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The Cliburn is proud to announce that Yunchan Lim, gold medalist of the 2022 Cliburn Competition, will join the IMG Artists roster for general management. He will be represented by Nicholas Mathias and Federico M. Benigni from the company’s London office, in conjunction with MOC Production for Asia.

2025 Cliburn Competitor Piotr Alexewicz

Information for arts presenters on booking 2025 Cliburn Winners

Praised for her “impeccable technique and facility for crystalline sounds” (American Record Guide), “her natural ease and keen sense for drama” (BBC Music Magazine), “deliciously pearly touch” (Classical-Music) and “crisp, pointed and sensuous playing” (San Francisco Chronicle), Momo Kodama has built up an impressive career with performances with world-renowned orchestras such as the Berlin Philharmonic Orchestra, Boston Symphony Orchestra, Bayerisches Staatsorchester, NHK Symphony Orchestra, NDR Elbphilharmonie Orchestra, Orchestre National de France, Orchestre Philharmonique de Radio France, Orchestre Philharmonique de Monte-Carlo, Orchestre de Chambre de Paris and the Royal Liverpool Philharmonic Orchestra, under the baton of Seiji Ozawa, Eliahu Inbal, Charles Dutoit, Kent Nagano, Roger Norrington, Lawrence Foster and André Previn. She has appeared at the Vienna Musikverein, Berlin Philharmonie, Berlin Konzerthaus, Suntory Hall Tokyo, Philharmonie de Paris, Théâtre des Champs-Elysées in Paris, Muziekgebouw aan ’t IJ in Amsterdam and the Wigmore Hall in London.

Uladzislau Khandohi was born in Minsk, Belarus, to a family of musicians—dulcimer players. When his parents noticed him picking out melodies on the piano at the age of 7, they took him to music school, where he progressed quickly; he won his first grand prix (at the Mendzelevskaya Open City Competition for young pianists in Mogilev) at age 10, and the first prize of the Sviridov Competition for Young Performers in St. Petersburg a year later.

When he was 3 years old, Moscow native Ilya Shmukler’s mother found him jumping on the bed and beautifully singing Robertino Loreti’s “Jamaica;” she immediately recognized his musical talent and started him in lessons. It was important to his non-musician parents that he be raised as a well-rounded person, so his early years were also spent with school, table tennis, and ballroom dancing. But at 10, he says his life changed after applying for and winning his first music competition and attending the subsequent international summer academy: “There I discovered a true musical life, and I fell in love with it, inspiring me to commit my life to music.”

Be one of the first to welcome our new gold medalist back to Fort Worth for a recital at the Kimbell Art Museum.

French pianist Philippe Bianconi has been described as an artist whose playing is “always close to the soul of the music, filling the space with poetry and life,” (Washington Post) and who offers “an extraordinary exhibition of musicianship, technical control and good taste” (The London Times). Having appeared as a soloist with the world’s finest orchestras, Mr. Bianconi recently concluded his tenure as director of the American Conservatory at Fontainebleau, a post he held between 2013–2017 that cemented his reputation as one of the most distinguished artists of his generation. He continues to teach at the American Conservatory at Fontainebleau and joined the faculty of École Normale de Musique de Paris in fall 2018.

2025 Cliburn Competitor Chaeyoung Park

Info for New Listeners