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  • Quarterfinal Round Concert 4

    In this concert, 4 of 18 competitors will each perform a 40-minute recital.

  • Quarterfinal Round Concert 1

    In this concert, 4 of 18 competitors will each perform 40-minute recitals.

  • Quarterfinal Round Concert 3

    In this concert, 4 of 18 competitors will each perform a 40-minute recital.

  • Cliburn Festival

    A multiday event examining different perspectives in music—such as the work of a singular composer, the music of a particular moment in history, or a significant stylistic movement.

  • Final Round Concert 1

    In this concert, 3 of 6 competitors will each perform concertos with Marin Alsop and the Fort Worth Symphony Orchestra.

  • Preliminary Round Concert 1

    In this concert, 3 of 28 competitors will each perform a 40-minute recital, including the worldwide debut of the 2025 Cliburn commissioned work composed by Competition juror Gabriela Montero.

  • Mari Kodama

    Mari Kodama is consistently praised for her virtuosity in a wide range of repertoire, including orchestral, chamber, and solo works by composers of all periods. She is also known for her natural musicality, tonal expressiveness with a clear form, and as a benchmark Beethoven interpreter.

  • Preliminary Round Concert 7

    In this concert, 3 of 28 competitors will each perform a 40-minute recital, including the worldwide debut of the 2025 Cliburn commissioned work composed by Competition juror Gabriela Montero.

  • Preliminary Round Concert 8

    In this concert, 3 of 28 competitors will each perform a 40-minute recital, including the worldwide debut of the 2025 Cliburn commissioned work composed by Competition juror Gabriela Montero.

  • Momo Kodama

    Praised for her “impeccable technique and facility for crystalline sounds” (American Record Guide), “her natural ease and keen sense for drama” (BBC Music Magazine), “deliciously pearly touch” (Classical-Music) and “crisp, pointed and sensuous playing” (San Francisco Chronicle), Momo Kodama has built up an impressive career with performances with world-renowned orchestras such as the Berlin Philharmonic Orchestra, Boston Symphony Orchestra, Bayerisches Staatsorchester, NHK Symphony Orchestra, NDR Elbphilharmonie Orchestra, Orchestre National de France, Orchestre Philharmonique de Radio France, Orchestre Philharmonique de Monte-Carlo, Orchestre de Chambre de Paris and the Royal Liverpool Philharmonic Orchestra, under the baton of Seiji Ozawa, Eliahu Inbal, Charles Dutoit, Kent Nagano, Roger Norrington, Lawrence Foster and André Previn. She has appeared at the Vienna Musikverein, Berlin Philharmonie, Berlin Konzerthaus, Suntory Hall Tokyo, Philharmonie de Paris, Théâtre des Champs-Elysées in Paris, Muziekgebouw aan ’t IJ in Amsterdam and the Wigmore Hall in London.