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In this concert, 2 of 12 competitors will each perform a 60-minute recital.

2025 Cliburn Competitor Chaeyoung Park

Two favorite initiatives return for the 2025 Cliburn Competition: the student-created painted banners, adorning Houston and Main Streets in downtown Fort Worth; and the Adopt-A-Competitor series, featuring free concerts from 2025 competitors at the Fort Worth, Burleson, and Euless Public Libraries.

A consummate musician recognized for her grace, subtlety, and brilliance, Orli Shaham has established an impressive international reputation as one of today’s most gifted pianists. Hailed by critics on four continents, Ms. Shaham is in demand for her prodigious skills and admired for her interpretations of both standard and modern repertoire. The New York Times called her a “brilliant pianist,” the Chicago Tribune recently referred to her as “a first-rate Mozartean” in a performance with the Chicago Symphony, and London’s Guardian said her playing at the Proms was “perfection.”

Spend Spring Break with Cliburn Kids on the Road: Keys to America at Chandor Gardens

Counterpoint is a collaboration between pianist and composer Conrad Tao and choreographer and dancer Caleb Teicher. The duo explores the dichotomy of their different perspectives and artistic practices, expanding their individual expressive capacity through a collective experience. Witness this amazing collaboration at Tannahill's Music Hall.

Tokyo-born Yuki Yoshimi did not decide to pursue music professionally; he first “met the piano” at a friend’s house when he was 5 years old and has “loved the piano since then.” A graduate of the Toho Gakuen School of Music, where he worked with Hisako Ueno and Kei Itoh, his studies eventually brought him to the United States; he has attended the New England Conservatory of Music under Alexander Korsantia since 2020.

In this concert, 3 of 6 competitors will each perform concertos with Marin Alsop and the Fort Worth Symphony Orchestra, immediately followed by the Competition Awards Ceremony.

Taking a simple theme and writing variations on it is like catnip for composers. Almost no composer can resist the chance to display compositional chops, and these magnificent sets are written with maximum enjoyment (for pianist and listener) in mind.

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