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Exploring the ways music reflects the American experience over the last 250 years, the Cliburn brings together a group of artists in residence to present music written in, inspired by, or reflective of the United States.

Adriana Morales grew up in Colombia, where she studied piano from early childhood through high school. A scholarship to Texas Christian University brought her to the United States, where she earned both a bachelor’s and a master’s degree in piano pedagogy (teaching). During her studies, Ms. Morales developed an interest in jazz and joined the Curt Wilson Big Band. She also won the Young Artist Performing Series Competition in her hometown and performed in one of Colombia’s finest concert halls, the Library Hall Luis Angel Arango.

2022 Competition Artistic Collaborators

Andrew Li credits his time in the Harvard University/New England Conservatory of Music joint program with substantially aiding in his development as a musician and a human being. He is currently finishing a bachelor’s degree in human evolutionary biology and a master’s in piano performance, the latter under the guidance of Wha Kyung Byun, with whom he has studied since the age of 12.

Let your imagination go wild as playful musicians impersonate the animal kingdom—from a stately lion and an energetic kangaroo to crazy donkeys and much more. All of this in the frolicsome setting of the Fort Worth Zoo, whose Animal Ambassadors will make special appearances throughout! Join us this fall as two pianos bring Saint-Saëns’ humorous suite, The Carnival of the Animals, to life like never before.

He’s chairing the jury for the Van Cliburn International Piano Competition in 2025, then will make his Cliburn Concerts debut at the Kimbell Art Museum.

In this concert, 3 of 6 competitors will each perform concertos with Marin Alsop and the Fort Worth Symphony Orchestra.

Born into a family of pianists in Riga, Latvia, Georgijs Osokins began his studies at the age of 5 with his father, Sergejs Osokins. After 12 years at the Emīls Dārziņš Music School, he studied with Sergei Babayan at The Juilliard School in 2015, then moved to Robert Schumann Hochschule in Düsseldorf to study with Georg Friedrich Schenck. He finds “consistent development” to be the hallmark of a great musician: “only when an artist fully embraces his responsibility of being the linking element between the creator and the recipient, can he start to generate art himself.”

In this concert, 3 of 28 competitors will each perform a 40-minute recital, including the worldwide debut of the 2025 Cliburn commissioned work composed by Competition juror Gabriela Montero.

Till Fellner’s international career began in 1993 with the first prize at the renowned Concours Clara Haskil in Vevey, Switzerland. Since then, he has been a sought-after guest at the major orchestras and the music centers of Europe, the United States, and Japan, as well as at numerous festivals. He currently teaches in Zurich and Graz.