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Till Fellner
Till Fellner’s international career began in 1993 with the first prize at the renowned Concours Clara Haskil in Vevey, Switzerland. Since then, he has been a sought-after guest at the major orchestras and the music centers of Europe, the United States, and Japan, as well as at numerous festivals. He currently teaches in Zurich and Graz.
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Andreas Haefliger
Andreas Haefliger was born into a distinguished Swiss musical family and grew up in Germany, going on to study at The Juilliard School in New York. He was quickly recognized as a pianist of the first rank, and engagements with major U.S. orchestras followed swiftly—the New York Philharmonic, Cleveland, Los Angeles Philharmonic, Boston Symphony, and Chicago Symphony orchestras among them. In his native Europe, as well, Mr. Haefliger has appeared with the great orchestras such as the Royal Concertgebouw, Rotterdam and Munich Philharmonic, Budapest Festival, Deutsche Symphonie-Orchester Berlin, London Symphony, and Vienna Symphony. Recognized as a superb recitalist, he has ongoing relationships with the Lucerne and Edinburgh Festivals, Vienna Konzerthaus, and other major halls across North America and Asia.
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Quarterfinal Round Concert 3
In this concert, 4 of 18 competitors will each perform a 40-minute recital.
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Emanuel Ax, piano
20 Grammy nominations and eight wins. A touring career that has taken him to every major venue and orchestra in the world. An Avery Fisher Prize.
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Momo Kodama
Praised for her “impeccable technique and facility for crystalline sounds” (American Record Guide), “her natural ease and keen sense for drama” (BBC Music Magazine), “deliciously pearly touch” (Classical-Music) and “crisp, pointed and sensuous playing” (San Francisco Chronicle), Momo Kodama has built up an impressive career with performances with world-renowned orchestras such as the Berlin Philharmonic Orchestra, Boston Symphony Orchestra, Bayerisches Staatsorchester, NHK Symphony Orchestra, NDR Elbphilharmonie Orchestra, Orchestre National de France, Orchestre Philharmonique de Radio France, Orchestre Philharmonique de Monte-Carlo, Orchestre de Chambre de Paris and the Royal Liverpool Philharmonic Orchestra, under the baton of Seiji Ozawa, Eliahu Inbal, Charles Dutoit, Kent Nagano, Roger Norrington, Lawrence Foster and André Previn. She has appeared at the Vienna Musikverein, Berlin Philharmonie, Berlin Konzerthaus, Suntory Hall Tokyo, Philharmonie de Paris, Théâtre des Champs-Elysées in Paris, Muziekgebouw aan ’t IJ in Amsterdam and the Wigmore Hall in London.
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Carlos Miguel Prieto
Known for his charisma and expressive interpretations, Mexican conductor Carlos Miguel Prieto has established himself not just as a major figure in the orchestra world but also as an influential cultural leader, educator, and a champion of new music. In a significant career development, he will start his tenure as Music Director of the North Carolina Symphony at the beginning of the 2023–24 season.
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Haochen Zhang, piano
In the 15 years since he won Cliburn gold at the age of 19, Haochen Zhang has captivated audiences in the United States, Europe, and Asia with a unique combination of deep musical sensitivity, fearless imagination, and spectacular virtuosity.
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Tessa Lark, violin + Misha Namirovsky, piano
Violinist Tessa Lark is one of the most captivating artistic voices of our time, consistently praised by critics and audiences for her astounding range of sounds, technical agility, and musical elegance.
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Yanjun Chen
2025 Cliburn Competitor Yanjun Chen
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Stephen Hough
Named by The Economist as one of Twenty Living Polymaths, Stephen Hough combines a distinguished career as a pianist with those of composer, writer, and painter. He was the first classical performer awarded a MacArthur Fellowship and was made a Commander of the Order of the British Empire (CBE) in the New Year’s Honours 2014.
Our Mission
To advance classical piano music throughout the world. Its international competitions, education programs, and concert series embody an enduring commitment to artistic excellence and the discovery of young artists.
©
2025
The Cliburn