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Ten years after they performed in the first-ever concert for Cliburn Sessions—an innovative concert series that has brought a classically alternative music scene to Fort Worth since 2014—Anderson & Roe return, this time to debut at a new venue, Fort Brewery.

Tianxu An, from Baoding, near Beijing, is a sought-after young artist, both at home in China and around the world. In June 2019, Tianxu drew international attention when he won fourth prize and a special prize for “courage and restraint” in the XVI International Tchaikovsky Competition—the highest award for a Chinese pianist at that contest in 17 years. A month later, he made his debut with the Philadelphia Orchestra at the Mann Center.

With more than 15 years of award-winning Naïve recordings and international concert appearances, Lise de la Salle has established herself as a musician of real sensibility and maturity. Her playing inspired a Washington Post critic to write, “For much of the concert, the audience had to remember to breathe… the exhilaration didn’t let up for a second until her hands came off the keyboard.”

March 11 through 21, the Cliburn presents one of its popular education programs, "What Makes A Hero?," in free concerts around Fort Worth, Dallas, and Weatherford in partnership with local parks and public libraries.

Born in Qinhuangdao, Xiaolu Zang was 4 years old when an electric keyboard caught his attention. He eventually attended the Beijing Central Music Conservatory Middle School for seven years under Professor Ye Lin and won first prizes in several major Chinese competitions. It was during that time, at the age of 15, that he recalls a singular day when he determined himself to become a professional musician. That commitment took him to Germany in 2017, where he studies with Arie Vardi at Hochschule für Musik, Theater und Medien Hannover.

A collection of Classical-era piano performances from Cliburn Competitions.

Free Concerts

Praised for her “impeccable technique and facility for crystalline sounds” (American Record Guide), “her natural ease and keen sense for drama” (BBC Music Magazine), “deliciously pearly touch” (Classical-Music) and “crisp, pointed and sensuous playing” (San Francisco Chronicle), Momo Kodama has built up an impressive career with performances with world-renowned orchestras such as the Berlin Philharmonic Orchestra, Boston Symphony Orchestra, Bayerisches Staatsorchester, NHK Symphony Orchestra, NDR Elbphilharmonie Orchestra, Orchestre National de France, Orchestre Philharmonique de Radio France, Orchestre Philharmonique de Monte-Carlo, Orchestre de Chambre de Paris and the Royal Liverpool Philharmonic Orchestra, under the baton of Seiji Ozawa, Eliahu Inbal, Charles Dutoit, Kent Nagano, Roger Norrington, Lawrence Foster and André Previn. She has appeared at the Vienna Musikverein, Berlin Philharmonie, Berlin Konzerthaus, Suntory Hall Tokyo, Philharmonie de Paris, Théâtre des Champs-Elysées in Paris, Muziekgebouw aan ’t IJ in Amsterdam and the Wigmore Hall in London.

After Vitaly Starikov completed his studies at the Ural Special Music School in his native Yekaterinburg, his “dream came true” when he began studying with Vera Gornostayeva, one of the world’s most venerated teachers, at the Moscow Tchaikovsky Conservatory. At that time, her student, Vadym Kholodenko, had just won the 2013 Cliburn Competition, which “greatly inspired” Vitaly: “and it was then that the thought was born to someday participate in this competition.”

Sergey Tanin started piano lessons when he was 5 years old, and—though his parents were not musicians and never pushed him to practice—his commitment to the instrument grew quickly. By age 9, he had decided to be a pianist. Growing up in Yakutia in far Eastern Russia, a long way from major cities and the concerts they might offer, he drew inspiration from recordings by great artists, such as Argerich, Pletnev, Michelangeli, and Rubinstein. He was “taken by the power of music.”