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Milan native Francesco Granata’s journey with music began when he was 5 and has not stopped since. He graduated from the Milan Conservatory in 2016, with the highest evaluation and special mention. He then had the opportunity to study under two distinguished Cliburn laureates: Benedetto Lupo at the St. Cecilia Academy in Rome, where he obtained the Master Course Diploma, and—now—Roberto Plano at the Jacobs School of Music at Indiana University.

When she was 6, Elizaveta Kliuchereva—who was born in Moscow into a family of visual artists—was walking in the corridors of her art school and found a very old piano standing in the corner. She says: “From the moment I saw the piano and opened the keyboard, I realized that it is going to be my life, and I would not be able to live without music.”

When he was a child, Ziyu Liu’s parents discovered that he could memorize melodies of songs and play them, without any instruction, on their electric keyboard. They bought him a piano, and he started learning on his own. At the age of 11, he decided that he wanted to become a professional pianist because of the joy he got from communicating with others through music.

Born into a family of pianists in Riga, Latvia, Georgijs Osokins began his studies at the age of 5 with his father, Sergejs Osokins. After 12 years at the Emīls Dārziņš Music School, he studied with Sergei Babayan at The Juilliard School in 2015, then moved to Robert Schumann Hochschule in Düsseldorf to study with Georg Friedrich Schenck. He finds “consistent development” to be the hallmark of a great musician: “only when an artist fully embraces his responsibility of being the linking element between the creator and the recipient, can he start to generate art himself.”

Gabriela Montero’s visionary interpretations and unique compositional gifts have garnered her critical acclaim and a devoted following on the world stage. Anthony Tommasini remarked in The New York Times that “Montero’s playing had everything: crackling rhythmic brio, subtle shadings, steely power…soulful lyricism…unsentimental expressivity.”

With more than 15 years of award-winning Naïve recordings and international concert appearances, Lise de la Salle has established herself as a musician of real sensibility and maturity. Her playing inspired a Washington Post critic to write, “For much of the concert, the audience had to remember to breathe… the exhilaration didn’t let up for a second until her hands came off the keyboard.”

When Arseniy Gusev was 5 years old, an upright piano was brought into his St. Petersburg home, and he immediately started playing and experimenting with it. He wrote his first piece—a romance on a Pushkin poem—shortly thereafter, and his grandmother asked him if he would like to go to music school. He went on to study both composition and piano performance at the St. Petersburg Conservatory. Upon graduation in 2018, he moved to the United States, where he attends the Cleveland Institute of Music, under the tutelage of Sergei Babayan (piano) and Keith Fitch (composition).

Praised for her “impeccable technique and facility for crystalline sounds” (American Record Guide), “her natural ease and keen sense for drama” (BBC Music Magazine), “deliciously pearly touch” (Classical-Music) and “crisp, pointed and sensuous playing” (San Francisco Chronicle), Momo Kodama has built up an impressive career with performances with world-renowned orchestras such as the Berlin Philharmonic Orchestra, Boston Symphony Orchestra, Bayerisches Staatsorchester, NHK Symphony Orchestra, NDR Elbphilharmonie Orchestra, Orchestre National de France, Orchestre Philharmonique de Radio France, Orchestre Philharmonique de Monte-Carlo, Orchestre de Chambre de Paris and the Royal Liverpool Philharmonic Orchestra, under the baton of Seiji Ozawa, Eliahu Inbal, Charles Dutoit, Kent Nagano, Roger Norrington, Lawrence Foster and André Previn. She has appeared at the Vienna Musikverein, Berlin Philharmonie, Berlin Konzerthaus, Suntory Hall Tokyo, Philharmonie de Paris, Théâtre des Champs-Elysées in Paris, Muziekgebouw aan ’t IJ in Amsterdam and the Wigmore Hall in London.

The Cliburn announces that its 2026 Gala: Iconically American, will take place Friday, April 10 at the Fort Worth Zoo Reserve. A nod to the United States' 250th birthday, the black-tie event pays homage to the classic elegance of the organization's inspiration and namesake, Van Cliburn—one of the most iconic American musicians and cultural diplomats in history.

Always one of the best parties of the year, this edition will take the party a step further: Texas artists and lifelong friends Lyle Lovett and Robert Earl Keen will take the stage to perform their signature American music.

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