Marcel Tadokoro was born in Fukuoka, Japan, into a “literary family:” neither his French mother nor Japanese father are musicians. But he studied piano and had the opportunity to give a small public concert when he was 8; he says that was the moment he “immediately understood this would be my life.”

Kate Liu

On Jonathan Mak’s third birthday, his sister’s piano teacher decided to give him a trial lesson; he has been actively studying both piano and viola ever since. He made his orchestra debut with the Canadian Sinfonietta just one year later, at the age of 4.

Seoul native Jinhyung Park began studying piano at the age of 5 and made his recital debut 10 years later. After completing his bachelor’s degree in piano performance at Yonsei University under the tutelage of Ian Yungwook Yoo, he moved to Germany to study with Arie Vardi at the Hochschule für Musik, Theater und Medien in Hannover.

When he was 3 years old, Moscow native Ilya Shmukler’s mother found him jumping on the bed and beautifully singing Robertino Loreti’s “Jamaica;” she immediately recognized his musical talent and started him in lessons. It was important to his non-musician parents that he be raised as a well-rounded person, so his early years were also spent with school, table tennis, and ballroom dancing. But at 10, he says his life changed after applying for and winning his first music competition and attending the subsequent international summer academy: “There I discovered a true musical life, and I fell in love with it, inspiring me to commit my life to music.”

In Honggi Kim’s childhood home in Wonju, his sister played an electric keyboard; his parents then encouraged him to start learning the instrument after he played the same pieces she did, on his own, by ear. During his middle school years at art school in Seoul, he also studied composition, which he credits with deepening his understanding of music and its logic, so that he could develop his own interpretations.

Born into a family of pianists in Riga, Latvia, Georgijs Osokins began his studies at the age of 5 with his father, Sergejs Osokins. After 12 years at the Emīls Dārziņš Music School, he studied with Sergei Babayan at The Juilliard School in 2015, then moved to Robert Schumann Hochschule in Düsseldorf to study with Georg Friedrich Schenck. He finds “consistent development” to be the hallmark of a great musician: “only when an artist fully embraces his responsibility of being the linking element between the creator and the recipient, can he start to generate art himself.”

Milan native Francesco Granata’s journey with music began when he was 5 and has not stopped since. He graduated from the Milan Conservatory in 2016, with the highest evaluation and special mention. He then had the opportunity to study under two distinguished Cliburn laureates: Benedetto Lupo at the St. Cecilia Academy in Rome, where he obtained the Master Course Diploma, and—now—Roberto Plano at the Jacobs School of Music at Indiana University.

Federico Gad Crema

Pianist Gloria Chien has one of the most diverse musical lives as a noted performer, concert presenter, and educator. She made her orchestral debut at the age of 16 with the Boston Symphony Orchestra with Thomas Dausgaard, and she performed again with the BSO with Keith Lockhart. Gloria was subsequently selected by the The Boston Globe as one of its Superior Pianists of the year, “who appears to excel in everything.” In recent seasons, she has performed as a recitalist and chamber musician at Alice Tully Hall, the Library of Congress, the Dresden Chamber Music Festival, and the National Concert Hall in Taiwan. She performs frequently with the Chamber Music Society of Lincoln Center. In 2009, Gloria launched String Theory, a chamber music series in Chattanooga, Tennessee that has become one of the region’s premier classical music presenters. The following year she was appointed director of the Chamber Music Institute at Music@Menlo, a position she held for the next decade.