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Cliburn Sessions just celebrated 10 years of presenting excellent classical artists in a relaxed performing environment, where they are free to be casual, to blend genres, and to interact with the audience.

The prizes and awards for the 2025 Van Cliburn International Piano Competition

The Screening Auditions determine which pianists will compete in the Seventeenth Van Cliburn International Piano Competition. For one week in March, 77 pianists arrived in Fort Worth to perform 25-minute recitals for a public audience and members of the Screening Jury. The screening jurors—comprised of five internationally recognized artists—will then select 30 to return in May for the 2025 Cliburn Competition.

The Cliburn is proud to announce that Yunchan Lim, gold medalist of the 2022 Cliburn Competition, will join the IMG Artists roster for general management. He will be represented by Nicholas Mathias and Federico M. Benigni from the company’s London office, in conjunction with MOC Production for Asia.

In this concert, 4 of 28 competitors will each perform a 40-minute recital, including the worldwide debut of the 2025 Cliburn commissioned work composed by Competition juror Gabriela Montero.

2025 Competitors

In this concert, 4 of 28 competitors will each perform a 40-minute recital, including the worldwide debut of the 2025 Cliburn commissioned work composed by Competition juror Gabriela Montero.

In this concert, 3 of 6 competitors will each perform concertos with Marin Alsop and the Fort Worth Symphony Orchestra, immediately followed by the Competition Awards Ceremony.

Artists landing page

French pianist Philippe Bianconi has been described as an artist whose playing is “always close to the soul of the music, filling the space with poetry and life,” (Washington Post) and who offers “an extraordinary exhibition of musicianship, technical control and good taste” (The London Times). Having appeared as a soloist with the world’s finest orchestras, Mr. Bianconi recently concluded his tenure as director of the American Conservatory at Fontainebleau, a post he held between 2013–2017 that cemented his reputation as one of the most distinguished artists of his generation. He continues to teach at the American Conservatory at Fontainebleau and joined the faculty of École Normale de Musique de Paris in fall 2018.