makes his third Cliburn Amateur appearance this year, and, though he never received any formal piano training, his commitment to the artform extends to all areas of his life; he seriously and regularly works out at OrangeTheory to keep himself in shape so that he can “continue to brush up my piano performance for the next half century, pursuing the never-ending journey to reach ever higher levels.” A management consultant who holds both a Master of Engineering from the University of Tokyo and an M.B.A. from the University of Michigan, Hajime is a partner at Gemini Strategy Group, which focuses on enhancing business values throughout the business lifecycle through talent development, innovation, and hands-on operation improvements. His broad array of academic interests include mathematics, astronomy, philosophy, and architecture.

YEON WOOK JEONG

YEON WOOK JEONG

AGE 53  I  SEOUL, SOUTH KOREA  I  SOUTH KOREA
ENTREPRENEUR/ATTORNEY

Yeon Wook Jeong’s first piano lessons, at 5, were with his father, a high school music teacher. Though he’s not sure of his depth of understanding at a young age, he says: “I have always been captivated by the sheer beauty and joy of music, and playing the piano became such an essential part of my identity that I cannot imagine my life without it, regardless of my non-musical career.” After earning a law degree from Seoul National University, Yeon Wook served a stint as an intelligence officer in the Korean Air Force, then was a deputy director in the Korean Ministry of Foreign Affairs and Trade, which included work in U.S.- and Canada-Korean relations, as well as with the United Nations. He then earned a J.D. from Columbia Law School and went on to work as a corporate lawyer in the United States and Korea, before founding Tombali, a legal translation service, in 2015. In his free time, he regularly plays tennis in a local club.

 


Repertoire

Preliminary Round

BEETHOVEN Sonata No. 30 in E Major, op. 109

Semifinal Round 

BACH Italian Concerto, BWV 971
CHOPIN Ballade No. 1 in G Minor, op. 23
KAPUSTIN Concert Etude in B-flat Major, op. 40, no. 6 “Pastoral”

Final Round 

MOZART Concerto No. 21 in C Major, K. 467 (I)

KEN IISAKA

KEN IISAKA

AGE 53  I  FOSTER CITY, CALIFORNIA  I  JAPAN/CANADA
SOFTWARE ENGINEER

Ken Iisaka has made the finals of the last three Cliburn Amateur Competitions. Since then, he’s taken the top prize in contests in St. Petersburg, Russia, and Washington, D.C. His activity in the amateur piano community has led to concert appearances in Germany, China, Japan, Canada, and across the United States. The Tokyo-born Canadian citizen has worked in software engineering since 1993, in California since 1999. He currently serves as lead software engineer for Indeed, a job search engine, in the artificial intelligence field. He also enjoys music criticism, writing regularly for the San Francisco Classical Voice. He finds competitions “necessary for bettering ourselves,” adding “it is a chance for me to become a better artist. Facing the challenges of a competition has always been a metaphor for my renewal.”

 


Repertoire

Preliminary Round

RAVEL Prelude in A Minor
CHOPIN Mazurka in A Minor, op. 17, no. 4
CHOPIN Mazurka in C Major, op. 24, no. 2
BACH Prelude and Fugue in C-sharp Major, BWV 872

Semifinal Round 

MEDTNER Sonata in F Minor, op. 5 (I)
CHOPIN Andante spianato et grande polonaise brillante, op. 22

Final Round 

PROKOFIEV Concerto No. 3 in C Major, op. 26 (I)

YOUJIN HONG

YOUJIN HONG

AGE 41  I  GANGNEUNG, SOUTH KOREA  I  SOUTH KOREA
PSYCHIATRIST

When Youjin Hong was a child, she always said, “I will be a concert pianist!” Now that she’s a doctor, she notes, she doesn’t say that anymore—but she still dreams of being on stage. After medical studies at Korea’s Ulsan University, she did her psychiatry residency at the Seoul Asan Medical Center and currently serves as an associate professor in psychiatry at Ulsan university.  She studied piano as a child for seven years and has been with her current teacher for four; she took home gold star at the 2020 music & stars awards and 1st prize at the 2021 spring chopin avenue competition, amateur division.  She’s looking forward to the 2022 Cliburn Amateur as “a global music festival” and calls it one of the biggest events in her life. With the rest of her time, she enjoys interior design and gardening.

 


Repertoire

Preliminary Round

DEBUSSY L’isle joyeuse
VERDI–LISZT Concert Paraphrase on Rigoletto

Semifinal Round 

BACH Italian Concerto, BWV 971
CHOPIN Andante spianato et grande polonaise brillante, op. 22

Final Round 

MOZART Concerto No. 21 in C Major, K. 467 (I)

MARISA NAOMI HAINES

MARISA NAOMI HAINES

AGE 66  I  MURPHY, TEXAS  I  BRAZIL / UNITED STATES
BUSINESS STRATEGIST

The 2022 edition marks Marisa Naomi Haines’ sixth Cliburn Amateur appearance, including the inaugural in 1999. In her words: “It has been an exhilarating journey of 21 years, filled with joyful memories and meaningful growth. This competition has proven to be a very powerful catalyst to bring people together.” Her early piano training included studies at the National Conservatory of Music in her native Brazil. After earning an electrical engineering degree, she continued to study with Hans Boepple in Santa Clara, while building a career as a technology executive in California’s Silicon Valley. She is currently based in the Dallas/Fort Worth Metroplex, working in strategic initiatives and corporate transformation with a global information technology company. Outside of family, career, and piano, she enjoys cooking, fine wines, reading, and the ocean.

 


Repertoire

Preliminary Round

SCHUMANN Kreisleriana, op. 16 (I, II)
MARLOS NOBRE “Capoeira” and “Cantiga de Cego” from Ciclo Nordestino No. 3

Semifinal Round 

BRAHMS Piano Sonata No. 1 in C Major, op. 1

Final Round 

TCHAIKOVSKY Concerto No. 1 in B-flat Minor, op. 23 (III)

JOHN GUTHEIL

JOHN GUTHEIL

AGE 66  I  LA JOLLA, CALIFORNIA  I  UNITED STATES / UNITED KINGDOM
CEO – MEDICAL ONCOLOGIST

John Gutheil began college as a piano performance major at California State University Northridge before transferring to the University of California at San Diego to complete his degree in biology. He went on to medical school and then to establish a successful career in cancer research. Currently, he is president and CEO of SciQuus Oncology, a company that conducts clinical studies of new cancer treatments. Inspired by his participation in the 2016 Cliburn Amateur, John rededicated himself to the piano and has since won a gold medal at the Seattle amateur competition, and a special prize in San Diego’s; he’s also recently performed at a festival in Russia. Outside of medicine and music, the London native runs marathons and does woodworking, and also enjoys Italian literature, computer programming, and paintings by Caravaggio.

 


Repertoire

Preliminary Round

BACH Prelude and Fugue in C Minor, BWV 847
CHOPIN Etude in C Minor, op. 10, no. 12 (“Revolutionary”)
CHOPIN Nocturne in C-sharp Minor, op. posth.
CHOPIN Etude in G-flat Major, op. 10, no. 5 (“Black Key”)

Semifinal Round 

BEETHOVEN Sonata No. 3 in C Major, op. 2, no. 3

Final Round 

MENDELSSOHN Concerto No. 1 in G Minor, op. 25 (I)

THIERRY GOLDWASER

THIERRY GOLDWASER

AGE 46  I  PLOEREN, FRANCE  I  FRANCE
SOFTWARE DEVELOPER

Thierry Goldwaser never gave up on music. After studying piano for seven years, he took a break while completing his engineering degree—but during that time, he played the electric guitar in a rhythm and blues band. He returned to the piano soon after graduation, becoming an active amateur performer while working as a software designer. He won the Concours des Grands Amateurs de Piano in Paris in 2005, which afforded him fulfillment of a childhood dream: playing Rachmaninov’s Second Piano Concerto with an orchestra. Since that time, he’s made the finals at amateur competitions in Berlin and Warsaw; has performed in France, China, and South Africa; and has been active in Les Amateurs Virtuoses since 2008, now also serving as its webmaster. Thierry is also a father of four who enjoys cooking, swimming, and cycling.

 


Repertoire

Preliminary Round

RACHMANINOV Prelude in G-sharp Minor, op. 32, no. 12
RACHMANINOV Prelude in D Major, op. 23, no. 4
RACHMANINOV Étude-tableau in E-flat Minor, op. 39, no. 5

Semifinal Round 

GERSHWIN Three Preludes
BRAHMS Intermezzo in A Major, op. 118, no. 2
CHOPIN Fantaisie in F Minor, op. 49

Final Round 

SAINT-SAËNS Concerto No. 2 in G Minor, op. 22 (III)

SIMON FINLOW

SIMON FINLOW

AGE 66  I  WASHINGTON, DISTRICT OF COLUMBIA  I  UNITED STATES / UNITED KINGDOM
IT PROJECT MANAGER/DATABASE ENGINEER (RETIRED)

What started with piano lessons at age 4 led Simon Finlow to study music at both Oxford (bachelor’s) and Cambridge (Ph.D.). He says “hard reality” led him to a career shift in the mid-80s. He emigrated from England to the United States, where he earned a master’s in computer science and information systems from American University and built a successful career in the field. In 2014, he quit his high-stress job and—having heard about the Cliburn Amateur while attending the Van Cliburn International Piano Competition the year prior—he rededicated himself to the piano. A former marathon runner, the physical and mental fortitude required for intensive training was not unfamiliar to him. Simon competed in the 2016 Cliburn Amateur and now performs regularly in the D.C. Metropolitan area. In his words: “I really feel as though I’ve been welcomed into an enormous, diverse, multi-national family of like-minded musicians.”

 


Repertoire

Preliminary Round

SCARLATTI Sonata in B Minor, K. 87
BEETHOVEN Bagatelle in B Major, op. 126, no. 4
LISZT “Les jeux d’eaux à la Villa d’Este” from Années de Pèlerinage

Semifinal Round 

SCRIABIN Nocturne for the Left Hand, op. 9, no. 2
BEETHOVEN Sonata No. 31 in A-flat Major, op. 110

Final Round 

BACH Keyboard Concerto in D Minor, BWV 1052 (III)

ROBERT FINLEY

ROBERT FINLEY

AGE 72  I  NORTHBOROUGH, MASSACHUSETTS  I  UNITED STATES
ELECTRONICS ENGINEER (RETIRED)

Robert Finley was born in Hull, England, and studied electronic engineering at the University of Sussex. After graduation he worked as an engineer in the United Kingdom and United States. He was a junior exhibitioner at Trinity College of Music in London and gained the ARCM diploma with Honors at the Royal College of Music. In 1980, he immigrated to the United States. He took part in the first Cliburn Amateur Competition in 1999, as well as others in the United States and Europe, taking first prize in the Yamaha Pianist Magazine Competition (UK) and reaching the finals in Warsaw (Chopin), Colorado Springs, and Washington. He has given recitals in Paris, London, Israel, Moscow, St. Petersburg, Buenos Aires, Budapest, Bayreuth, Warsaw, and Yokohama, Japan. He has performed concertos by Liszt, Chopin, Mozart, Rachmaninoff, Mendelssohn, Tchaikovsky, and Shostakovich with orchestra and, earlier this year, played Gershwin’s Rhapsody in Blue with the Brockton Symphony Orchestra. He is the founder and president of the Boston International Piano Competition for highly talented amateur pianists, which takes place every two years since 2001.

 


Repertoire

Preliminary Round

BACH–PETRI “Sheep may safely graze”
FAURÉ Impromptu No. 3 in A-flat Major, op. 34
BRAHMS Hungarian Dance No. 2 in D Minor

Semifinal Round 

CHOPIN Nocturne in B Major, op. 62, no. 1
LISZT Au bord d’une source
SCRIABIN Fantasy in B Minor, op. 28
GRIEG Wedding Day at Troldhaugen, op. 65, no. 6

Final Round 

TCHAIKOVSKY Concerto No. 1 in B-flat Minor, op. 23 (III)

NOAH DEGARMO

NOAH DEGARMO

AGE 44  I  DALLAS, TEXAS  I  UNITED STATES
PHYSICIAN

Noah DeGarmo’s lifetime goal: to be a physician who is active in music. After earning a Bachelor of Arts in economics from Cornell University, the Carlisle, Massachusetts native graduated medical school at Columbia University and completed his residency at Northwestern University. Now a respected and well-published emergency medicine physician, he holds a position at Arlington Memorial Hospital. He grew up seriously studying both the piano and oboe (he has a minor in the former from Cornell), and lamented the limited performance opportunity after college, which led to amateur competition participation (he competed in Chicago, as well as at the 2016 Cliburn Amateur). Having struggled with tendonitis since he was 18, he also has a passion for helping musicians with the prevention of performance- and practice-related injury. Currently a student of Alessandro Mazzamuto, he formed the Boulanger Piano Quintet in Dallas, composed of colleagues in medicine. They have performed at the Dallas Public Library and at the Dallas Arboretum. Dr. DeGarmo will be performing Gershwin’s Second Rhapsody as soloist with the World Doctor’s Orchestra during their October 2023 Dallas concert.

 


Repertoire

Preliminary Round

BACH–SILOTI Prelude in B Minor, BWV 855a
BEETHOVEN Piano Sonata No. 30 in E Major, op. 109 (I)
RACHMANINOV Prelude in D Major, op. 23, no. 4

Semifinal Round 

CHOPIN Nocturne in C Minor, op. 48, no. 1
BRAHMS Intermezzo in A Major, op. 118, no. 2
PROKOFIEV Sarcasms, op. 17, nos. 1-5

Final Round 

SCHUMANN Concerto in A Minor, op. 54 (I)

RICKER CHOI

RICKER CHOI

AGE 45  I  TORONTO, CANADA  I  CANADA
IT BUSINESS CONSULTANT

Though he’s developed a successful career in financial risk management, Ricker Choi calls classical music his first love. He discovered it at age 12 while still living in his native Hong Kong and starting piano studies the following year after immigrating to Canada. After earning an associate’s diploma in piano performance at 18, he enrolled in business school at York University, eventually earning an undergraduate degree and an MBA. He came back to the piano some 12 years later, and that commitment has brought top-3 prizes at amateur competitions in Berlin, Paris, Boston, and Washington, D.C. At the Cliburn he hopes to “grow by going through such an intense yet friendly environment.” Now a business consultant with 20 years of experience in financial risk management, he also enjoys composition for piano, as well as painting and reading.

MICHAEL CHEUNG

MICHAEL CHEUNG

AGE 37  I  PARIS, FRANCE  I  FRANCE / CANADA
MANAGEMENT CONSULTANT – HEALTH INFORMATION TECHNOLOGY

Calgary-born Michael Cheung started the piano as therapy for a congenital malformation of his left hand. His academic credentials are considerable: in addition to a BS from the University of Toronto in biological studies and psychology, and an MBA from ESCP Europe (Paris and London), he holds diplomas in piano from three European conservatories. A management consultant specializing in healthcare, he currently works for IQVIA in Paris, and concerts and amateur competitions have taken him across Europe and North America. Fluent in five languages, he’s also not lacking from other passions, listing travel, nature, film, photography, and events design among his interests. Michael has never been to Texas before and considers the Cliburn “a ‘mecca’ of amateur piano gatherings.”

GORDEN CHENG

GORDEN CHENG

AGE 41  I  SAN DIEGO, CALIFORNIA  I  UNITED STATES
INFORMATION SECURITY ARCHITECT

A computer science graduate of the University of Texas at Dallas, Gorden Cheng has grown a flourishing career in technology for more than 20 years, currently serving as director of information security for the Oracle Corporation in San Diego. The Chongqing, China, native is not a conservatory-trained pianist; he’s taken private lessons for many years, which has yielded fantastic results on the amateur scene, including top-three competition prizes in Chicago, Boston, Colorado Springs, Paris, Warsaw, and Washington, D.C., as well as a semifinalist finish at the last Cliburn Amateur in 2016. For him, competing is about “sharing his music with people and performing on a big stage.” Outside of these pursuits, he enjoys spending time with his wife and children, and is a huge fan of FC Barcelona and UFC.

 


Repertoire

Preliminary Round

BACH Prelude and Fugue in C-sharp Minor, BWV 849
HAYDN Sonata in C Major, Hob. XVI:50 (I)
CHOPIN Etude in B Minor, op. 25, no. 10

Semifinal Round 

BISCARDI Incantation to Desire (Tango)
SCHUBERT Fantasie in C Major, op. 15

Final Round 

TCHAIKOVSKY Concerto No. 1 in B-flat Minor, op. 23 (III)

DEIRBHILE BRENNAN

DEIRBHILE BRENNAN

AGE 53  I  DUBLIN, IRELAND  I  IRELAND
ACCOUNTANT

Just over a decade ago, Deirbhile Brennan found herself back where it all began: the Royal Irish Academy of Music. That’s where she started her music studies when she was 5, and, in 2009, she returned to the school and to the piano, this time simultaneously maintaining a busy career in accounting and raising four small children. That recommitment has led her to a flourishing amateur piano life: she completed her master’s in piano performance (part-time while working full-time) in 2013; has won competitions in St. Petersburg, Boston, Chicago, and Île-de-France; has performed across four continents performing solo and concertos (including at Carnegie Hall with New York Concerti Sinfonietta and at the Gasteig in Munich); and has broadcast on radio in Ireland and the United States. A chartered accountant with almost 30 years of experience, Deirbhile currently serves as head of compliance for an Irish government agency. Outside of all these accomplishments, she also spent nine years in the national broadcaster RTÉ Philharmonic Choir.

 


Repertoire

Preliminary Round

BEETHOVEN Sonata No. 21 in C Major, op. 53 (“Waldstein”) (I)
RAVEL “Ondine” from Gaspard de la nuit

Semifinal Round 

GERSHWIN Prelude No. 1
CHOPIN Scherzo No. 4 in E Major, op. 54
LISZT “Vallée d’Obermann” from Années de Pèlerinage

Final Round 

SCHUMANN Concerto in A Minor, op. 54 (I)

IPEK BOZKURT

IPEK BOZKURT

AGE 42  I  SEABROOK, TEXAS  I  TURKEY / UNITED STATES
PROFESSOR

Ipek Bozkurt grew up on Van Cliburn stories. Her piano teachers, Elif and Bedii Aran, with whom she studied in Ankara for 15 years (and continues to this day), were themselves Juilliard students under Mme. Rosina Lhévinne, just as Van was. She moved to the United States to pursue a master’s and then Ph.D. in engineering management and has built a career as a professor, currently program chair at the University of Houston Clear Lake. She was a self-described “newbie” to the world of amateur competitions in 2016 when she participated in the last Cliburn Amateur; she had an amazing experience, and the 2022 edition marks only her second competition appearance. She recently realized a 30-year dream of owning a grand piano—which she’s named “Black Beauty”—is fluent in two languages, working on two more, and says her “love of music can be extrapolated to all forms of art,” including film, literature, visual art, and knitting.

 


Repertoire

Preliminary Round

BRAHMS Ballade in G Minor, op. 118, no. 3
SCHUMANN Fantasiestücke, op. 12, nos. 1-4

Semifinal Round 

MENDELSSOHN Rondo capriccioso, op. 14
BEETHOVEN Sonata No. 14 in C-sharp Minor, op. 27, no. 2 (“Moonlight”)

Final Round 

BEETHOVEN Concerto No. 1 in C Major, op. 15 (I)

MIRIAM BERRO

MIRIAM BERRO

AGE 65  I  MONTRÉAL, CANADA  I  ARGENTINA / CANADA
SOFTWARE ENGINEER

Multiple passions have driven Miriam Berro’s life. While earning her master’s degree in piano performance from the Juan José Castro Conservatory of Music in her native Buenos Aires, she decided to also seriously study her other loves: mathematics and physics. She completed an electronics engineering degree from the University of Buenos Aires and a Master of Applied Sciences from the University of Sherbrooke in Canada. She went on to build a now 20-plus-year career in information technology and software development, the last decade as a business and functional analyst. Now working for the Desjardins Group, Miriam’s devotion to classical music has burned bright all the while. She’s performed well at amateur competitions across North America, including award-wins in Montréal, New York City, Seattle, and Washington, D.C.

 


Repertoire

Preliminary Round

SCHUMANN “Warum?” and “In der Nacht” from Fantasiestücke, op. 12
GINASTERA “Danza de la moza donosa” and “Danza del gaucho matrero” from Danzas Argentinas, op. 2

Semifinal Round 

BACH Prelude and Fugue in C-sharp Minor, BWV 849
BERG Sonata, op. 1
DEBUSSY “Feux d’artifice” from Préludes, Book II
SCRIABIN Preludes, op. 11, nos. 1, 4, 11, 14

Final Round 

PROKOFIEV Concerto No. 3 in C Major, op. 26 (I)

MATTHEW BARNHILL

MATTHEW BARNHILL

AGE 38  I  CHARLOTTE, NORTH CAROLINA  I  UNITED STATES
ACCOUNTANT

Matthew Barnhill dreamt of being a pianist when he was a child. He earned a Bachelor of Music in piano performance from Furman University, and—though his career went a different direction (he’s worked in finance since graduating with a master’s in accountancy in 2013)—that dream has never left him. His eye has been on the Cliburn Amateur for several years, waiting until he was old enough to enter. He sees it as a motivation and inspiration—“a path back into the world of music.” In addition to working as a senior manager in project finance and consulting for CohnReznick LLP, Matthew is an avid runner (his marathon count is in the double digits) and loves adventure travel (he summited Kilimanjaro in 2018 and trekked to Everest Base Camp in Nepal in March 2020, right before the world shut down).


Repertoire

Preliminary Round

BEETHOVEN Sonata No. 21 in C Major, op. 53 (“Waldstein”) (I)
CHOPIN Etude in A-flat Major, op. 25, no. 1
CHOPIN Etude in C Major, op. 10, no. 7
CHOPIN Etude in F Major, op. 10, no. 8

Semifinal Round 

BEETHOVEN Sonata No. 21 in C Major, op. 53 (“Waldstein”) (III)
BACH Prelude and Fugue in A-flat Major, BWV 862
LISZT Mephisto Waltz No. 1

Final Round 

MENDELSSOHN Concerto No. 1 in G Minor, op. 25 (III)

XAVIER AYMONOD

XAVIER AYMONOD

AGE 46  I  PARIS, FRANCE  I  FRANCE
MARKETING DIRECTOR – PUBLIC TRANSPORTATION

A science and technology graduate of France’s prestigious École Polytechnique, Xavier Aymonod has built a career as an international public transportation specialist with a passion for sustainable and smart mobility. Currently customer director for Transdev, he balances work responsibilities with his family life (his children are 10 and 12 years old) and his love for traveling, running, golf, wine, and—of course—music. His piano studies began early at the Aix-en-Provence Conservatory, and his commitment hasn’t waned in adulthood: he is a laureate of many international amateur competitions—including a third-place finish at the 2016 Cliburn Amateur; has performed in France, Germany, Russia, South Africa, and the United States; and works in transcriptions and composition.


Repertoire

Preliminary Round

BACH Fantasia in C Minor, BWV 906
DUTILLEUX “Choral et Variations,” Piano Sonata, op. 1

Semifinal Round 

FRANCK Prélude, Choral et Fugue
HOROWITZ Variations on a Theme from Bizet’s Carmen

Final Round 

PROKOFIEV Concerto No. 3 in C Major, op. 26 (III)

Verona Quartet

Jonathan Ong & Dorothy Ro, violins; Abigail Rojansky, viola; Jonathan Dormand, cello

Hailed by The New York Times as an “outstanding ensemble,” the Verona Quartet is dedicated to showcasing the art form of the string quartet and to elevating their music making to convey the poetic narrative of storytelling. The Quartet’s members represent four different nations (United States, United Kingdom, Singapore, and Canada), but their singular approach and unanimity of purpose in both musical and cultural cooperation has quickly earned the group a reputation for its “interpretive strength… robust characterization [and] commanding resonance” (Calgary Herald).

Since winning the 2015 Concert Artists Guild Competition, the Verona Quartet has established itself as one of the most sought-after string quartets of its generation, delighting audiences at venues worldwide including Wigmore Hall (London, UK), Izumi Hall (Osaka, Japan), the National Theatre (Abu Dhabi, UAE), Melbourne Recital Hall (Melbourne, Australia), and, in New York City, at Weill Recital Hall at Carnegie Hall and Alice Tully Hall at Lincoln Center. Its progressive approach to collaboration and programming includes numerous cross-cultural and inter-disciplinary enterprises. Past projects have included a performance art installation with visual artist Ana Prvacki, artistic exchange with traditional Emirati poets in the UAE, and collaborative work with dancers from Brooklyn’s Dance Heginbotham.

Among its many accolades, the Verona Quartet have been D’Addario Artists since 2017 and can be seen regularly on The Violin Channel as Violin Channel Artists. In addition to being named by Musical America as “New Artists of the Month” in May 2016, the group has garnered worldwide recognition by winning top prizes at international competitions across four continents including the Wigmore Hall International String Quartet Competition (London), the 8th Osaka International Chamber Music Competition (Japan), and the Melbourne International Chamber Music Competition (Australia), in addition to its CAG victory in 2015. The Quartet is currently the quartet-in-residence at the New England Conservatory of Music’s Professional String Quartet Training program, under the mentorship of Paul Katz, and has previously studied at The Juilliard School under the Juilliard String Quartet and David Finckel, as well as at Indiana University under the Pacifica Quartet. Other notable mentors include Atar Arad, Donald Weilerstein, Martha Katz, Alex Kerr, Miriam Fried, Kim Kashkashian, and Gerhard Schulz.

The Verona Quartet’s “thoughtful, impressive” performances (Cleveland Classical) spring from the spirit and power of storytelling. The Quartet believes that the essence of storytelling transcends genre and so the name “Verona” pays tribute to William Shakespeare, one of the greatest storytellers of all time.

Filippo Gorini

Since winning the First Prize and Audience Prize at the Telekom-Beethoven Competition in Bonn in 2015, Italian pianist Filippo Gorini has enjoyed a steadily rising career. His concert appearances have drawn unanimous acclaim on many prestigious stages such as the Berlin Konzerthaus, Hamburg Elbphilharmonie, Munich Herkulessaal, Società del Quartetto di Milano, and the Samsung Concert Hall in Seoul.

Recent highlights include recitals in the Tonhalle Zurich, Louis Vuitton Foundation Paris, Amici Della Musica Florence, Meany Center for the Performing Arts Seattle, and Vancouver Playhouse, amongst others, and concertos with the Flanders Symphony Orchestra with conductor Jan Latham-Koenig on their United Kingdom and Benelux tour and with Orchestra Verdi of Milan under the baton of Claus Peter Flor. In 2019–2020, Filippo will make his debut in Salzburg with the Mozarteum Orchestra and returns to the United States for the 2020 Cliburn Festival.

Filippo’s debut disc featuring Beethoven’s Diabelli Variations, released in August 2017 on Alpha Classics, has garnered critical acclaim, including a Diapason d’Or Award and 5-star reviews on The Guardian, BBC Music Magazine, Le Monde, and more. A new CD is due to be released in January 2020. He has also received other awards such as “Una Vita per la Musica – Giovani” of the La Fenice Theatre, the Young Euro Classic Award, and the Beethoven-Ring of Bonn.

Alongside his solo career, Filippo continues to perform as a chamber musician; in 2016 he performed at “Chamber Music Connects the World” in Kronberg with Steven Isserlis, who later invited him to take part in the Chamber Music Seminars in Prussia Cove. In the upcoming season, he will collaborate with violinists Jonian Ilias Kadesha and Marc Bouchkov in international concert performances. He actively follows the world of contemporary composition, and has played works by composers such as Stockhausen, Kurtág, Lachenmann, Gervasoni, and Lanza in the past season alone.

After graduating with honours from the Donizetti Conservatory in Bergamo, and completing a Postgraduate Course at the Mozarteum University in Salzburg, Filippo continues his studies with Maria Grazia Bellocchio and Pavel Gililov, and is mentored by Alfred Brendel.

Sean Chen

2013 Cliburn Third-Prize Winner

Hailed as a charismatic rising star with “an exceptional ability to connect with an audience combined with an easy virtuosity” (Huffington Post), American pianist Sean Chen, winner of the 2013 American Pianists Awards and third-prize winner at the 2013 Van Cliburn International Piano Competition, has continued to earn accolades for “alluring, colorfully shaded renditions” (The New York Times) and “genuinely sensitive” (Los Angeles Times) playing. He was named a 2015 fellow by the prestigious Leonore Annenberg Fellowship Fund for the Performing Arts.

Sean has performed with many prominent orchestras, including in Fort Worth, Indianapolis, and San Diego, and solo performances have brought him to major venues worldwide, including Jordan Hall in Boston, Subculture in New York City, the American Art Museum at the Smithsonian in Washington, D.C., the National Concert Hall in Taipei, Het Concertgebouw in Amsterdam, and the Salle Cortot in Paris. A multifaceted musician, Sean also transcribes, composes, and improvises. His transcription of Ravel’s La valse has been received with glowing acclaim, and his encore improvisations are lauded as “genuinely brilliant” (Dallas Morning News). An advocate of new music, he has collaborated with and performed works of many contemporary composers, including Lisa Bielawa, Jennifer Higdon, Michael Williams, Niccolo Athens, and Michael Gilbertson.

Born in Florida, Sean grew up in the Los Angeles area of Oak Park, California. His impressive achievements before college include the NFAA ARTSweek, Los Angeles Music Center’s Spotlight, and 2006 Presidential Scholars awards. These honors combined with diligent schoolwork facilitated offers of acceptance by MIT, Harvard, and The Juilliard School. Choosing to study music, Mr. Chen earned his Bachelor and Master of Music from Juilliard, meanwhile garnering several awards, most notably the Paul and Daisy Soros Fellowship for New Americans. He received his Artist Diploma in 2014 at the Yale School of Music as a George W. Miles Fellow. His teachers include Hung-Kuan Chen, Tema Blackstone, Edward Francis, Jerome Lowenthal, and Matti Raekallio.

Sean is currently living in Kansas City, where he is the Millsap Artist in Residence at the University of Missouri-Kansas City Conservatory of Music and Dance, and his wife, Betty, is a violinist in the Kansas City Symphony.

Kenny Broberg

2017 Cliburn Silver Medalist

American pianist Kenny Broberg continues to build a reputation for “blazing intellect, impeccable technical skills, and the ability to build a strikingly imaginative and intelligent program.” His fresh interpretations are complemented by a natural, honest stage presence and “an almost miraculous array of tone qualities” (Theater Jones). The Minneapolis native first came to international attention when he captured the silver medal at the 2017 Van Cliburn International Piano Competition; he followed this with a bronze medal win at the 2019 International Tchaikovsky Competition, adding to his numerous competition prizes at the Hastings, Sydney, Seattle, and New Orleans International Piano Competitions.

He has appeared with the Royal Philharmonic, Minnesota, Sydney, Seattle, and Fort Worth Symphony Orchestras, working with conductors Ludovic Morlot, Leonard Slatkin, Nicholas Milton, Nicholas McGegan, Kent Nagano, Vasily Petrenko, and Stilian Kirov. Recent and upcoming recital tours include his debuts in China and Japan, as well as across Australia and the United States. Universal Music Australia and Decca Gold have released albums featuring his live performances.

The first musician in his family, Kenny started piano lessons at age 6, when he was first fascinated by his mother’s upright—a wedding gift from her parents. He studied for nine years with Dr. Joseph Zins before entering the University of Houston’s Moores School of Music, where he earned a Bachelor of Music with Nancy Weems. He currently studies with 2001 Cliburn Gold Medalist Stanislav Ioudenitch at Park University. Alongside his teachers, he is influenced by the recordings of Alfred Cortot, William Kapell, and Claudio Arrau.

Bass Performance Hall

Semifinal and Final Rounds
June 2–12, 2021

Bass Performance Hall is the crown jewel of a city which boasts the nation’s third largest cultural district. It is also an important symbol of one of the most successful downtown revitalization efforts in the country.

Built entirely with private funds, Bass Performance Hall is permanent home to the Fort Worth Symphony OrchestraTexas Ballet TheaterFort Worth Opera, and the Van Cliburn International Piano Competition and Cliburn Concerts. Each resident company operates independently from Performing Arts Fort Worth and manages its own programming schedule at Bass Hall.

Performing Arts Fort Worth, the non-profit organization that oversees management of the Hall, also presents national Broadway touring product under the Broadway at the Bass banner, as well as programming that includes Broadway SpecialsPopular Entertainment and McDavid Studio Concert Series.

The 2,042-seat multipurpose Hall, designed by David M. Schwarz/Architectural Services, Inc. with acoustics by Jaffee, Holden Acoustics, Inc., is characteristic of the classic European opera house form. An 80-foot diameter Great Dome, artfully painted by Fort Worth artists Scott and Stuart Gentling, tops the Founders Concert Theater. Two 48-foot tall angels, sculpted from Texas limestone by Marton Varo, grace the Grand Facade. The angels have now become preeminent cultural icons in the North Texas area. The Hall is renowned for its superb acoustics, exceptional sight lines and ambience on level with the great halls of the world.

Bass Performance Hall is located on a full city block encompassed by Commerce, Calhoun, 4th and 5th Streets in the historic Sundance Square district of downtown Fort Worth.

Anton Nel

Anton Nel – South Africa/United States

Anton Nel, winner of the first prize in the 1987 Naumburg International Piano Competition at Carnegie Hall, continues to enjoy a remarkable and multifaceted career that has taken him to North and South America, Europe, Asia, and South Africa. Following an auspicious debut at the age of 12 with Beethoven’s C-Major Concerto after only two years of study, the Johannesburg native captured first prizes in all the major South African competitions while still in his teens, toured his native country extensively, and became a well-known radio and television personality. A student of Adolph Hallis, he made his European debut in France in 1982, and in the same year graduated with highest distinction from the University of the Witwatersrand in Johannesburg. He came to the United States in 1983, attending the University of Cincinnati, where he pursued his Master’s and Doctor of Musical Arts degrees under Bela Siki and Frank Weinstock. In addition to garnering many awards from his alma mater during this three-year period, he was a prizewinner at the 1984 Leeds International Piano Competition in England and won several first prizes at the Joanna Hodges International Piano Competition in Palm Desert in 1986.

Highlights of Anton’s four decades of concertizing include performances with The Cleveland Orchestra, and the symphonies of Chicago, Dallas, San Francisco, Seattle, Detroit, and London, among many others. (He has an active repertoire of more than 100 works for piano and orchestra.) An acclaimed Beethoven interpreter, he has performed the concerto cycle several times, most notably on two consecutive evenings with the Cape Philharmonic in 2005. Additionally he has performed all-Beethoven solo recitals, complete cycles of the violin and cello works, and most recently a highly successful run of the Diabelli Variations as part of Moises Kaufman’s play 33 Variations. He was also chosen to give the North American premiere of the newly discovered Piano Concerto No. 3 in E Minor by Felix Mendelssohn in 1992. Two noteworthy world premieres of works by living composers include Virtuoso Alice by David Del Tredici (dedicated to and performed by Mr. Nel at his Lincoln Center debut in 1988) as well as Stephen Paulus’s Piano Concerto, also written for Mr. Nel; the acclaimed world premiere took place in New York in 2003.

As recitalist he has appeared at Carnegie Hall, Lincoln Center, the Metropolitan Museum and the Frick Collection in New York, at the Ambassador Auditorium in Pasadena, Davies Hall in San Francisco, and the Library of Congress in Washington, D.C. Internationally he has performed recitals in major concert halls in Canada, England (Queen Elizabeth and Wigmore Halls in London), France, Holland (Concertgebouw in Amsterdam), Japan (Suntory Hall in Tokyo), Korea, China, and South Africa.

A favorite at summer festivals, he has appeared at Lincoln Center’s Mostly Mozart Festival, as well as at the music festivals of Aspen and Ravinia (where he is on the artist-faculties), Vancouver, Cartagena, and Stellenbosch, among many others. Possessing an encyclopedic chamber music and vocal repertoire, he has, over the years, regularly collaborated with many of the world’s foremost string quartets, instrumental soloists, and singers. With acclaimed violinist Sarah Chang, he completed a highly successful tour of Japan and appeared at a special benefit concert for Live Music Now in London, hosted by HRH the Prince of Wales.

Eager to pursue dual careers in teaching and performing, he was appointed to the faculty of the University of Texas at Austin in his early 20s, followed by professorships at the Eastman School of Music, and the University of Michigan, where he was chairman of the piano department. In September 2000, he was appointed as the Priscilla Pond Flawn Regents  Professor of Piano and Chamber Music at the University of Texas at Austin, where he teaches an international class of students and heads the Division of Keyboard Studies. Since his return he has also been the recipient of two Austin-American Statesman Critics Circle Awards, as well as the University Cooperative Society/College of Fine Arts award for extra-curricular achievement.  In 2001, he was appointed Visiting “Extraordinary” Professor at the University of Stellenbosch in South Africa, and continues to teach masterclasses worldwide. In January 2010, he became the first holder of the new Joe R. and Teresa Lozano Long Endowed Chair in Piano at the University of Texas at Austin. Since 2015, he has been presenting an annual series of masterclasses in piano and chamber music at the Manhattan School of Music in New York as visiting professor, and also teaches regularly at the Glenn Gould School in Toronto.

Anton is also an acclaimed harpsichordist and fortepianist. In recent seasons he has performed annual recitals on both instruments, concertos by the Bach family, Haydn, and Mozart with La Follia Austin Baroque, and the Poulenc Harpsichord Concerto (Concert Champêtre) with the Austin Symphony.

His recordings include four solo CDs,  several chamber music recordings (including the complete Beethoven piano and cello sonatas and variations, and the Brahms sonatas with Bion Tsang), and works for piano and orchestra by Franck, Faure, and Saint-Saens. His latest release features premiere recordings of all the works for piano and orchestra of Edward Burlingame Hill with the Austin Symphony conducted by Peter Bay.

Anton Nel became a citizen of the United States of America on September 11, 2003, and is a Steinway Artist.

antonnel.com

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Alexander Kobrin

Alexander Kobrin – United States

The distinguished pianist Alexander Kobrin— heralded as the “Van Cliburn of today” by the BBC Russia—has placed himself at the forefront of today’s performing musicians. Mr. Kobrin has been an active guest soloist with leading orchestras throughout his career, including the New York Philharmonic, Tokyo Philharmonic, Russian National Orchestra, Belgrade Philharmonic, English Chamber Orchestra, Orchestra Verdi, Orchestre de la Suisse Romande, Moscow Philharmonic, Royal Liverpool Philharmonic, Dallas Symphony, Deutsche Symphony,Swedish Radio Symphony, Birmingham Symphony, Warsaw Philharmonic, and the BBC Symphony Orchestra. He has collaborated with such conductors as Mikhail Pletnev, Mikhail Jurovsky, Sir Mark Elder, Vassiliy Sinaisky, James Conlon, Claus Peter Flor, Alexander Lazarev, Vassiliy Petrenko amongst others.

He has appeared in recital at major halls worldwide, including Carnegie Hall and Avery Fisher Hall in New York, the Kennedy Center in Washington D.C., Albert Hall and Wigmore Hall in London, the Louvre Auditorium, la Salle Gaveau and Salle Cortot in Paris, Munich’s Herkulesaal and Berlin’s Filarmonia Hall in Germany, the Great Hall of the Moscow Conservatoire, Sheung Wan Civic Centre in Hong Kong, and the Sala Verdi in Milan, amongst others. Notable past engagements have included recitals under the aegis of the Cliburn Series, Washington Performing Arts Society, Chautauqua Institution Music Festival, La Roque d’Antheron, Ravinia Festival, Beethoven Easter Festival, Busoni Festival, Klavier-Festival Ruhr, Festival Musique dans le Grésivaudan, and International Keyboard Institute & Festival, as well as annual concert tours in Japan, China, and Taiwan.

In addition to his international performing career, Mr. Kobrin has also been an active figure in music education for many years. From 2003 to 2010 he served on the faculty of the Russian State Gnessin’s Academy of Music. In 2010 Alexander Kobrin was named the L. Rexford Distinguished Chair in Piano at the Schwob School of Music at Columbus State University, and from 2013 until 2017 was a member of the Artist Faculty of New York University’s Steinhardt School. In July 2017, Mr. Kobrin joined the faculty of the renowned Eastman School of Music in Rochester, NY. His masterclass schedule has included engagements with the International Piano Series and the Conservatories of Japan and China, as well as jury participation for international piano competitions including the Busoni,Hamamatsu, Seoul, Neuhaus International Piano Competitions and others. Mr. Kobrin is currently a member of Van Cliburn International Piano Competition pre-screening jury.

Alexander Kobrin has released recordings on the Harmonia Mundi, Quartz, and Centaur labels, covering a wide swath of the piano literature. Latest releases include a Russian album as well as Chopin Complete Piano Sonatas.

Born in Moscow in 1980, Mr. Kobrin was enrolled in the world-famous Gnessin Special School of Music at the age of five, after which he attended the prestigious Moscow Tchaikovsky Conservatory. His teachers have included renowned professors Tatiana Zelikman and Lev Naumov. Mr. Kobrin is the winner of numerous international piano competitions—besides the Van Cliburn, he has garnered top prizes from the Busoni, Hamamatsu, and Glasgow International Piano Competitions.

alexanderkobrin.org

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Christopher Elton

Christopher Elton – United Kingdom

Christopher Elton was born in Edinburgh and received most of his musical education at the Royal Academy of Music in London, where he achieved the unusual distinction of gaining the Academy’s highest performing award – the Dip. RAM – on both piano and cello.

He was a prizewinner in several British and international piano competitions, playing and broadcasting regularly both as a soloist and in chamber music. At the same time he worked as a freelance cellist with the major London orchestras.

Christopher Elton’s international recognition has come as a result of the many successes of his students at the Royal Academy of Music. Many have won international awards, including first prizes in the Van Cliburn ,London “World” International Piano and “Top of the World” Competitions  as well as in the 2014 Shenzen International Piano Competition and the 2014 Montreal International Piano Competition. Further recent successes include prizewinners in four recent Leeds International Piano Competition finals as well as in earlier Tchaikovsky, Leipzig Bach, Dublin, Shanghai and many other such competitions. Many of his students are now recording artists, including Freddy Kempf, Yevgeny Sudbin, Joanna MacGregor, Inon Barnatan  and Benjamin Grosvenor.

While his priority is to his work at the Royal Academy, London, Christopher Elton has also been much in demand overseas both as a teacher and as a jury member for international competitions. Within the last few years he has given masterclasses in the USA, Japan, Israel, Korea, Australia, Taiwan, Hong Kong, Spain, Germany and Ireland and Vietnam. He has also been invited as a jury member at many important international competitions – Moscow (Tchaikovsky), Dublin, Leeds, Busoni (Bolzano),Vienna Beethoven, Shenzen and China International, Santander, etc..  In 2017 he was a jury member for the Van Cliburn International Piano Competition in Fort Worth, USA. During recent years he has also given recitals in the UK, USA, Ireland, Spain, Australia and Vietnam.

Christopher Elton was Head of Keyboard at the Royal Academy of Music, London, for 24 years, until 2011, when he left that position to focus on his teaching. He was elected a Fellow in 1983, In 2002 the title of Professor of the University of London was conferred on him.

In 2018 he also acted as Visiting Professor of Piano at the University of Yale.

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Arnaldo Cohen

ARNALDO COHEN – Brazil

The Brazilian-born pianist Arnaldo Cohen, now living in the United States, has long had a reputation for astonishing his audiences with the musical authority and blistering virtuosity of his performances. He has appeared regularly as soloist with major orchestras, such as the Philadelphia Orchestra, the Cleveland Orchestra and the Los Angeles Philharmonic. His solo recitals everywhere draw enthusiastic crowds of cognoscenti. Critics, too, marvel at his mixture of musical complexity and élan.

“A model of balance and imagination” was Steve Smith’s verdict in his review of Mr. Cohen’s Town Hall recital in The New York Times.

Mr. Cohen performed Brahms’ Concerto No. 1 in D Minor with the Milwaukee Symphony and was reviewed by Tom Strini of the Milwaukee Journal: “The combination of technical command and expressive insight he demonstrated Friday is every musician’s goal.”

After performing a recital in Philadelphia, Mr. Cohen drew the following praise from distinguished critic David Patrick Stearns of the Philadelphia Inquirer: “Cohen has the smarts, the emotional presence, and the technique of a major Chopin interpreter. Unlike many similarly exciting pianists, Cohen has built a loyal public with his annual Philadelphia Chamber Music Society concerts by presenting new variations on himself at every visit.”

And, in the words of no less a piano authority than former New York Times critic the late Harold C. Schonberg: “First of all there is his sound — a burnished, unforced bronze-like sound somewhat in the Rachmaninoff manner. In a day when so many pianists sound bleak and percussive, Cohen produces a big sound that never splinters and is capable of any kind of nuance. He understands the pedals. He has a world-class technique. His playing, color and all, has text-book clarity. And he understands the Romantic style.”

After winning First Prize at the 1972 Busoni International Competition, in Italy, Mr. Cohen scored a triumph at the Concertgebouw in Amsterdam. Soon after he moved to London and went on to build a repertoire of some 50 concertos and to perform with such orchestras as the Royal Philharmonic, the Philharmonia, the Bavarian Radio Symphony Orchestra, Orchestra de la Suisse Romande, and the Santa Cecilia Orchestra of Rome, collaborating with conductors Kurt Masur, Kurt Sanderling, Klaus Tennstedt, and Yehudi Menuhin (who described Cohen as “one of the greatest pianists I have ever heard”).

arnaldocohen.com

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Angela Cheng

Angela Cheng – Canada

Consistently praised for her brilliant technique, tonal beauty, and superb musicianship, Canadian pianist Angela Cheng is one of her country’s national treasures.

During the 2019/2020 season, Ms. Cheng served as an Artistic Partner of the Edmonton Symphony Orchestra where she will perform three concertos throughout the season. Other highlights of the season included return engagements with the symphonies of Vancouver, Victoria, and Nova Scotia. In the U.S., Ms. Cheng performed with the symphonies of Fort Worth, Oklahoma City, Richmond and Canton, as well as the IRIS Chamber Orchestra.

Angela Cheng has given concerts in Carnegie Hall, Kennedy Center in Washington, D.C. and the 92nd Street Y in New York. She has also performed in the Musikverein in Vienna, the Concertgebouw in Amsterdam, the Teatro Colon in Buenos Aires, the Mariinsky Concert Hall in St. Petersburg and the Sydney Opera House. She has appeared at the Verbier, Edinburgh, Miyazaki, St. Petersburg/Stars of the White Nights, and Enescu/Romania Festivals.

An avid recitalist, Angela Cheng appears regularly on recital series throughout the United States and Canada and has collaborated with numerous chamber ensembles including the Takács, Colorado, and Vogler quartets. Festival appearances have included Banff, Bravo! Vail, Chautauqua, Colorado, Great Lakes Chamber Music Festival, La Jolla’s SummerFest, Ravinia, Vancouver, the Festival International de Lanaudière in Quebec, Toronto Summer Music Festival, the Cartegena International Music Festival in Colombia and the Schleswig-Holstein festival in Germany.

Ms. Cheng has been invited to give masterclasses throughout North America and in Asia, including the Royal Conservatory of Music in Toronto, Hong Kong Academy for the Performing Arts, Taichung University in Taiwan, Indiana University, University of Michigan and the University of Texas.  She has also served on the jury of many competitions, including the Cleveland International Piano Competition, Esther Honens International Piano Competition, Montreal International Piano Competition, William Kapell International Piano Competition, Gina Bachauer International Piano Competition, Hilton Head International Piano Competition, New Orleans International Piano Competition, and the American Pianists Association Competition.

Angela Cheng has been Gold Medalist of the Arthur Rubinstein International Piano Masters Competition, as well as the first Canadian to win the prestigious Montreal International Piano Competition. Other awards include the Canada Council’s coveted Career Development Grant and the Medal of Excellence for outstanding interpretations of Mozart from the Mozarteum in Salzburg, Austria.

A native of Hong Kong, Ms. Cheng studied extensively with Menahem Pressler at Indiana University and with Sascha Gorodnitzki at the Juilliard School.  She is currently on the artist faculty of the Oberlin Conservatory of Music, where she was honored with the 2011-12 Excellence in Teaching Award.

pianistangelacheng.com

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Stephen Hough, Commissioned Work

In addition to serving on the jury, renowned pianist, composer, and one of Twenty Living Polymaths (The EconomistStephen Hough has been commissioned to compose a new work for the 2021 Cliburn Competition, to be performed by all 30 competitors. This marks the second time that the composer of the commissioned work will also serve on the jury. Details on the piece will be released in early 2021, and competitors will receive it no later than March 25, 2021.

ABOUT STEPHEN HOUGH

“The most perfect piano playing conceivable.” –The Guardian

Named by The Economist as one of Twenty Living Polymaths, Stephen Hough combines a distinguished career as a pianist with those of composer, writer, and painter. He was the first classical performer to be awarded a MacArthur Fellowship and was made a Commander of the Order of the British Empire (CBE) in the New Year’s Honours 2014.

Concerto highlights in 2019–2020 include performances with the New York, Dallas, Toronto, Singapore, Iceland, and BBC Scottish Symphony Orchestras, as well as the Slovak Philharmonic, Radio Filharmonisch Orkest, and Royal Liverpool Philharmonic Orchestra. With the Malmö Symfoniorkester and the Orchestra of the Age of Enlightenment, Mr. Hough performs Liszt’s First and Second piano concertos, and in May–June 2020, he tours Beethoven’s Third, Fourth, and Fifth Piano Concertos in China, performing with the China Philharmonic and Shanghai Symphony Orchestras, among others. Recent appearances include the Cleveland and Minnesota Orchestras; Finnish Radio, City of Birmingham, and Tokyo Symphony Orchestras; London and China Philharmonic Orchestras; and the Wiener Symphoniker.

Mr. Hough is a regular guest at festivals such as Salzburg, Mostly Mozart, Edinburgh, La Roque-d’Anthéron, and BBC Proms, where he has made more than 25 appearances. Recitals in 2019–2020 span the United States, Europe, and beyond, including performances at the Taiwan National Concert Hall, Cliburn Concerts, Caramoor, London’s Royal Festival Hall (International Piano Series), and Wigmore Hall (chamber residency featuring Steven Isserlis, Renaud Capuçon, and Michael Collins, among others).

Mr. Hough’s extensive discography of over 60 CDs has garnered international awards including the Diapason d’Or de l’Année, several Grammy® nominations, and eight Gramophone Awards, including Record of the Year and the Gold Disc. Upcoming releases include Beethoven’s complete piano concertos (with the Finnish Radio Symphony Orchestra under Hannu Lintu) and Final Piano Pieces of Brahms, while recent releases include solo piano works by Debussy, Hough’s Dream Album, and a live recording of Schumann and Dvořák’s piano concertos with Andris Nelsons and the City of Birmingham Symphony Orchestra, all for Hyperion Records. His award-winning iPad app The Liszt Sonata was released by Touch Press in 2013.

As a composer, Mr. Hough has been commissioned by Wigmore Hall, Musée du Louvre, London’s National Gallery, Westminster Abbey, Westminster Cathedral, the Genesis Foundation, Gilmore International Keyboard Festival, the Walter W. Naumburg Foundation, Orquesta Sinfónica de Euskadi, and the Berlin Philharmonic Wind Quintet. His music is published by Josef Weinberger Ltd.

Stephen Hough’s first novel, The Final Retreat, was published by Sylph Editions in March 2018, and in August 2019, his Rough Ideas: Reflections on Music and More was published by Faber & Faber; he has also written for The New York Times, The TelegraphThe TimesThe Guardian, and the Evening Standard. Mr. Hough is an Honorary Bencher of the Middle Temple, an Honorary Member of the Royal Philharmonic Society, a 2019-22 Visiting Fellow at Lady Margaret Hall, Oxford, a Visiting Professor at the Royal Academy of Music, the International Chair of Piano Studies at the Royal Northern College of Music, and is on the faculty of The Juilliard School in New York.

stephenhough.com

 

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MARIN ALSOP, CONDUCTOR – FINAL ROUND

MARIN ALSOP – UNITED STATES
CONDUCTOR–FINAL ROUND

Marin Alsop, who also serves as 2022 Cliburn jury chair, is an inspiring and powerful voice, a conductor of vision and distinction who passionately believes that “music has the power to change lives.” She is recognized internationally for her innovative approach to programming and audience development, for her deep commitment to education and advocating for music’s importance in the world.

One of the foremost conductors of our time, Marin Alsop represents a powerful and inspiring voice. The first woman to serve as the head of a major orchestra in the United States, South America, Austria, and Britain, she is internationally recognized for her innovative approach to programming and audience development, her deep commitment to education, and her advocacy for music’s importance in the world.

Ms. Alsop currently serves as chief conductor of the ORF Vienna Radio Symphony Orchestra, the first music director of the University of Maryland’s National Orchestral Institute + Festival, and the first chief conductor and curator of Chicago’s Ravinia Festival, summer home of the Chicago Symphony Orchestra. She is also Conductor of Honour of Brazil’s São Paulo Symphony Orchestra and holds the title of Music Director Laureate and OrchKids Founder at the Baltimore Symphony Orchestra, after recently concluding an outstanding 14-year tenure as its music director.

As well as enjoying longstanding relationships with the London Philharmonic and London Symphony Orchestras, she regularly guest conducts such major international ensembles as the Orchestra of the Age of Enlightenment, the Orchestre de Paris, and The Cleveland, La Scala, Leipzig Gewandhaus, Philadelphia, and Royal Concertgebouw Orchestras. An ardent champion of new composition, she was music director of California’s Cabrillo Festival of Contemporary Music for 25 years. Last season, in collaboration with YouTube, Google Arts & Culture, and a host of the world’s leading arts organizations, she spearheaded the #GlobalOdeToJoy, a crowdsourced video project to celebrate Beethoven’s 250th anniversary and amplify his Ninth Symphony’s call for tolerance, unity, and joy.

The first and only conductor to receive a MacArthur Fellowship, Ms. Alsop has also been honored with the World Economic Forum’s Crystal Award and numerous honorary doctorates. Recognized with Grammy®, Classical BRIT, and Gramophone awards, her extensive discography includes recordings for Decca, harmonia mundi, Naxos, and Sony Classical. To promote and nurture the careers of her fellow female conductors, in 2002 she founded the Taki Concordia Conducting Fellowship, now renamed in her honor as the Taki Alsop Conducting Fellowship. The Conductor, an award-winning documentary about her life, debuted at New York’s 2021 Tribeca Film Festival.

marinalsop.com

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Rico Gulda

RICO GULDA – AUSTRIA

Born in Zurich as the youngest son to a family of musicians, Rico Gulda grew up in Munich, where he studied the piano first with his mother Yuko, then continued with legendary German virtuoso Ludwig Hoffmann. At the Vienna Music University, he then studied with Noel Flores, whilst also working with his father, the late pianist-composer Friedrich Gulda.

Initially embarking on a career as pianist, he performed with international orchestras such as the Vienna Philharmonic, National Orchestra of Belgium, Czech Philharmonic of Brno, Verdi Orchestra Milan, Mozarteum Orchestra of Salzburg, Radio Orchestra Svizzera Lugano, and New Japan Philharmonic, and released recordings on the Naxos, Deutsche Grammophon, Orplid, and Amphion labels. Highlights have included televised performances of Mozart´s Triple Concerto with Martha Argerich (also released on CD/DVD), as well as performances with Renaud Capuçon, Matthias Goerne, Michael Schade, and the late Paul Badura-Skoda. His arrangement of Rossini´s Semiramide Ouverture for Eight Pianos was performed and recorded at the Verbier Festival, featuring pianists Evgeny Kissin, Lang Lang, Leif Oves Andsnes, and Emanuel Ax, amongst others.

Mr. Gulda taught piano at Mozarteum University (Salzburg), Hansei University (Seoul), and in masterclasses in Vienna, Vietnam, and Japan. He now regularly holds music management workshops and is frequently invited as juror at major international piano competitions.

In 2000, Rico Gulda began developing a career in music management: in artist‘s management and then as manager of Kristjan Järvi´s Absolute Ensemble in New York. In 2007, he joined the Wiener Konzerthaus as executive assistant to the CEO. In 2013, he was promoted to head of artistic planning and dramaturgy of Wiener Konzerthaus, responsible for over 600 concerts per season. He is also artistic director of the Oberoesterreichische Stiftskonzerte summer festival.

konzerthaus.at

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Lilya Zilberstein

LILYA ZILBERSTEIN – Germany

Lilya Zilberstein got her first taste of international success in 1987 when she won the Busoni Competition in Bolzano. By 1988, the Moscow-born pianist was able to perform big tours abroad in the West. Traveling for her concerts took her to almost all of Europe, Mexico, Japan, Korea, Canada, and Brazil.

She started playing the piano at 5 years old. In 1985, she won first prize in the Competition of the Russian Federation and was one of the prizewinners at the All Union’s Competition in Riga. She emigrated to Germany in 1990. In 1991, she debuted with the Berlin Philharmonic Orchestra under Claudio Abbado, which formed the basis of a longterm cooperation. Ms. Zilberstein has since performed with the foremost orchestras and conductors in the world. She is a regular guest in the major concert halls and at the most important festivals in Europe, North America, Asia, South America, and the Middle East. She has toured with violinist Maxim Vengerov and celebrated the 20-year anniversary with her duo partner Martha Argerich in 2019.

Highlights of recent years include a residency at the Stuttgart Philharmonic Orchestra, invitations to play at the Salzburg and Easter Festivals, and performances with Düsseldorf Symphony and Cologne Gürzenich Orchestras, where she played Tchaikovsky‘s rarely performed Third Piano Concerto (documented by a critically acclaimed CD by Oehms Classics).

She has recorded eight albums for Deutsche Grammophon; more recently, she has recorded the Brahms Sonata for Two Pianos with Martha Argerich (EMI) and Clementi, Mussorgsky, and Rachmaninov (Hänssler Classic).

Since 2015, she is professor at the University of Music and Performing Arts Vienna, succeeding Paul Badura-Skoda and Oleg Maisenberg.

lilyazilberstein.com

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Orli Shaham

Orli Shaham – Israel/United States

A consummate musician recognized for her grace, subtlety, and brilliance, Orli Shaham has established an impressive international reputation as one of today’s most gifted pianists. Hailed by critics on four continents, Ms. Shaham is in demand for her prodigious skills and admired for her interpretations of both standard and modern repertoire. The New York Times called her a “brilliant pianist,” the Chicago Tribune recently referred to her as “a first-rate Mozartean” in a performance with the Chicago Symphony, and London’s Guardian said her playing at the Proms was “perfection.”

She has performed with many of the world’s major orchestras and appeared in recital around the globe, from Carnegie Hall to the Sydney Opera House. She is artistic director of Pacific Symphony’s chamber series, Café Ludwig in Costa Mesa, and artistic director of the interactive children’s concert series Orli Shaham’s Bach Yard, which she founded in 2010.

n 2021, Ms. Shaham performed with the Marin, Vancouver, and Reading Symphony Orchestras, and released the second and third volumes of the complete Mozart piano sonatas. Her Mozart recording project also includes volume 1 of the sonatas and her album of piano concertos with the St. Louis Symphony, all of which are part of her discography of a dozen titles on Canary Classics.

Ms. Shaham is a co-host and creative for the national radio program From the Top. She is on the piano and chamber music faculty at The Juilliard School and is chair of the board of trustees at Kaufman Music Center in New York.

Orli Shaham has been a Steinway Artist since 2003.

 

orlishaham.com

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Anne-Marie McDermott

ANNE-MARIE MCDERMOTT – UNITED STATES

Pianist Anne-Marie McDermott has played concertos, recitals, and chamber music in hundreds of cities throughout the world. In addition to performing, she also serves as artistic director of the Bravo! Vail Music and Ocean Reef Music Festivals, as well as Curator for Chamber Music for the Mainly Mozart Festival in San Diego.

The breadth of Ms. McDermott’s repertoire reaches from Bach, Haydn, and Beethoven to Rachmaninov, Prokofiev, and Scriabin, to works by today’s most influential composers. She has performed with many leading orchestras and is a long time member of the Chamber Music Society of Lincoln Center with whom she performs and tours extensively each season. In recent years, Ms. McDermott premiered and recorded a new concerto by Poul Ruders with the Vancouver Symphony, returned to play Gershwin with the New York Philharmonic at the Bravo! Vail Festival, and performed concertos with the Philadelphia Orchestra led by Sir Donald Runnicles and with Le Train Bleu. Other highlights include touring with violinist Nadja Salerno-Sonnenberg and the New Century Chamber Orchestra; the complete Beethoven piano trios with Ida Kavafian and Peter Wiley; and the complete Beethoven cello sonatas with Lynn Harrell. Recent international engagements include a performance with the Sao Paulo Symphony at the Cartagena Festival and an all-Haydn recital tour of China.

Ms. McDermott gave performances of works by Charles Wuorinen in New York and Washington, D.C., in celebration of the composer’s 75th birthday. His last piano sonata was written for her and premiered at New York’s Town Hall. Ms. McDermott studied at the Manhattan School of Music and has received the Mortimer Levitt Career Development Award for Women and an Avery Fisher Career Grant. She lives in New York City with her husband, Michael, and her Maltese, Lola.

annemariemcdermott.net

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Stephen Hough

STEPHEN HOUGH – UNITED KINGDOM

In addition to serving on the jury, Stephen Hough has been commissioned to compose a new work for the 2022 Cliburn Competition, to be performed by all 30 competitors. This marks the second time that the composer of the commissioned work will also serve on the jury. 

Named by The Economist as one of Twenty Living Polymaths, Stephen Hough combines a distinguished career as a pianist with those of composer, writer, and painter. He was the first classical performer awarded a MacArthur Fellowship and was made a Commander of the Order of the British Empire (CBE) in the New Year’s Honours 2014.

He is the BBC Philharmonic’s 2021–2022 artist in residence. Other season highlights include orchestra engagements with the Royal Concertgebouw, Tonkunstler Orchestra, and Dallas Symphony; tour of Asia; and recitals at London’s Royal Albert Hall, Estonia National Concert Hall, and in cities across North America. Mr. Hough is a regular guest at festivals such as Salzburg, Mostly Mozart, Edinburgh, La Roque-d’Anthéron, and BBC Proms. In June 2020, he returned to London’s Wigmore Hall to give the UK’s first live classical music concert in a major venue since the nationwide lockdown earlier that year.

Mr. Hough’s extensive discography of over 60 CDs has garnered international awards including the Diapason d’Or de l’Année, several Grammy® nominations, and eight Gramophone Awards. Upcoming releases include Beethoven’s complete piano concertos and Final Piano Pieces of Brahms, both for Hyperion Records. His award-winning iPad app The Liszt Sonata was released by Touch Press in 2013.

As a composer, Mr. Hough has been commissioned by Wigmore Hall, Musée du Louvre, London’s National Gallery, Westminster Abbey, Westminster Cathedral, the Walter W. Naumburg Foundation, Orquesta Sinfónica de Euskadi, and the Berlin Philharmonic Wind Quintet. His music is published by Josef Weinberger Ltd.

His first novel, The Final Retreat, released in March 2018, and his Rough Ideas: Reflections on Music and More was published a year later; he has also written for The New York Times, The Telegraph, The Times, The Guardian, and the Evening Standard. Mr. Hough is an Honorary Bencher of the Middle Temple, Honorary Member of the Royal Philharmonic Society, Visiting Professor at the Royal Academy of Music, International Chair of Piano Studies at the Royal Northern College of Music, and is on the faculty of The Juilliard School in New York.

stephenhough.com

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Wu Han

WU HAN – CHINA TAIWAN/UNITED STATES

Pianist Wu Han, recipient of Musical America’s Musician of the Year Award, enjoys a multi-faceted musical life that encompasses performing, recording, and artistic direction at the highest levels. Currently artistic co-director of the Chamber Music Society of Lincoln Center and Music@Menlo, she also serves as artistic advisor for Wolf Trap’s Chamber Music in the Barns and for Palm Beach’s Society of the Four Arts.

Recent concert activities have taken her from New York’s Lincoln Center stages to the most important concert halls in the United States, Europe, and Asia. In addition to countless performances of chamber music, Wu Han has recently appeared with the Philadelphia, Atlanta Symphony, and Aspen Festival orchestras. She is the founder and artistic director of ArtistLed, classical music’s first artist-directed, internet-based recording label. Her more than 80 releases on ArtistLed, CMS Live, and Music@Menlo Live include the staples of the cello-piano duo repertoire with cellist David Finckel and masterworks of the chamber repertoire with numerous distinguished musicians, the latest being Schubert’s Winterreise with baritone Nikolay Borchev. During the past season, Wu Han designed and produced more than 200 digital media projects, which have sustained the art of chamber music in dozens of communities across the United States.

At CMS, Wu Han was instrumental in transforming the CMS Two Program into today’s Bowers Program, which admits stellar young musicians to the CMS roster for three seasons. Dedicated to education for musicians of all ages and experience, Wu Han directs the Chamber Music Institute at Music@Menlo and has served on faculty at Isaac Stern’s Chamber Music Encounters in Israel, New York, and Japan. A recipient of the prestigious Andrew Wolf Award, Wu Han was mentored by Lilian Kallir, Rudolf Serkin, and Menahem Pressler. Married to cellist David Finckel since 1985, Wu Han divides her time between concert touring and residences in New York City and Westchester County.

davidfinckelandwuhan.com

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Andreas Haefliger

Andreas Haefliger – SWITZERLAND

Andreas Haefliger was born into a distinguished Swiss musical family and grew up in Germany, going on to study at The Juilliard School in New York. He was quickly recognized as a pianist of the first rank, and engagements with major U.S. orchestras followed swiftly—the New York Philharmonic, Cleveland, Los Angeles Philharmonic, Boston Symphony, and Chicago Symphony orchestras among them. In his native Europe, as well, Mr. Haefliger has appeared with the great orchestras such as the Royal Concertgebouw, Rotterdam and Munich Philharmonic, Budapest Festival, Deutsche Symphonie-Orchester Berlin, London Symphony, and Vienna Symphony. Recognized as a superb recitalist, he has ongoing relationships with the Lucerne and Edinburgh Festivals, Vienna Konzerthaus, and other major halls across North America and Asia.

Mr. Haefliger has won plaudits for his Beethoven “Perspectives” recitals, in which he performs the complete piano works of Beethoven alongside works by other composers from Mozart to Ligeti. This series has formed the focus of Haefliger’s recital appearances and recordings in recent years, including as a regular visitor to London’s Wigmore Hall. In 2019 BIS released Mr. Haefliger’s first concerto disc—the world premiere recording of Dieter Ammann’s Gran Toccata with Susanna Malkki and the Helsinki Philharmonic, coupled with Bartók and Ravel concertos. He gave the first live performance of the Ammann at the BBC Proms in 2019, followed by the North American premiere with the Boston Symphony and Susanna Malkki. It was co-commissioned for Mr. Haefliger by Boston together with the Wiener Konzerthaus, Munich Philharmonic, Lucerne Festival, and Taipei Symphony.

Mr. Haefliger began his career with Sony Classical recording Mozart sonatas, followed by works of Schumann, Schubert, and Sofia Gubaidulina. Later he recorded for Decca with the Takács Quartet and Matthias Goerne, with whom he won the Preis Der Deutschen Schallplattenkritik for Schubert’s Goethe Songs. Before joining BIS, he recorded the first six of his Perspectives series on the Avie label, for whom he also recorded a recital album with his wife, the distinguished flutist Marina Piccinini.

andreashaefliger.com

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