Search

Yangrui Cai began his piano studies at age 4, though none of his family had any music- or art-related background. When he was 15, a first-place finish in the national auditions earned him a spot in China’s Xinghai Conservatory of Music Middle School. Upon his graduation with distinction in July 2019, the Hunan native was admitted to several prestigious conservatories in the United States with full scholarships. He is currently a third-year undergraduate student at Oberlin Conservatory, under the tutelage of 2001 Cliburn Gold Medalist Stanislav Ioudenitch.

Tianxu An, from Baoding, near Beijing, is a sought-after young artist, both at home in China and around the world. In June 2019, Tianxu drew international attention when he won fourth prize and a special prize for “courage and restraint” in the XVI International Tchaikovsky Competition—the highest award for a Chinese pianist at that contest in 17 years. A month later, he made his debut with the Philadelphia Orchestra at the Mann Center.

After Vitaly Starikov completed his studies at the Ural Special Music School in his native Yekaterinburg, his “dream came true” when he began studying with Vera Gornostayeva, one of the world’s most venerated teachers, at the Moscow Tchaikovsky Conservatory. At that time, her student, Vadym Kholodenko, had just won the 2013 Cliburn Competition, which “greatly inspired” Vitaly: “and it was then that the thought was born to someday participate in this competition.”

Born in Qinhuangdao, Xiaolu Zang was 4 years old when an electric keyboard caught his attention. He eventually attended the Beijing Central Music Conservatory Middle School for seven years under Professor Ye Lin and won first prizes in several major Chinese competitions. It was during that time, at the age of 15, that he recalls a singular day when he determined himself to become a professional musician. That commitment took him to Germany in 2017, where he studies with Arie Vardi at Hochschule für Musik, Theater und Medien Hannover.

Milan native Francesco Granata’s journey with music began when he was 5 and has not stopped since. He graduated from the Milan Conservatory in 2016, with the highest evaluation and special mention. He then had the opportunity to study under two distinguished Cliburn laureates: Benedetto Lupo at the St. Cecilia Academy in Rome, where he obtained the Master Course Diploma, and—now—Roberto Plano at the Jacobs School of Music at Indiana University.

When she was 6, Elizaveta Kliuchereva—who was born in Moscow into a family of visual artists—was walking in the corridors of her art school and found a very old piano standing in the corner. She says: “From the moment I saw the piano and opened the keyboard, I realized that it is going to be my life, and I would not be able to live without music.”

When he was a child, Ziyu Liu’s parents discovered that he could memorize melodies of songs and play them, without any instruction, on their electric keyboard. They bought him a piano, and he started learning on his own. At the age of 11, he decided that he wanted to become a professional pianist because of the joy he got from communicating with others through music.

Born into a family of pianists in Riga, Latvia, Georgijs Osokins began his studies at the age of 5 with his father, Sergejs Osokins. After 12 years at the Emīls Dārziņš Music School, he studied with Sergei Babayan at The Juilliard School in 2015, then moved to Robert Schumann Hochschule in Düsseldorf to study with Georg Friedrich Schenck. He finds “consistent development” to be the hallmark of a great musician: “only when an artist fully embraces his responsibility of being the linking element between the creator and the recipient, can he start to generate art himself.”

Gabriela Montero’s visionary interpretations and unique compositional gifts have garnered her critical acclaim and a devoted following on the world stage. Anthony Tommasini remarked in The New York Times that “Montero’s playing had everything: crackling rhythmic brio, subtle shadings, steely power…soulful lyricism…unsentimental expressivity.”

With more than 15 years of award-winning Naïve recordings and international concert appearances, Lise de la Salle has established herself as a musician of real sensibility and maturity. Her playing inspired a Washington Post critic to write, “For much of the concert, the audience had to remember to breathe… the exhilaration didn’t let up for a second until her hands came off the keyboard.”