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The Cliburn advances classical piano music throughout the world. Its international competitions, education programs, and concert series embody an enduring commitment to artistic excellence and the discovery of new artists. Established in Fort Worth, Texas, in 1962, the quadrennial Van Cliburn International Piano Competition remains the most visible expression of that mission and is, as always, committed to its original ideals of supporting and launching the careers of emerging artists, age 18–30. It shares the transformative powers of music with a wide global audience, through fully produced webcasts and by providing comprehensive career management and concert bookings to its winners.

Pianist Nathan Ryland, a native of Richardson, Texas, has been a winner in competitions across the United States, from the Los Angeles International Liszt Competition to the Brevard Music Center Piano Competition in North Carolina. Most recently, he was selected as the winner of the Texas State International Piano Competition and will be performing with the Central Texas Philharmonic later this season. He has performed with the Mid-Texas Symphony and UNT Symphony Orchestra. He was also chosen as a winner of the Jan and Beattie Wood Concerto Competition, playing with the Brevard Music Center Orchestra in 2014.

French pianist Philippe Bianconi has been described as an artist whose playing is “always close to the soul of the music, filling the space with poetry and life,” (Washington Post) and who offers “an extraordinary exhibition of musicianship, technical control and good taste” (The London Times). Having appeared as a soloist with the world’s finest orchestras, Mr. Bianconi recently concluded his tenure as director of the American Conservatory at Fontainebleau, a post he held between 2013–2017 that cemented his reputation as one of the most distinguished artists of his generation. He continues to teach at the American Conservatory at Fontainebleau and joined the faculty of École Normale de Musique de Paris in fall 2018.

Known for his charisma and expressive interpretations, Mexican conductor Carlos Miguel Prieto has established himself not just as a major figure in the orchestra world but also as an influential cultural leader, educator, and a champion of new music. In a significant career development, he will start his tenure as Music Director of the North Carolina Symphony at the beginning of the 2023–24 season.

The official artwork of the 2025 Van Cliburn International Piano Competition features “Chromesthesia” by internationally renowned, Texas-based muralist DAAS; the piece was originally commissioned for the Cliburn’s first-ever mural, painted in May 2022 at 113 South Main Street in Fort Worth’s vibrant Near Southside. The mural was a lasting gift to the city of Fort Worth and a celebration of the Cliburn’s 60th Anniversary.

Combining exceptional lyricism and insight with consummate technique, Alessio Bax is without a doubt “among the most remarkable young pianists now before the public” (Gramophone). He catapulted to prominence with First Prize wins at both the Leeds and Hamamatsu International Piano Competitions, and is now a familiar face on five continents, not only as a recitalist and chamber musician, but also as a concerto soloist who has appeared with more than 150 orchestras, including the London, Royal, and St. Petersburg Philharmonic Orchestras, the Boston, Dallas, Cincinnati, Sydney, and City of Birmingham Symphony Orchestras, and the NHK Symphony in Japan, collaborating with such eminent conductors as Marin Alsop, Vladimir Ashkenazy, Sir Andrew Davis, Fabio Luisi, Sir Simon Rattle, Yuri Temirkanov, and Jaap van Zweden.

Fort Worth Proud

Camille Thomas’ rich, yet elegant, sound and effortless virtuosity make her an audience favorite around the world—and bring her back for her second Cliburn Concerts appearance.

2025 Cliburn Competitor Callum McLachlan

Called the “Van Cliburn of today” by the BBC, pianist Alexander Kobrin has placed himself at the forefront of today’s performing musicians. His prize-winning performances have been praised for their brilliant technique, musicality, and emotional engagement with the audience.