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2025 Cliburn Competitor Callum McLachlan

2025 Cliburn Competitor Magdalene Ho

Taiwanese pianist Cecilia Lo-Chien Kao is a dynamic performer who is in demand as a chamber musician. She has collaborated with several internationally known artists such as Lynn Harrell and Robert McDuffie, and members of the Tokyo, Emerson, and Juilliard String Quartets, among many others. She has performed at Carnegie Weill Hall and can be heard with cellist Bion Tsang on his album The Blue Rock Sessions.

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Till Fellner’s international career began in 1993 with the first prize at the renowned Concours Clara Haskil in Vevey, Switzerland. Since then, he has been a sought-after guest at the major orchestras and the music centers of Europe, the United States, and Japan, as well as at numerous festivals. He currently teaches in Zurich and Graz.

Born in Fort Worth, Texas, Sara Doan began studying piano at the age of 3 with Donna Edwards. Under her tutelage, Ms. Doan won top prizes in several state and regional competitions. She earned a bachelor’s and master’s degree in piano performance at the University of North Texas, and is currently pursuing a Doctor of Musical Arts at TCU.

Jury for the 2028 Cliburn International Competition for Conductors

Join us at Steinway Piano Gallery of Fort Worth across the street from Bass Performance Hall and enjoy a free recital from several 2025 Cliburn competitors. Bring your lunch or purchase onsite from Salsa Limón.

Equally in demand as a recitalist, soloist, and chamber musician, Mikhail Berestnev brings to every performance the experiences of a career spanning the globe, including Australia, Ireland, Russia, Belgium, Brazil, and Spain, in addition to concert halls across the United States. Recent collaborations include solo appearances under the direction of Maestro Hector Guzman, and composer and conductor Dr. Robert Xavier Rodriguez; in chamber music with members of the Dallas Symphony; as part of the MAKE Trio; and with the Julius String Quartet.

Featured alongside four other classical albums that "have the The New York Times' critics hooked," Yunchan Lim's live Rachmaninoff Concerto No. 3 album "confirms his interpretation as one of the most coherent, poetic, and exciting recordings of this monumental concerto."